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VICE Premiere: VICE Exclusive: Listen to Yakki Divioshi, One of Atlanta's Hottest New Rappers

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Atlanta's good rap resurgence has taken our mostly bereft musical nation by storm, producing recent talents like Reese, Young Scooter, and Johnny Cinco. Yakki Divioshi has been in that scene for a while and is coming up strong. He released a track with Young Thug earlier this year, as well as a groundbreaking debut, Yakk. He's got a new track, "Back at It," produced by Spaghetti J. I don't know who Spaghetti J is, but he did a good job. Listen to this track above.

Check out more from Yakki on Twitter.


How Does the US Leave Afghanistan? – Shane Smith Interviews Ashton Carter (Part 3)

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How Does the US Leave Afghanistan? – Shane Smith Interviews Ashton Carter (Part 3)

Queens Let Their Freak Flag Fly at RuPaul's First-Ever DragCon

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RuPaul wants each of us to know that we are "God's gift to the universe." This was reiterated over and over in his keynote speech to a packed auditorium this weekend at the first-ever DragCon in Los Angeles. Decked out in glitter, glamor, and more than one disco ball, DragCon sent a message about self-love, regardless of size or shape, color, or gender.

Building on the popularity of RuPaul's Drag Race, DragCon was meant to be a celebration of all things drag. "It's a chance for all lovers of drag culture—young and old, gay and straight—to come together, to inspire each other, and to let their freak flags fly high," said the event's website. You couldn't turn your head without tripping over someone fantastic. Every iteration of drag was on view, followed by swarms of fans who had lined up for hours to snag an autograph from one of Ru's girls. The competition was fierce as Queens glared and bared, each outdoing the next with a smile.

But best part, by far, was the diversity of the crowd—a colorful, dazzling, fluid utopia. If Dragcon was meant to spread a philosophy of love as self identity then please sign me up.

See more of Michelle Groskopf's photography on her website and on Instagram.

The VICE Guide to Right Now: The MTA Made an Adorable 8-Bit Video Explaining NYC Subway Delays

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The New York subway system is a frustrating and disgusting beast, what with the used condoms and L train outages and traces of Bubonic plague. Today, though, the Metropolitan Transportation Authority has managed to create a two-minute video that recasts that tubular subterranean cesspool as a glorious 8-bit wonderland, like something Ash Ketchum might ride to Celadon City. It also neatly explains how train delays work, using a vomiting passenger as the example for a service disruption. That doesn't really help ease the lingering germophobia caused by the subway germs study earlier this year, but at least the video has a charming chiptune score to keep things positive. Looks like someone at the MTA still has their Korg synth emulator for Nintendo DS.

Want Some In-Depth Stories About Subways?

1. Watch Our Documentary About the Subway Gangs of Mexico City
2. A Graffiti Writer Explains How to Paint a Subway Car in Minutes
3. Why Do People Keep Getting Pushed onto Subway Tracks?
4. New York City's Cops Are Waging War on Subway Performers

Follow River on Twitter.

The Military Equipment Gravy Train Is Ending for Local Police Departments

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The Military Equipment Gravy Train Is Ending for Local Police Departments

'Pitch Perfect' Got It Wrong: This Is What It's Really Like to be in a Hardcore a Capella Group

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Photo of the 2015 class of Whim 'n Rhythm. Image courtesy of the group.

Many people view a capella as an antiquated, college-specific extracurricular—a hokey music niche that attracts wholesome, zany geeks. In the past few years, though, it's wormed its way into the pop culture zeitgeist in a big way. Back in December, the latest album by the five-person a capella group Pentatonix went platinum and a whopping 5.1 million people tuned in to watch NBC's a capella competition show, The Sing Off. This past weekend, Pitch Perfect 2, a comedy about an all-female a capella group, earned $70 million domestically and beat out Mad Max: Fury Road for the box office's top spot.

For the college students who actually perform in these groups, a capella is much more than mere entertainment—it's a way of life. Take Yale's all-male, senior a capella group the Whiffenpoofs, which has been around since 1909 and once featured Cole Porter as a member. A capella is so serious to the Whiffenpoofs, the group's 14 members take off an entire year of college to tour for nearly 200 days and perform in over 25 countries. Although Yale's all-female senior group, Whim 'n Rhythm, doesn't get to take a leave of absence, they also tour the world, hitting nearly a dozen countries over the course of summer break.

While it's easy to eye roll at a bunch of kids wearing bow-ties, white gloves, and doing all-vocal (and un-ironic) covers of Lil Wayne's "How to Love," these are students who balance the demands of their intense singing groups with the rigor of being a Yale undergrad. VICE spoke with Ehrik Aldana and DJ Stanfill (the business manager and music director of the Whiffenpoofs, respectively) and Moriah Faye and Caroline Diehl (the business manager and music director of Whim 'n Rhythm) to talk about what it's really like to be in a serious a capella group in 2015.

[body_image width='960' height='640' path='images/content-images/2015/05/17/' crop='images/content-images-crops/2015/05/17/' filename='basic-pitches-not-allowed-this-is-what-its-really-like-to-be-in-a-hardcore-a-capella-group-111-body-image-1431905857.jpg' id='56830']Photo of the 2015 class of the Whiffenpoofs. Image courtesy of the group.

VICE: What's your musical background like? Did you get into a capella before college?
Ehrik Aldana: I actually didn't sing at all before getting to college, but I had a background in piano and guitar in high school. A lot of Whiffs this year sang in a cappella groups in high school and most have experience playing musical instruments as well. Our musical backgrounds are very diverse ranging from jazz and gospel to classical and musical theater.

Caroline Diehl: Musical experience usually varies a lot within a group, which is great because people bring different perspectives to the table. I had a lot of formal music training before coming to college, mostly in classical music. My vocal training was in musical theater and classical repertoire. The rest of the group includes people who have had formal vocal training, as well as people who didn't start singing until they got to college, people who have played instruments, and people who don't read printed music and learn entirely by ear.

Do many members want to pursue music professionally after graduation?
Ehrik: I think that most Whiffenpoofs join the group without any intention of pursuing music professionally or academically. Even though our touring and performance schedule has us operating at a near-professional level, we all have strong passions outside of singing, ranging from election law and archaeology to biochemistry and Chaucer.

Caroline: Currently, only one person in the group is definitely planning to pursue music (in the form of musical theater), although I know at least a couple others have considered it and might still decide to pursue singing.

For more on music, watch our doc on Brett Morgen, director of the Kurt Cobain doc 'Montage of Heck':


Since the senior groups at Yale have a 100 percent turnover rate each year, how do new members figure out how to book the tours, arrange travel plans, balance finances, etc.?
Ehrik: The turnover is one of the Whiffenpoofs' largest recurring challenges. There is a new group of Whiffenpoofs every August who need to make the performances seem effortless to audiences who have been exposed to the group for years.

However, Whiffenpoofs are selected a few months before they actually start singing together, which gives them a few months to decide where they want to travel, start booking performances, and run what's effectively a small business. Additionally, because each outgoing Whiff group returns to Yale to finish its senior year, that typically means there are 14 recent Whiff alumni on campus to draw advice from—from how to deal with booking a concert in Zanzibar to where to get the best cup of coffee in Seattle.

"In the end, we're still a bunch of a capella college nerds joining together for the last year of college." - DJ Stanfill

Is there a Whiffenpoofs or Whim 'n Rhythm 'type' of personality—a similar energy or attitude that is consistently drawn to the group?
DJ Stanfill: The main thing is that the group attracts people who are into the travel opportunities—people who want to see other places and do a world tour that's paid for. But I also think people are drawn by the tradition associated with the Whiffenpoofs, as well as old, American song book music. A lot of people really value this type of style.

What's the vibe like this year?
DJ: The Whiffenpoofs are all really self-aware, punny, and tongue-in-cheek. Just take the nicknames we give each other for example. We're very conscious of the dichotomy of our image. There's the poofy white ties and conservative vibe, and then also the drunk college kids who like to party image. We wear the older, more ridiculous personality, but in a really self-aware way. In the end, we're still a bunch of a capella college nerds joining together for the last year of college. It's silly, but we are silly.

We're a different type of a capella personality, compared to what you might expect from groups on The Sing Off—the groups that do beat boxing, top 40 covers, etc. That's not what we do. We come from a more choral tradition. We have an appreciation for Cole Porter-esque humor—musical theater songs that have thinly-veiled dirty lyrics, but also more intellectual humor.

Read on Noisey: Fun's Over: Here's an a Capella Cover of "Trap Queen"

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What's the commitment like to be in one of Yale's senior a capella groups?
Ehrik: By the end of this touring year, we will have spent about 191 days on the road and sung about 225 concerts. We also will have visited 21 states and 26 countries by the end of our Whiff year. It's definitely a lifestyle.

Caroline: For me, Whim has often felt like a full-time job, and at times it's been very intense balancing my responsibilities as musical director with a full course load, scientific research for my major, and a thesis to finish. But I went into the year planning that Whim would be my most time-consuming extracurricular, so I carved out a lot of time for it.

Since there are only 14 members, you probably get to know each other very well. Do people within the group ever date others in the group or in other a capella groups?
DJ: In the past, it's happened. One couple started dating and they're still dating. There's been some Whiffcest, as we call it. We also have a thing we call 'Team Singles'—meaning the single guys who want to go out together when we tour and try to meet local girls. A lot of Whiffs have long-term girlfriends, and they aren't always up for going out and partying after we perform in various cities. Team Singles is usually down, though.

Are there Whiffenpoof groupies?
DJ: It's pretty low-key—nothing in the groupie groupie sense. There are people who've been waiting 50 years to see us, or remember seeing us when they were kids and now want to bring their kids, or even grandkids. Occasionally, we get middle and high school students who want to be a capella singers and they look up to us and send funny Twitter or Instagram messages. But, no, we're not rock stars.

Do you ever party as a group?
DJ: There are definitely people in the group who go out on the town after every show. When we can, we go to clubs, get drunk, etc. We like to get hammered and sing drinking songs together which people love because we're actually good. We even go to open mic nights and kill it. It didn't happen as much at the beginning of the year, but now we're close and we go out and have a baller time. Everyone once in a while, we'll have someone still be drunk at a performance the morning after going out, but for the most part we are pretty good at getting four to six hours of sleep and maintaining an air of professionalism, even if we're hungover.

Caroline: Yes, we hang out together in all manner of ways, whether that's watching a movie or studying together in the library or baking or partying. We usually have after-parties after our big concerts, and we definitely go out on the town sometimes when we're on tour.

[youtube src='//www.youtube.com/embed/FC-O-J25huE' width='640' height='360']

Are the pop culture stereotypes about a capella kids being zany nerds true at all?
DJ: I would say some of them. The jazz groups and choral groups not so much. But with the rise of Ed Sheeran, Pentatonix, Pitch Perfect, and the Sing Off, there's a whole new sub-genre of a capella that's taken off recently. We take them seriously—and, after all, we also do Sam Smith and Selena Gomez covers—but we do a more classic, doo wop men's singing group version of this bright, forward, Pentatonix-type sound. We respect those groups and they respect us, but we recognize we're in different sub-genres of a capella.

What's it like being in an all-female group?
Caroline: There are tons of things that are special about being in an all-female group. Times are changing, and all-female a cappella is breaking into the top tier of culturally-trendy a cappella. By creating top-notch music and touring around the world, Whim helps bring women's voices into the spotlight.

How do you use your voices in comparison to the all-male groups?
Caroline: Women's voices are different from men's voices. They can be used to create incredibly tight, colorful harmonies and a unique ambience that is impossible to achieve with a mixed or all-male palette of voices.

In addition, women's groups are often more able than mixed or all-male groups to communicate meaningfully about certain issues or represent certain attitudes. For example, if an all-male group covers Beyoncé's "Pretty Hurts," there's a good chance that it's going to be ironic and lighthearted—it's more about imitating the diva-esque qualities of the song than about delivering an earnest message. But when Whim covers it—which we do—we are able to show off our vocal chops while also making a powerful statement about body image and destructive beauty standards.

How do other women respond when they see and hear your group?
Caroline: An all-female group of musicians is a very special social environment that can be incredibly empowering both to members and to audiences. One of Whim's primary missions is to empower women and girls to pursue higher education and leadership opportunities. We believe that by performing for and conducting interactive workshops with women and girls around the world, we can serve as positive role models.

Whatever you think of Pitch Perfect as a movie, it's really significant that a (fictional) all-female group is being featured in a trendy movie. I think it has helped include the all-female genre in the a cappella craze that is now a part of American pop culture. It places an all-female a cappella group on the same celebrity-like pedestal that many all-male groups have already occupied for years.

Do Whim 'n Rhythm members typically stay close after finishing their year with the group?
Caroline: Yes! I know that past years have arranged 14-person Google Hangouts so that they can all video chat at the same time, and other cute things like that. Some people have had their Whim classmates sing at their weddings. Many recent alumni come back to campus for big concerts, and there are also reunions during our big anniversary years. Whim's 35th anniversary will be next year. Most people in collegiate a cappella find that singing in a group allows them to form connections with other people that are incredibly unique. Ultimately, that's what makes it most fulfilling.

To see Whim 'n Rhythm and the Whiffenpoofs on tour, visit their websites here and here.

Follow Zach Sokol on Twitter.

The VICE Guide to Right Now: Lindsey Graham Wants to Be President and Blow People Up with Drones

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The face that terrorists fear. Photo via WikiCommons

South Carolina senator Lindsey Graham told CBS This Morning that he will be running for president because "the world is falling apart" and apparently he's the man to save it. Graham is the seventh Republican candidate to throw his hat into the ring for the upcoming presidential nomination, and he's got a pretty bold idea about how he'll deal with would-be terrorists once he's shacked up in the White House—he's going to sick a drone on them.

"If I'm president of the United States and you're thinking about joining al-Qaeda or [Islamic State], I'm not gonna call a judge," Graham said a few days ago at the Iowa GOP Lincoln Dinner. "I'm gonna call a drone and we will kill you." With Amazon's drone delivery service still needing to hammer some kinks out, Graham seems like the next best place for the drone lobby to funnel their funds. He will officially announce his bid for president on June 1.

Want Some In-Depth Stories About Politics?

1. The Strange Lives of Failed Presidential Candidates
2. How Bernie Sanders Shaped the Northeast Punk Scene
3. Why Does Bill de Blasio Think He Can Save the Democratic Party?
4. How Mike Huckabee Turned Running for President into a Business Empire

Follow River on Twitter.

Photos: Trucks and Children Are Sucking the Beaches of Morocco Dry

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Many children in Larache, Morocco, work as sand looters instead of going to school.

Three days a week, workers on Morocco's Larache beach drive bulldozers over the dunes and dig up all the sand they can. Tons of it. Their bosses have permits, but many come here illegally on the weekends, using donkeys and shovels to ravage the land even further.

A critical ingredient in concrete, glass, and microchips, sand is a hot commodity. The international community imports a little over a billion dollars of it a year, and about half of Morocco's sand trade is illegal.

It's a significant problem in Morocco, where illegal sand extraction costs the government $1.1 billion in unpaid taxes. Almost half the sand used in construction in the country comes from the illegal market, and several beaches have entirely disappeared because of it.

When we arrived in Larache, a sand-looting epicenter, we walked onsite without a hassle. All the workers we met came from a nearby village and remembered how nice the beach used to look a few years back, before the looting began. The looting operations are run by a cooperative, and the Moroccan government has recently made an effort to be transparent about who benefits from illegal sand mining.

There are about 700 trucks on the beach every day. Each one makes three journeys, loaded with 3,000 gallons of sand—well over the government quota. The trucks are only allowed to work Monday through Wednesday, so looters ransack the beach the rest of the week.

The typical looter is a young boy, between ten and 17, who earns $5 a day for loading sand onto a donkey. We didn't see any women on the beach. The villagers usually get together to invest in a donkey so they can pay a young boy to go to the beaches and take all the sand he can. Afterward, the adults share the profits of the sale.

Years ago, locals worked in the nearby peanut fields, but the money in sand looting is better and easier to come by, leaving the kids with no incentive to get an education. A young man we met said that the nearest school was a mile and a half away—and he had no vehicle. "If we have to sweat, better we get money out of it," he said.

They don't consider that when the sand is gone, they will have no other way to make a living. And given the inaction of the town and the federal government, that will happen sooner rather than later.


The small-batch way of stealing sand is by using donkeys and hand shovels.


In a few years, some Moroccan beaches will disappear entirely due to sand exploitation.


Mining sand dunes in the Western Sahara has become a lucrative industry. Only influential businessmen can obtain exploitation permits.


Extensive sand extraction in Morocco has transformed some beaches into lunar landscapes.


Frida Kahlo's Garden Takes Root in the Bronx

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[body_image width='750' height='1096' path='images/content-images/2015/05/18/' crop='images/content-images-crops/2015/05/18/' filename='frida-kahlos-garden-comes-to-new-york0484-body-image-1431971423.jpg' id='57193']Frida Kahlo in front of cactus fence in San Ángel in 1938. Photo credit: Nickolas Muray Photo Archives. Courtesy of the New York Botanical Garden

Sixty-one years after her death at the age of 47, seminal Mexican artist Frida Kahlo still has the power to awe, provoke, and inspire. A striking icon—resplendent in her colorful clothes and jewelry, trademark up-do and unibrow—she now appears on everything from fridge magnets to tote bags. Her image has become one of the most recognizable (and replicated) faces of the 20th century.

Her visage today is shorthand for "the rebellious woman," and with good reason: Kahlo was the protagonist of her own story, taking what society told her were shortcomings—unconventional looks, disability, vibrant sexuality, outspokenness—and turning them into her defining trademarks. Popular culture is familiar with Kahlo the rebel, the bisexual, the intellectual, and the trailblazer, but less is known of her softer side, the one that tended a lush hideaway at her childhood home, the Casa Azul, now the Frida Kahlo Museum , in Mexico City.

This summer, the New York Botanical Garden has transformed its Enid A. Haupt conservatory into Casa Azul, complete with blue walls, succulents, organ pipe cacti, and all manner of flora. This little slice of Coyoacána in the Bronx is just one part of a seven-pronged exhibit Frida: Art. Garden. Life, up until November 1, that includes works on paper, paintings, rare photos, and programming that includes musical performances, Mexican-themed food pop-ups, and a poetry walk inspired by novelist and poet Octavio Paz (1914-1998), the Nobel laureate of Mexico.

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Installation view of 'Frida: Art. Garden. Life' at the New York Botanical Garden. Photo credit: Ivo M. Vermeulen. Courtesy of the New York Botanical Garden

Much like the Japanese artist Yayoi Kusama more recently, Kahlo went through a period of relative obscurity, overshadowed by larger, male names from the era, including her own husband, the painter Diego Rivera, whose work helped to usher in the Mexican Mural Movement of the 20s. Then a resurgence of Neomexicanismo in the late 70s/early 80s brought Kahlo back into cultural relevance. With the release of the 2002 biopic Frida, starring Salma Hayek, the art-world favorite got further mainstream recognition. Despite fame in her time, and a host of international lovers that included French singer Josephine Baker and Soviet revolutionary-turned-dissident Leon Trotsky (among many others), Kahlo's life was also spent battling pain, both emotional and physical. After a train accident at 18 left her bedridden and temporarily paralyzed, the artist developed her own artistic style, seeking refuge in the natural world of Casa Azul. In the course of her tempestuous marriage to Rivera, Kahlo would often seclude herself in the garden to sit, think, and be at peace.

On i-D: Unlocking the Secrets of the Sealed Room in Frida Kahlo's Blue House

Scott Pask, designer of the exhibit, and Tony-award winning set designer for plays like The Book of Mormon and The Coast of Utopia, recognized during his trips to her childhood home the important role nature played in easing Kahlo's agony: "She was in pain her whole life from injuries—polio as a child, and then also the emotional pain of a very tumultuous marriage to a person she worshipped and respected, but who was also largely a tormentor of sorts. Her gardening was born of emotional strife, and the personal extravagance was her way of being in touch with the full force [of her emotions]." This extravagance includes thousands of colorful, native plants, and a striking Mesoamerican-style shrine, in homage to Mexico's pre-Spanish, indigenous heritage.

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Shrine in 'Frida: Art. Garden. Life' at the New York Botanical Garden. Photo credit: Ivo M. Vermeulen. Courtesy of the New York Botanical Garden

The garden's replication is due in no small part to the hard work of exhibit creators and coordinators Adriana Zavala, Mia D'Avanza, and Joanna L. Groarke, who spent over a year meticulously researching both botany and design, pouring over old images and Kahlo's correspondence, and traveling to Casa Azul. But why Frida, and why now?

The answers lie in our current zeitgeist, which elevates "outsiders" and the marginalized. As D'Avanza, reference librarian at the NYBG, told me, Frida's appeal is both timeless and current.

"Part of it is the force of her personality, which comes through in her paintings," D'Avanza said. "She addressed autobiographical [elements] in her paintings, and she's [since] become an icon for women, or anybody who's overcome bodily injury. She had a very dramatic life, and she transcended it."

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Salma Hayek as Frida Kahlo and Alfred Molina as Diego Rivera in 'Frida' (2002)

Much of this transcendence is due to an ability to lose herself in the patterns of nature, and the exhibit focuses on ways she used its imagery to tell her story. From her iconic Self-Portrait with Thorn Necklace and Hummingbird (1940), which mimics religious iconography and features two of her pets, a monkey and black cat, entwined in her garden, to Flower of Life (1944), both on display, nature is as much a character in her autobiographical works as she is.

"She employs imagery in a way that's deeply personal," said D'Avanza, who is also the exhibition coordinator at the NYBG. "I feel people can relate to her from different angles."

Related: Oaxaca's Third Gender

Part of this image mastery is due to her upbringing as the daughter of a photographer, which led to a heightened awareness of image, cult of personality, and self-mythology.

"She's kind of like the original selfie-taker," continued D' Avanza. "She knew her angles. You see it in these early photos with her dad, with her whole family. Her sisters are conventionally beautiful, so she chooses to dress like a man because she wants to stand out. She knew that anybody could be 'pretty,' but it takes a certain kind of personality to carry off being unconventional."

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Two Fridas at the New York Botanical Garden on May 11, 2015. Photo credit: Ivo M. Vermeulen. Courtesy of the New York Botanical Garden

Decades before Madonna or Lady Gaga, Kahlo was transforming the grotesque into the glamorous.

"She was boisterous and outspoken, and talented and feminine and masculine, and all these wondrous things," said Karen Daubmann, associate vice president of exhibitions at the NYBG. Surprisingly, this dynamic spirit fits perfectly among the curated and clipped lawns of the botanical garden, which Daubmann recognized early on.

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Frida Kahlo. 'Self-Portrait with Thorn Necklace and Hummingbird' (1940, detail)

[body_image width='1500' height='1248' path='images/content-images/2015/05/18/' crop='images/content-images-crops/2015/05/18/' filename='frida-kahlos-garden-comes-to-new-york0484-body-image-1431974337.jpg' id='57214']Frida Kahlo. 'Two Nudes in the Forest' (1939)

"We loved seeing her gardens, and sitting in her studio, when we were in Mexico City, and we wanted to bring that back to everyone here in the Bronx," said Daubmann.

And Daubmann has certainly succeeded. To walk through the NYBG's Casa Azul is to get a glimpse of what it was like to see the world through the eyes of this tortured, yet brilliant artist—but to also healed be healed by nature's beauty, just as Kahlo herself was.

"She brought together all these elements of the natural world, and lived it," said Daubmann.

Frida Kahlo: Art, Garden, Life at the New York Botanical Garden (2900 Southern Boulevard, The Bronx) continues through November 1.

Follow Laura on Twitter.

Ghosts of Boko Haram: How Nigerian Refugees Are Coping in the Wake of the Baga Massacre

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Madi Musa was on his way to the market when he heard gunshots. His instinct was to run. It wasn't the first time that insurgents from Boko Haram had attacked his hometown of Baga, in northeastern Nigeria, and Musa figured he would follow the blueprint that had kept him alive thus far.

Musa would run to the lake and wait for the shooting to stop. He would return home to find his wife and five children. He would live in fear, but he would tend to his onion gardens and oversee his stall in the local market. His children would go to school and life would return to normal.

But the Saturday, January 3, attack on Baga was different from the ones before. The Boko Haram fighters broke from their usual routine and the gunshots gradually moved closer to the lake, where Musa and thousands of others had gathered. When the turbaned gunmen arrived at the shore, they fired indiscriminately.

"Men, women, children, anything that moved," Musa tells me, his frenzied eyes darting left to right, right to left. On that day, Musa recalls, it seemed Boko Haram's goal was not to occupy or plunder, but to kill.

When Boko Haram first emerged in northern Nigeria in the early 2000s, most analysts viewed the Islamic sect as the latest in a long line of Nigerian religious movements born out of frustrations with a corrupt and ineffectual secular government.

But Boko Haram has since morphed into something less definable and terrifyingly more lethal, kidnapping and killing thousands as it seeks to establish its own Islamic state in northern Nigeria. From 2009 to mid 2014, an estimated 11,100 Nigerians died because of the conflict between Boko Haram and the Nigerian government, and Human Rights Watch estimates that more than 1,000 civilians were killed by Boko Haram in the first three months of 2015. In total, an estimated 1.5 million Nigerians have been displaced by the violence.

As the insurgent group expands its operations abroad, pledging allegiance to groups such as the Islamic State and vowing to attack targets outside of Nigeria, the international community is scrambling to find answers to a group that has baffled experts and policymakers alike. At times, Boko Haram acts more like a crime syndicate or undisciplined gang than an ideologically inspired political project. Fifteen years into existence and despite dozens of high-profile atrocities, precious little is known regarding what exactly Boko Haram wants, how it is structured, or how it gets its money.

Yet here in Bagassola, Chad, where thousands of Nigerian refugees who fled Boko Haram now live, these considerations seem excessively academic. At its core, survivors say, Boko Haram is a death cult. It is young men with guns for whom killing is not a means to an end, but the end in its own right.

"They have become killers," Musa tells me. "They go into town, kill, and then disappear back into the bush."

The multi-day siege of Baga and its environs, since dubbed the "Baga massacre," outraged a Nigerian public aghast at the apparent insouciance of its own government. Last year, when Boko kidnapped of the 276 schoolgirls in the town of Chibok, the lackluster government response spawned a global campaign under the banner of #BringBackOurGirls. Allies of Nigerian president Goodluck Jonathan went so far as to dismiss the kidnapping as a fabrication orchestrated by the president's political opponents. With Baga, Jonathan issued his condolences to victims of the Charlie Hebdo attacks before he even acknowledged that hundreds of his own citizens had been slaughtered four days prior to the slayings in Paris.

Having lost re-election to a second term in large part because of his mishandling of the Boko Haram insurgency, Jonathan has used the waning days of his presidency to finally take the fight to Boko Haram. The Nigerian army, aided by an awkward coalition of neighboring militaries, Western advisors, and mercenaries from South Africa, has managed to drive Boko Haram from all but a few remaining strongholds. And though it no longer controls the same swath of territory that it used to, Boko Haram has still managed to carry out scores of deadly attacks throughout the Lake Chad region, prompting the governments of neighboring Niger, Cameroon, and Chad to move survivors of the Baga massacre further from the Nigerian border.

In late February, I travelled to the Dar Es Salam refugee camp in Chad, where thousands of refugees were cobbling together their new lives after the Baga massacre. These are their stories.

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Children play soccer in Dar Es Salaam

As Boko Haram descended on the lake, Musa realized that if he ever wanted to see his family again, he had to run back into town and find them. Musa's wife, Bintu, had already fled Baga. She was at home with her children when the attack started, and she too followed her first instinct. She fled into the bush with her baby.

Like Musa, Bintu realized that something was different about this attack, so she ran back into town to look for her four other children. The family home was vacant and the streets were empty when she arrived. Bintu then made the agonizing decision to flee Baga without her children, save for the infant on her back.

Musa and Bintu had heard stories about what happens to children who are captured by Boko Haram. They knew that girls often become "brides," a euphemism used by locals to soften the grim realities of a life of servitude and sexual slavery. Boys captured by the group often become fighters, indoctrinated and conscripted into the ranks. Separated from each other, both Musa and Bintu prayed that their children had managed to escape Baga on their own.

Their adolescent daughter, Falmata, had also heard stories. She was at her family home when young men wearing Nigerian army uniforms approached her, but she knew they were part of Boko Haram. "The uniform is the same, but they wear it differently," she says. "I thought, If I can just die before they get here, I will be happy."

"Where is your father?" one of them asked. Falmata told them Musa had run away. They searched the house and, for reasons Falmata can only attribute to God, left her alone and quickly moved on. She wasted no time. She ran as fast as she could to a nearby village, where she found two of her siblings, including her older sister, who took them to the city of Maiduguri. There, they found their mother and another sibling.

"People do not speak of Boko Haram... I cannot even explain how evil they are." –Sani Abdelhamid

Musa had no idea that his family was safe. Having run back into town only to find streets lined with corpses and buildings aflame, he returned to the lake and made arrangements to take a canoe toward the town of Almoustri.

Word quickly spread among the crush of people jostling for spots that Almoustri was also under siege. It may have been a rumor started by those desperate to ensure space for themselves . Or it may have been that those escaping toward Almoustri were unknowingly delivering themselves to Boko Haram.

Unsure, Musa erred on the side of fleeing Nigeria altogether. He swam until he reached the island of Tumbunyashi. Once there, he linked up with others and spent the next six days hopping from island to island until he reached Kangala, an island in neighboring Chad. From Kangala he would go to Dar Es Salam, a refugee camp set up by the Chadian government in the town of Bagassola.

"I suffered," Musa says. "I knew Boko Haram were kidnapping women and children." He also wondered how, in the unlikely event that they did escape, his wife and children would provide for themselves without him.

Once he had settled in Bagassola, Musa was able to call his brother in Maiduguri, who told him that his family had made it there unscathed. Musa instructed his brother to give them enough money to travel to Chad, where they now live with him in the Dar Es Salam camp. Their story is one of the few to emerge from Bagassola with a relatively happy ending.

Related: Watch VICE News' documentary, 'The War Against Boko Haram'

[youtube src='//www.youtube.com/embed/1kimbo5c0Ak' width='640' height='360']

Musa's neighbor, Sani Abdelhamid, cannot say the same. It was 5 AM when Boko Haram attacked his small village, located three miles from Baga. A father of seven, Abdelhamid packed two of his children and two of his brother's children on his motorcycle and told the others to run.

Abdelhamid is in Dar Es Salam with the two sons he escaped with and his 15-year-old daughter, who he found at a transit site in Ngouboua, Chad. But he has no idea what happened to his four other daughters. His wife, who was in Maiduguri for a funeral at the time of the attack, has not been able to find them either.

"I am so afraid they have been kidnapped or killed by Boko Haram," Abdelhamid says, listing each of their names and ages: four-year-old Hadiza, seven-year-old Fatama Madama, 13-year-old Nafiza, and 16-year-old Saudi. "I just want to go home and, God willing, meet my children there."

It's a universal sentiment in Bagassola, but there is little indication that the over 6,000 refugees living here will return home any time soon. Though a hastily assembled regional force of African armies and a small group of South African mercenaries hired by the Nigerian government are taking the fight to Boko Haram, there is widespread concern that the problem could further metastasize beyond Nigeria's borders.

The impatience that runs through the camp is palpable, and the anodyne rhetoric of "root causes"—economic underdevelopment, corruption, political marginalization—is noticeably absent. In Bagassola, to talk of long-term development endeavors to counter violent extremism is to elide the most pressing matter altogether: killing Boko Haram.

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A group of girls in Dar Es Salam

"People do not speak of Boko Haram," Abdelhamid tells me. "I cannot even explain how evil they are."

Both Sani and Musa are of the opinion that Boko Haram, regardless of the underlying conditions that spawned it, represents a unique type of evil that must be met with force.

"It is impossible to negotiate with them," Sani says.

"Even if you call them and try to negotiate, they will refuse," Musa echoes.

"I want my government to fight," Sani concludes.

Until recently, the Nigerian military had been humiliated by its inability to defeat Boko Haram while also drawing criticism for its spotty human rights record. In the case of the Baga massacre, in what the refugees in Dar Es Salam describe as equal parts cowardice and betrayal, the Nigerian army fled, leaving civilians behind to fend for themselves.

One group that had grown accustomed to fighting Boko Haram is the Civilian Joint Task Force, vigilantes who were formalized into quasi-militias by the Nigerian government in 2013 when military leaders came to appreciate the value of working with the local population.

When I meet Zalha Adamu, he punctuates our handshake by promptly presenting his government issued Civilian JTF identification card.

"The Nigerian military is afraid to fight and die, but the Civilian JTF is not because we are defending our home and defending our families," says Adamu, one of the few Nigerians who made it to Chad with his family intact.

"They do not have the will to beat Boko Haram," he says of the government. "They point their guns at Boko Haram, but they run away as soon as the fighting starts."

On the day of the Baga massacre, Adamu says, the Nigerian soldiers dropped their guns and ran away when they saw that Boko Haram had come in unprecedented numbers.

As Adamu recounts his experience fighting Boko Haram, he cradles his most trusted weapon, a slingshot, made from the split end of a tree branch, thick rubber bands, and layers of tape and fabric. Normally, he says, he would also be carrying his cutlass and several homemade arrows.

During previous attacks on his village of Doron Baga, Boko Haram came in small numbers, and usually fled if they faced any stiff resistance, even if only from a Civilian JTF armed with artisanal weaponry.

But on the day of the Baga massacre, Adamu says, the Nigerian soldiers dropped their guns and ran away when they saw that Boko Haram had come in unprecedented numbers. The Civilian JTF picked up those weapons and fired until they ran out of bullets, but they too fled once it was clear that Boko Haram could not be repelled.

"Sometimes Boko Haram is wearing a military uniform, sometimes they are wearing normal clothes," says Adamu, who has also seen them wearing military uniforms of neighboring Niger and Chad. Adamu suspects Boko Haram acquired the majority these uniforms by raiding military barracks, by taking them from soldiers they killed, or from soldiers who undressed as they fled.

But Adamu offers another explanation, which goes to the heart of the Nigerian government's inability to defeat Boko Haram, and part of why Western partners such as the United States have been unwilling to share raw intelligence with the Nigerian military: complicity.

Adamu contends that Boko Haram's ability to procure military uniforms, AK-47s, rocket launchers, armored vehicles, and Israeli-made Tavor assault weapons used by Nigerian Special Forces suggests that the group has infiltrated the Nigerian military. Whether it is the result of complicity or outright corruption, Adamu does not know, but the "not one, not two, but many" Boko Haram fighters that he and his compatriots have captured and interrogated told them they had sources within the Nigerian military who are willing to sell weapons and equipment to them.

"With Chad and Niger helping, we can beat Boko Haram," Adamu says. "But if it is only the Nigerian army fighting, they will not be able to stop Boko Haram."

Related: More photos of areas ravaged by Boko Haram.

The prevailing theory among survivors at the Dar Es Salam camp is that the Baga massacre was an exercise in collective punishment aimed at the very communities that had the temerity to fight back, something that neither the Nigerian government nor its military were willing to do. January 3, they say, was an act of revenge.

When Boko Haram fighters came to Adama Issiako's village, they called for all of the men to assemble at the mosque.

"Among you, there are people who come from Doro and Baga," the Boko Haram fighters said. Issiako's husband was among the 11 men singled out.

"They said they knew he was from Doro," recounts Issiako. "He admitted to being from Doro, but he said that he had never been a member of the Civilian JTF or fought Boko Haram."

That Issiako's husband was a fisherman and not a vigilante meant little to the young men. They proceeded to kill him and nine of the other men they had selected. According to Issiako, they purposefully wounded the last of the eleven—choosing to let him live, Issiako says, so he could tell the story of the attacks and spread fear among the region.

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Oumar Martins reading from his manuscript

One man who can corroborate these types of stories is Oumar Martins, a refugee who is eager to read aloud from his 22-page manuscript titled, "The Boko Haram That I Know." The handwritten document, originally written on loose scraps of paper but now carefully rewritten on United Nations stationary, is as much a collective memoir as it is a first draft of history. It describes the attacks that Martin witnessed in his village of Doro and distills the stories he heard from travelers and traders passing by his roadside pharmacy in the months leading up to the January 3 attacks.

The scenes Martins recounts in colorful prose track closely with the whispered testimonies that linger in the dry desert air at Dar Es Salam camp. During some passages, Martins writes of Boko Haram members as religious fanatics. Other times, Boko Haram fighters are portrayed as petty thieves who hijack merchant vehicles and hold hostages for small ransoms. In Martins's text, Boko Haram consists of battle-hardened jihadists as well as child soldiers, who he assumes "did not know the actual price of a bullet" as evidenced by their profligate shooting.

As with everyone else I spoke with in Bagassola, Martins has little regard for the Nigerian military. "Nigeria's army only wants money, but they don't want to help the population," he writes, describing soldiers stripping from their uniforms and fleeing barefoot as the Civilian JTF picked up their weapons.

"Even the local fishermen know where Boko Haram hides, but because they are scared, they don't tell anyone." –Oumar Martins

Martins's memoir details how in the weeks leading up to the Baga massacre, Boko Haram deliberately searched for people from the towns like Baga and Doro that had previously resisted incursions by Boko Haram.

"They started questioning drivers: 'Where are you from? Where are you going?' People who were originally coming from Doro, Baga and Bandaram were put aside," Martins writes. "They killed them in cold blood. They did not hesitate to kill them, even if some of them were acquaintances."

Martins also describes a scene similar to the one Issiako witnessed, in which Boko Haram spared certain people not as an act of compassion, but as a means to further terrorize villages they had not yet ransacked. Shortly after an attack in which Boko Haram had kidnapped dozens of women and young girls, they released two older women.

"Boko Haram decided to liberate two elderly women on purpose," he writes, "They told them, 'Go home, and tell your people that sooner or later, we will make your cities (Doro and Baga) disappear.'"

According to Martins, Boko Haram's methods of disseminating fear have proved effective in terrorizing local populations finto submission. "Even the local fishermen know where Boko Haram hides, but because they are scared, they don't tell anyone," he writes.

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Hawa Ahmadou and two children under her care prepare to leave the tent where they've lived for weeks

It's been a rough few weeks for Hawa Ahmadou, but today she is smiling. She is leaving tent Z4B4TO43 for good, and she can't wait.

She claps her hands a few times and starts ordering her adopted family to pack up. It's a depressingly quick process, and within a few seconds, she and her children are ready to say good riddance to a place for which they have zero nostalgia.

To outsiders, staying warm in Bagassola, where midday temperatures are regularly in the 110s, might seem like a peripheral concern. But nights on the edge of the Sahara can be uncomfortably cool and Ahmadou's tent—shoddily constructed and made of a simple wood frame overlaid with tarpaulin—is no match for the nocturnal winds.

For weeks, Ahmadou and the five children under her care slept in a huddle, finding warmth not in the blankets provided by the United Nations Refugee Agency—they sold those in the local market in exchange for food—but in each other's body heat. The two youngest children, both four years old, often cried throughout the evening.

She gives a tour of the eight-by-15-meter box she has been begrudgingly calling home. Even by refugee camp standards, her living situation is dire, complicated by the fact that she has taken in three children who are not hers.

"I found these children on my way to Ngouboua," Ahmadou tells me. "I saw so many lost children. I took seven of them with me, but four of them were seen by their parents along the way."

When Boko Haram fighters attacked her island village of Kaukiri, they opened fire before Ahmadou could finish telling her neighbors that armed men had furtively snuck into town. She fled immediately, but lost track of her two daughters amid the hail of bullets.

Miriam, ten, and Fati, 7, spent three nights without their mother on various islands in Lake Chad. "I thank God I was able to find them," says Ahmadou, placing a hand on their heads and letting out a broad, gap-toothed smile.

During the same stretch of her days-long journey from Kaukiri to Ngouboua, Ahmadou took in Jamilu and Saratu, both four years old, and ten-year-old Fanné. All three children were unaccompanied and in boats headed for Niger, but Ahmadou knew there was a refugee camp in Ngouboua, Chad—people fleeing northern Nigeria had been passing through her home village for weeks—and she persuaded their caretakers to give them over to her. She thought an established refugee camp would be better able to care for them.

But when they arrived in Ngouboua, there was less immediate help than Ahmadou anticipated. The Chadian army gave them some mats, blankets, rice, and cooking oil. She and the five children relied on bits of charity from the desperately poor local fishing community and she collected firewood in the bush in exchange for food.

The rice and cooking oil have since run out, and the mats and blankets were sold in the local market to buy some tomatoes, seasoning, and more cooking oil.

"All of the things I have been given here—blankets, mats, pots—I have sold in the market so that I can buy food," she tells me, gesturing to her empty living space.

She shows me a half bottle of oil, one kilo of rice, and one kilo of flour that she bought the day before. "Once that runs out, I will have to find work," Ahmadou tells me. With only two plastic buckets, a water jug, and a few pieces of fabric to her name, there isn't much left for Ahmadou to barter with at the market. "Maybe I can find people in town to pay me to wash clothes or collect wood," she wonders.

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A drawing by a child displaced by Boko Haram

You can find unaccompanied children like the ones Ahmadou cares for in just about any of the hundreds of tent dwellings that dot Dar Es Salam's sparse landscape.

One such child is Ali, a six year-old boy whose fixed scowl and incurious eyes seem tragically out of place on his sweet face. Ali arrived in Chad in January, and his parents are nowhere to be found, nor are any of his four sisters.

Ali made it to Dar Es Salam because of Maimouna Abdu, a 35-year-old mother of four and grandmother of one who reached Bagassola with her entire family, save for her husband, who she has not heard from since the attacks. Abdu knew Ali's parents and grabbed him when she—like just about everyone else in Dar Es Salam—was meandering her way through Lake Chad's constellation of islands. Ali, like many of the other young refugees in the camp, retains some damage from that journey.

"He rarely talks," Abdu says. "And he never goes out to play with the other children."

On the other side of the camp, UNICEF has set up a "Child-Friendly Space." At first glance, the gaggles of children playing soccer and coloring with crayons might seem like a testament to the resilience of youth. But the illusion subsides when one looks at the pictures they draw. Amid the scribbles are juvenile renderings of bloody scenes; pictures of guns, bodies, and canoes that hint at the psychological trauma that children like Ali are experiencing.

Most mornings, you can find a steady stream of refugees—usually women with children in tow—walking into town. Saturdays are particularly busy, with droves of people marching 24 kilometers round-trip to the market. They endure the searing heat and thick sand in a desperate attempt to leverage what little they do have into something only marginally better.

Some of them arrived in Bagassola with a bit of Nigerian currency that they convince local vendors to accept, though it means they'll get a raw deal. Others will trade what they acquired during their journey for something they deem more essential. A bucket provided by the UN might become a new blanket. A donated T-shirt might become three pairs of plastic sandals.

Issiako's daughter, Shamysa, puts on bright orange lipstick to match her headscarf, and walks around the camp selling cake she made from flower, sugar and cooking oil. A butcher has slaughtered a sheep and opened a small stand, a shadow of his thriving business back home. His neighbor sells tea, soap, cigarettes, and phone credit just as he did in Nigeria.

As dusk sets in, a truck packed with people pulls into the camp. A local Chadian authority tells me the passengers are refugees who have only recently been rescued from the islands of Lake Chad. He estimates that there might be as many as a thousand more still lingering somewhere between Bagassola and the Nigerian border.

"We've moved them here for their safety," says Idriss Dezeh, a Chadian official tasked with acting as a liaison between the Chadian government and the humanitarian community. "They were too vulnerable to Boko Haram." Days earlier, Boko Haram had crossed the lake on motorized boats and attacked refugees in the village of Ngouboua, only 45 kilometers from Bagassola.

As the new arrivals disembark from the truck, babies are handed out and the elderly are carefully helped off the flatbed. Each refugee is registered and given a blanket, a bottle of water, and some nutritionally fortified biscuits.

This is their new life in Bagassola. It's no way to live, but it is living. And for now, they are safe from Boko Haram.

Peter Tinti is an independent journalist who has written for Foreign Policy, the New York Times, the Wall Street Journal, and many other publications. Follow him on Twitter.

DIY Morphine: Bioengineered Yeast Could be Used to Brew Opiates

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DIY Morphine: Bioengineered Yeast Could be Used to Brew Opiates

VICE Vs Video Games: Violent Video Games are Better for Us Than Bloodless Blockbuster Movies

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The superhero cast of 'Avengers: Age of Ultron.'

So here I am, just taking a baseball bat to random beach bystanders in Grand Theft Auto V, a pastime made even more enjoyable since the game's "blood update" was introduced. Then there I go, slaughtering an entire orc stronghold in Skyrim, avenging nobody in particular, leaving no man or beast behind. And finally it's off to Call of Duty: Modern Warfare 2, whereupon to sow the last of this season's wild oats by plowing through an entire airport full of innocent bystanders. What a night!

Mindless ultraviolence, to be sure, but stained with actual blood, the way all the great action movies once were. And are no longer, alas: I left a screening of Avengers: Age of Ultron, the action movie of right now (beside the just-out Mad Max: Fury Road), having gazed in befuddlement as CGI cities rose and fell without a hint of crimson to spoil the happy affair. I'd entertained similar thoughts while watching X-Men: Days of Future Past, Live Free or Die Hard, Godzilla, and The Expendables 3. In all of these pictures, vast swathes of the planet are annihilated, yet the victims, if they're seen at all, suffer only the slightest of flesh wounds.

The results, as bemoaned by an increasingly vocal minority of film critics, are absolutely ludicrous: Die Hard's John McClane can't drop his F-bomb catchphrase, Godzilla can blow up dozens of planes only to have the heroic pilots parachute to safety à la those Cobra henchmen in the G.I. Joe cartoons of the 1980s, and even hard-R throwback franchises like The Expendables suddenly have their hunky headliners blasting away with red and blue lasers. And of those R.L. Stine-y, tween-oriented "thrillers" in which shaky cams and bumps in the night have replaced the buckets of viscera once favored by the likes of Peter Jackson and George Romero... well, the less said, the better.

The explanation for this shift in tone and content is the vast profit potential that flows from the attainment of the PG-13 rating (the US equivalent of the UK's 12A), an "almost all ages" label devised by the Motion Picture Association of America during the early 1980s in an effort to placate Indiana Jones and the Temple of Doom director Steven Spielberg. The MPAA's criteria for this rating are contradictory, weirdly puritanical, and therefore thoroughly all-American: Sex and anything more than "brief" nudity are out; one "sexually-derived" expletive is acceptable (so make it count!); "persistent" violence is okay but "realistic" violence is verboten. Basically, you can kill billions, and as long as it's off-screen or thoroughly unrealistic, you're all good in the neighborhood—but don't you dare drop a double-f-bomb or let too many nipples slip. Then your sordid little picture is receiving an R rating, and good luck cracking the list of all-time highest grossing films with that albatross around your neck.

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'Uncharted 3' might be a smash hit, but this kid probably shouldn't be playing a game that's so violent. Photo via YouTube.

By way of contrast, examine the lists of best-selling PS3 and Xbox 360 games. Bloodbaths abound, including several Call of Duty offerings, Grand Theft Autos four and five, and the PS3 exclusives The Last of Us and the main Uncharted trilogy. And for all this unavoidable blather about Avengers: Age of Ultron—that film has occasioned so many "is it misogynistic?" think-pieces you'd need a moral compass to navigate them all—worldwide video game revenue across all platforms now exceeds filmed entertainment revenue. But of course, when a game like Grand Theft Auto V or Watch Dogs is written about in the mainstream press, it's often to note how irredeemably, unapologetically violent it is.

To which I must reply: yes, of course they are. That's the bloody (pun intended) point, insofar as there is any point at all. Minor quibbles aside, the stories are no better or worse than their Hollywood equivalents. Grand Theft Auto V isn't Absalom, Absalom!, but it's a darn sight better than Sly Stallone's latest entry in The Expendables series. Skyrim, for all of its unnecessary reading and tedious ambling around, is nevertheless a better walking simulator than the even more interminable The Hobbit trilogy. Oh, and to nod to Jesse Ventura in Richard Donner's Predator (a great hard-R film of the sort we'll never see again), in these games everybody has time to bleed.

Related: Sitting down with the director of 'Mad Max: Fury Road,' George Miller

The arguments about violence in games are so easy to make, because many designers jut their chins out and say, often in gorgeously rendered graphics, "Come at me, bro." And you can come at them, of course: You can make perfectly valid critiques about how these games desensitize players to violence and how they perpetuate various ugly stereotypes about women and minorities. But you can come at every entertainment product made in First World culture this way, only most aren't half as honest about it: Fox News alone, with its endless stumping for the Iraqi and Afghan wars and stockpiling of vapid blonde anchorwomen, is a leading offender on all counts.

Then we have these toothless, spineless PG-13 films. Marvel Studios, with its empty and consequence-free multiverse of interlinked narratives, has crafted a story far more disgusting than even the most ghoulish developers at Rockstar Games could devise. In Marvel's world, where bad guys fall dead without bullets lodged in their chests and half of New York City can collapse without overtaxing a single ambulance, we viewers encounter the ultimate vulgarity: a world in which violence not only doesn't hurt, it doesn't matter.

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The violence of 'GTA V' makes you consider mass murder in a way that few other forms of entertainment will.

Real fisticuffs: read about MMA and more on Fightland

Compare this, then, to video games that, even as they desensitize you, force you to feel something. No human endowed with reason—which, philosophically speaking, would be no human at all—could engage in acts of virtual mass murder for hours on end without at least some reflection on these activities. The visceral reaction provoked by a critic like Anita Sarkeesian suggests that, regardless of your position vis-à-vis her claims, you have one. You've thought something about what she has to say; or, at a minimum, you've thought more than nothing. You might feel guilty or aggrieved or supportive of your games, but you feel—your hundreds of hours with these works have left you with something to say. How many people left Avengers: Age of Ultron, this purposeless CGI mishmash, caring one way or another about the exploits of its lookalike himbo leads? Grand Theft Auto V, which makes you consider mass murder in a way that few other forms of entertainment will, sits in the gut like a Guinness; Avengers, all speed and fury signifying nothing, is as evanescent and unfulfilling as Diet Coke.

And so it goes with big-budget video games, which remain relevant in a way that big-budget movies once were. Their designers still give a shit, even if it's about rendering an atomic bomb blast in all its brutal majesty, and they're able to make significant bank in the process. The best all-ages fare, such as Yacht Club's Shovel Knight and Nintendo's Super Mario 3D World, transcends the Pixar Formula in a similar manner: for those game creators, there is no one path the truth, no single business model to be multiplied ad infinitum until reluctant viewers refuse to indulge another paint-by-numbers blockbuster.

In every case, gamers are treated, if not as full-on adults, at least with a modicum of respect: You can handle this trip to the strip club or this suicide mission to stop the Collectors or this airport massacre, they're told. Gratuitous violence, owing to its in-your-face visibility, is a topic we can discuss. But blue laser beams, parachuting-to-safety pilots, and no-harm-done PG-13 apocalypses? "What we cannot speak about we must pass over in silence."

Follow Oliver on Twitter.

This Is What Dinosaur Meat Tasted Like

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This Is What Dinosaur Meat Tasted Like

Adnan Syed from 'Serial' May Be Inching Closer to Receiving a New Trial

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On Monday, a court order was issued in Baltimore that might ultimately help push the case of Adnan Syed, subject of the wildly popular podcast Serial, a bit closer to a new trial by potentially introducing a new alibi.

Syed, who was convicted of murder, robbery, kidnapping, and false imprisonment in 2000, received a stay of appeal. Just as important, his request for a remand to the circuit court was granted, according to the order written by Peter B. Krauser, chief judge on the panel that's been dealing with the podcast protagonist's latest push for salvation.

Serial, which reportedly amassed over 40 million downloads and seems to have inspired nearly that many thinkpieces, details the prosecution's account of events, and the holes therein. Syed was alleged to have strangled his ex-girlfriend Hae-Min Lee in her car after school in 1999, burying the body in a nearby park. He's now serving a life sentence. (A new podcast called Undisclosed is continuing his story, although that podcast is produced by advocates for Syed rather than traditional journalists.)

In February, the Maryland Court of Special Appeals surprised some legal observers when it granted Syed a hearing, which is still slated for sometime this spring. But the latest decision throws a bit of a wrench in that timeline.

"This is likely to delay the Court of Special Appeals review of the post-conviction argument," attorney Douglas Colbert told VICE. Colbert, a University of Maryland law professor, was one of the lawyers who worked on Syed's behalf shortly after his initial arrest. "The court wants to proceed with the utmost care in making this decision, and does not want to rush something which has created a great deal of interest in whether or not Mr. Syed received a fair trial," he explained.

Watch: For more on Baltimore, check out Noisey's documentary.

The new court order cites two potential problems with the counsel Syed received during his original trial, which his legal team is making the crux of the bid for a fresh appeal. The first concerns whether Syed's original defense lawyer, Cristina Gutierrez, "rendered ineffective assistance" when she didn't interview a woman named Asia McClain—something the podcast helped bring to light when host Sarah Koenig tracked down McClain, who claimed to have talked to Syed in their school library during the exact time the prosecution indicated murder took place. McClain seemed blindsided by the potential significance of this new alibi, telling Koenig, "It would be nice if there was some technicality that then would prove his innocence."

"But I think, I think, 'Asia, like, you might be that technicality,'" Koenig said in the podcast.

Related: What would a 'Serial'-like murder investigation look like today?

The second half of the appeal centers on whether Gutierrez should have pursued a plea deal, and whether she might have actually lied to Syed about the possibility of obtaining one. Defense attorneys can't unilaterally pass on a possible plea bargain, particularly when the client voices the desire to entertain negotiations. "Once I'm instructed, I must report back to the client, and in this situation it's alleged that the defense never spoke to Assistant State's attorney [Kevin] Urick," Colbert said.

Colbert himself never dealt with Syed's actual defense, instead just counseling him at his bail hearing.

"The appeals court is saying, 'We want this information to be part of the post-conviction review,'" Colbert added.

Of course, the podcast centered largely on inconsistencies in the court testimony by Syed's friend Jay. Since that account formed the backbone of the case against Syed, fans of Serial argue staunchly for his innocence to this day. Those inconsistencies are almost certainly outside the scope of this appeal.

The court order pauses the appeal, and moves the proceedings over to a type of trial court. The trial judge must make what Colbert called "factual findings," which will then be delivered to the Court of Special Appeals, which in turn will decide whether Syed's lawyer botched his original case. That might ultimately lead to a new trial, though it's important to remember that even if the defense lawyers are ruled to have made mistakes, that wouldn't necessarily result in an overturned conviction.

"You can make an error, but it may not be as serious as to impinge on someone's constitutional right to effective assistance," Colbert said, before adding, "These two situations though, in my opinion, are quite serious."

Follow Mike Pearl on Twitter.

The Watchdog, the Whistleblower, and the Secret CIA Torture Report

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The Watchdog, the Whistleblower, and the Secret CIA Torture Report

Meet Top 5, The 16-Year-Old Toronto Rapper from Drake's Favourite Neighbourhood

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Meet Top 5, The 16-Year-Old Toronto Rapper from Drake's Favourite Neighbourhood

A Case in the Supreme Court Might Completely Change Canada’s Medical Marijuana Laws

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[body_image width='1000' height='664' path='images/content-images/2015/05/19/' crop='images/content-images-crops/2015/05/19/' filename='a-case-in-the-supreme-court-might-completely-change-canadas-medical-marijuana-laws-283-body-image-1432050772.jpg' id='57654']

Mmmmmm. Photo via Flickr user Dank Depot

It's not hyperbole to note that Canada's current medical marijuana system is a confusing creature, even within the byzantine world of drug regulation. But in the next few months, Canada's most powerful judges could "dismantle the regime" if a lawyer can successfully argue that a ban on marijuana derivatives, such as edibles like pot brownies, violates medical users' constitutional rights.

Depending on the ruling in the first medical marijuana case to hit the Supreme Court, medical users and recreational consumers might one day be able to walk in to stores and buy medicinal pot products straight off the shelf, similar to plants like Echinacea or St. John's Wort.

The hearing is over and the upcoming ruling—which is likely months away—could be perceived as a big win for critically ill patients caught up in the justice system for possessing weed extracts.

The decision may also be a victory for the average stoner as well.

The case in question involves a former BC weed baker named Owen Edward Smith who was called to Canada's Supreme Court because the Crown wants to appeal his acquittal and convict him of being a drug dealer.

Back in 2009, he was charged with possessing a hefty amount of weed cookies and THC-containing cooking oils in an apartment in Victoria, BC.

At the time, he was the head baker of the Cannabis Buyer's Club of Canada (now operating under the name Victoria Cannabis Buyers Club), an organization that sold edibles and oils to medical marijuana users. During the trial, it was revealed that only 5 to ten percent of CBCC members had medical authorizations for pot.

Canada's drug laws are very clear as far as possession and trafficking goes. Subsection 4(1) and Schedule II of the Controlled Drugs and Substances Act (CDSA) spell out the illegality of ganja for the average Joe.

But 55(1) of the CDSA is a tricky clause that allows for exemptions to be made. Furthering this exemption is a foggy regulatory scheme—called the Marihuana for Medical Purposes Regulations—which allows people with illnesses to legally access pot.

But only dried bud.

Smith's lawyer, Kirk Tousaw, argued that the exemption is arbitrary and opens up medical users to the heavy hand of the law if patients want to cook weed into a brownie rather than smoke a joint.

Tousaw argued it's easy in Canada for medical pot users to be cast into criminal territory for their behaviour.

To judges, he described a clinically ill female patient who was used as a witness during the trial.

According to Tousaw, she can lawfully hold nugs of weed. She can lawfully grind up the marijuana medicine and put it in a strainer.

"As long as she keeps the strainer in the water and drinks the tea with the dried marijuana, she's not breaking the law," he said. "But the minute she takes the tea strainer out of the cup, she's now holding and possessing THC, which is not lawful."

Meanwhile Paul Riley, the Crown prosecutor, suggested that the case isn't about drawing a line between dried pot and other forms of edible dope or hash oil.

He argued medical users claiming a non-existent exemption for extracts are just choosing an illegal form of medical marijuana over legally-available prescription drugs derived from pot, such as Marinol or Sativex.

He also pointed to the option for patients to vaporize weed instead of turning it into something else.

Canada's government is not the authority that saw dried marijuana become part of the medical arsenal for patients in the first place—it was instead a court-ruled exemption. Riley pointed this out during the hearing and also urged the court to allow "judicial deference," which is a term that means the court should step down and give leeway to the government.

Tousaw, however, saw the hearing as an opportunity to address ambiguities in the present medical marijuana situation.

"At some point the endless cycle of litigation on this issue needs to cease," Tousaw told the high court, saying the issue has been ambiguous for at least 15 years.

He said there needs to be a clear line of what is criminal and what is non-criminal.

Riley bore the brunt of sharp comments from the judges during his time to speak and it was suggested to him to stop using "lawyer words" to describe the legal issues at bar.

Chief Justice Beverley McLachlin asked Riley during the hearing to "confine your points to things that really matter."

VICE reached Tousaw by phone to ask how the hearing went.

Tousaw said he felt that the court was receptive to his arguments.

"You don't want to read too much into the tenor of the [judges'] questioning," he said. "But the Crown got the rougher end. We were in the happier position, because the other side has to convince to the court that the other [lower judges] got it wrong. It's nice to be on that side of the fence."

VICE asked about Tousaw's proposition to the court to remove medical marijuana from the CDSA , which would automatically make medical marijuana—in all of its numerous forms—part of Canada's Food and Drugs Act.

This would see it immediately classified as a "Natural Health Product."

"The remedy will be the part, I think, where I probably asked for the most," said Tousaw.

Justice Thomas Cromwell put the implications of Tousaw's bold request into context:

"You want us to dismantle the regime," he told Tousaw.

Tousaw described what his remedy would look like:

"The real change would be the consumer end. Consumers and patients can grow and possess without fear of criminal sanction. It takes patients out of the justice system and leaves commercial (buyers) and sellers highly regulated," he said.

Of course, you'd still need a doctor to perform the role of gatekeeper in order for patients to obtain weed. However, Tousaw told VICE that even physicians can create arbitrary rules to accessing medical pot, and added there is a legal precedent for the state to want to control or prohibit recreational marijuana.

He referenced a new policy being adopted by the BC College of Physicians that could see an age minimum of 25 placed on prescribing medical pot to ill patients, some of whom have neuropathic pain from ailments like cancer.

"Maybe doctors shouldn't be the gatekeepers, maybe we need to make it naturopathic doctors; people who are familiar with herbs that understand the actual science and risk profiles," he said.

Follow Sam Cooley on Twitter.

The Irish Battle Over Gay Marriage Has Gotten Ugly

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[body_image width='516' height='640' path='images/content-images/2015/05/19/' crop='images/content-images-crops/2015/05/19/' filename='irish-gay-equality-referendum-campaigning-632-body-image-1432036277.jpg' id='57525']

An anti-marriage equality poster near Trim in County Meath. Photo courtesy of Panti Bliss, landlady of Panti Bar, Ireland's biggest gay bar, which Prime Minister Enda Kenny visited.

This article originally appeared on VICE UK.

On Friday, the Marriage Equality Referendum will ask the Irish public whether they think gay people should be afforded the right to marry like their straight friends. It looks like the "Yes" campaign will win, which is not bad for a country that finally decriminalized homosexuality in 1993—a mere 26 years after the UK and 200 years after France. But Friday will also herald the end of a long and emotionally charged battle that will leave many people feeling exhausted and frustrated.

The "equality debate" has opened a Pandora's box of polarization, with campaigns for and against becoming more and more frenzied as the referendum date looms. The referendum was brought forward—with a dash of political expediency—by the ailing center-right Labour/Fine Gael coalition, and has been the centerpiece of Irish political discourse for the last few weeks.

Far from the easy pass expected by many of the country's liberals, the referendum campaign has been a nasty battle between those in favor of equal rights and Ireland's hidden army of Catholic social conservatives. Unfortunately for gay people, their personal lives are now up for public savagery. For some, the problem lies in the referendum itself which many gay activists have described as "like coming out all over again."

I spoke to Jill Moriarty, a gay woman from a rural village in Kerry in southwest Ireland. She told me how the referendum was making her feel shit about herself and her neighbors. "It's brought up a lot of stuff for me. Even though the Yes vote seems likely, I still feel a sense of rejection from Kerry—all of these negative points, the way in which gay people are spoken about extensively," she said.

Jill feels this referendum is politicizing what is essentially a human rights issue. "This shouldn't be a political issue, it's a human rights issue. Human rights are called human rights for a reason, I don't want to vote on them," she said.

Nevertheless, if gay marriage is to be legalized, the referendum has to happen. Ireland has a special clause—designed by the well-meaning founders of the Republic—that mandates any changes to the constitution be decided by popular vote. Marriage is currently defined in the constitution as a union between a man and woman, so to amend this, the Irish public have to vote.

It's not just the gay-bashing side of the debate that has got nasty. The Yes side lost some face after a ten-year-old girl sitting on a No campaign truck was egged by a passerby on a bicycle, causing her to go into anaphylactic shock. That played into the idea that the Yes campaign is an unruly mob of heathen bullies.

Other aspects of the campaign have left some feeling frustrated. The sophisticated urbanites in the capital could hardly be further removed from those clinging to old Catholic ideals. When Prime Minister Enda Kenny went to Ireland's best-known gay bar, it was a symbol of how far at least some of Ireland has come. But to some it showed how distant even the leader of Fine Gael, one of the country's biggest conservative parties, is from the country's bible bashers.

[body_image width='640' height='461' path='images/content-images/2015/05/19/' crop='images/content-images-crops/2015/05/19/' filename='irish-gay-equality-referendum-campaigning-632-body-image-1432035556.jpg' id='57502']

Some weird homophobic photoshopping from Christian fundamentalists, depicting Irish gay people with the number of the beast on their heads via Panti Bliss.

The No campaign, meanwhile, is pretty much a carbon copy of Ireland's 1995 divorce referendum opposition campaign, with voters being told to "Vote No to protect families and children" and that "Children need a mother and a father."

I've talked to plenty of Catholic conservatives in rural Ireland who have told me about how gay people are all pedophiles. It seems a weird concern when they're still accepting moral guidance from the pedophilia-scandal tainted Catholic Church.

You've also got an army of right-wing Christians who have materialized, funded by the dollars of US evangelicals. They have popped up in every regional town, telling people that they're going to hell if they allow gays to marry, and bashing us over the head with the word "abomination."

[body_image width='640' height='443' path='images/content-images/2015/05/19/' crop='images/content-images-crops/2015/05/19/' filename='irish-gay-equality-referendum-campaigning-632-body-image-1432035907.jpg' id='57516']

And for balance, some pro-marriage equality propaganda. Photo by William Murphy.

Irish broadcasters are having a hard time desperately trying to keep everything "balanced." A previous Broadcasting Authority of Ireland ruling basically means that for every person taking to the airwaves to argue for equal recognition, we need someone telling us how the gay people don't deserve the same rights as the rest of us.

In December, this led to a journalist being unable to discuss his book about marriage equality on the radio unless someone against gay marriage was there to present the "other side." Concerns about impartiality also led a school to cancel an anti-homophobic bullying workshop because people who think homophobic bullying is totally fine weren't there to present their side of the argument.

Related: Gay Conversion Therapy

Caught in the middle of all this, many in the gay community feel exposed and isolated.

"My private life has always been just that—private—like it is for everyone, but now, with the referendum I have to look at whether I'm accepted by a group of people I never thought about before," Jill told me. "It's making me question things, whereas before I was just happy living my life. This is a referendum of a majority making a minority justify the kind of life they've been living. I always felt equal, but this referendum is making me feel like I'm not equal. It's making me think some people don't see me as equal. To be honest I feel slightly vulnerable," she said.

If the polls are correct, Ireland looks set to be the first country to pass gay marriage by popular vote. But any pride felt by liberal Ireland may be tempered by questions over whether it's best to discuss human rights through poster campaigns and screaming telly debates.

Follow Norma on Twitter.

The Uglier, the Better? Why Fashion Loves Basic Shoes

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The Uglier, the Better? Why Fashion Loves Basic Shoes

The Pros and Cons of Getting a Summer Job

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[body_image width='1000' height='717' path='images/content-images/2015/05/15/' crop='images/content-images-crops/2015/05/15/' filename='the-pros-and-cons-of-getting-a-summer-job-513-body-image-1431651450.jpg' id='56338']

Illustrations by Nick Gazin.

Every May, college students the nation over face a choice: they can get a summer job, or they can not get a summer job. There are variations on this of course—getting a summer job in your college town; getting a summer job at home; doing nothing and mooching off your parents; doing nothing and being poor; studying abroad as a way of conning your parents into paying for your life while you get drunk and fuck around in a foreign country; or my personal favorite, the unpaid internship, which combines the worst parts of having to work with the worst parts of not making any money.

The Bureau of Labor Statistics reports that as of 2014, 2.1 million people age 16 to 24 got summer jobs, and that 51.9 percent of young people were employed in the month of July. In 2012, Forbes determined that common summer jobs included freelance writing, internships, nannying, and gigs in the service industry.

For what it's worth, I spent the summer before my junior year as a barista at a bubble tea place in my college town. It was, perhaps, the ideal summer job. If you don't know, bubble tea is a Taiwanese drink made out of a milk tea base with tapioca pearls at the bottom. It is served either hot or cold, and it's incredibly easy to make. I spent most of my time at the job fucking around on the horrifically slow Dell computer connected to the cash register, giving my friends free drinks, and getting dirty looks from local mothers for playing DMX over the store's speakers while their children were trying to pick between mango and vanilla-flavored bubble teas.

But do you want to work in a bubble tea shop this summer? Do you want to toil away as a nanny or an intern? I'm here to help you answer that one eternal question: Do you work this summer, or do you not work this summer?

Here are the pros and cons.

PRO: MONEY

[body_image width='1000' height='537' path='images/content-images/2015/05/15/' crop='images/content-images-crops/2015/05/15/' filename='the-pros-and-cons-of-getting-a-summer-job-513-body-image-1431651465.jpg' id='56339']

There's really no easy way to say this: having a job sucks. Jobs are tedious, thankless, and, in all likelihood, the reason you have one is because someone else had something they didn't want to do so bad that they were willing to give someone else money to do it. But that last part—the money—is also totally the upside to having a job. In exchange for spending a certain amount of your time doing something you don't necessarily want to do, money magically shows up in your bank account every two weeks. How sweet is that? What you do next is up to you, really. You could use that money to pay your rent. You could use it to go skydiving. You could use it to go see a movie. You could use it to buy a goat, then use more of that money to bribe whatever office in your town is in charge of telling you to not have a goat into looking the other way. Which is to say: money is wonderful.

CON: YOU SPEND YOUR MONEY WAY FASTER THAN YOU MAKE IT

OK, you remember that scenario I outlined above in which you used your money from your summer job to buy a goat and then bribed someone so you could keep it? Well, bribes are expensive, and according to the Bureau of Labor Statistics, the average person under 25 earns about $30,129 annually. Since a summer job is about two months, you'll realistically earn about a sixth of that—$5,021, before federal and state taxes. Unfortunately, the Bureau of Labor Statistics also reports that people under 25 on average spend $5,295 in that same period of time. But hey! Maybe you can join the 84 percent of college students with credit cards, eventually becoming one of the 21 percent of undergrads with $3,000 to $7,000 of credit card debt. Or you could go the deadbeat route, pawning your TV so you can make rent, cashing out at the Coinstar machine so you can buy beer, and drinking half-empty bottles of Coors Light at parties.

Related on VICE News: The Business of Life

PRO: YOU ARE THEORETICALLY A GROWN-ASS ADULT WITH A SOURCE OF INCOME AND NO RESPONSIBILITIES FOR TWO MONTHS

Another great part about holding down a summer job is your parents no longer own you. Whatever money you make is totally yours, you don't have any kids or a spouse (statistically speaking), and nothing you do before you graduate means anything, so you can pretty much do whatever the fuck you want. You could spend eight to ten hours a day on your cell phone (as Baylor reports many college students do), and because you're making your own money, your parents can't say anything! Maybe take advantage of the summer festival circuit and join the 14.7 million other millennials who attend fests such as Bonnaroo, Lollapallooza, and Pitchfork (and if you want to fuck some of those millennials, here's a guide). Or, make your parents proud by being like the average college student and spending twice as much on booze as you do on books. For what it's worth, when I was in summer school and working part time at that bubble tea place, a friend and I used the money we'd earned at our jobs to drive six hours to Washington, DC for a rap concert, and then drove all night back. I then took an exam on three hours' sleep, because college doesn't actually matter.

CON: YOUR JOB WILL SEVERELY CUT INTO YOUR DICKING AROUND TIME

While the Department of Labor doesn't define how many hours constitute a part-time job, it's generally understood to be anything less than 35 hours per week. That kind of commitment will really eat away at time that could be spent participating in traditional summer activities like going to house parties and festivals and discovering what BAC is right for you, or looking at Twitter. Your jobless friends will text you while you're at work incessantly. The pictures of them at the bar or the beach, broke but living, not stuck inside a broken global system that fucks over the lower rung workers (which you will definitely be) for the guys at the top (middle-aged regional chain managers) will weigh heavily on your mind while you scrub congealed cheese off of an endless stream of plates. It will never stop weighing heavily on your mind.

PRO: YOU CAN HOOK YOUR FRIENDS UP

One of the most important things about your summer job is abusing it in whatever way you can to help your friends. If you work at a bar, that means sneaking them free drinks. If you work at a restaurant, that means bringing them extra food home. If you work at a clothing retailer, that means giving your friends the employee discount. If you work at a golf course, that means using your key to break into the grounds at night so everybody can use the pool. If you work at the DMV, it means helping your blind friend pass the written test. Ideally, your friends will also use their jobs to hook you up, and together you'll create an underground summer-job sharing economy. Some people might say that's taking advantage of your employer, but those people aren't your real friends. Abandon them.

CON: YOU WILL PROBABLY GET FIRED

The thing about employers is they don't like it when you give their stuff away to your friends. So if you participate in the aforementioned summer-job sharing economy, you should know that getting fired is a very real possibility. But even if you aren't hooking up your pals, there are plenty of other pitfalls lurking out there for the money-hungry college student. You could get caught swearing on the job, or taking too long of a lunch break. You could fire off a tweet, only to get canned for it, maybe before you even start. Or you could get the boot because you wrote about your job for your school paper.

You could also get fired for simply sucking at your job. My summer at the bubble tea place stretched to a year and a half. I was never a very good employee—I'd show up late, often hungover, and took forever making what should have been an extremely rudimentary beverage. After the place changed management, one of my co-workers told me that I'd been categorized as "expendable" by the new owner. A couple weeks later, I was fired.

CON: YOU'LL BE JEALOUS OF YOUR FRIEND WHO'S A DRUG DEALER

Look. There's ONE way to get out of having a summer job while also not mooching off your parents, and that's selling drugs. (Or donating plasma, but that's painful and not all that profitable.) It really is kind of maddening, spending hours shelving books in the library for pretentious nerds while your friend is playing Xbox all day, sometimes interrupting his GTA V marathons to sell dry weed to freshman, stepped-on coke to frat dudes, and his brother's Adderall to grad students.

In April of this year, a Columbia student wrote an op-ed in the school paper titled Confessions of a Departing Drug Dealer, boasting that he'd become the chief source for drugs on campus. "I find something so fulfilling and exciting," he wrote under the veil of anonymity, "in being the person that people rely on for fun." He claimed, at the schoolyear-closing event Bacchanal, "Several hundred students... will be smoking my weed this Saturday. There will be more than 100 students rolling on MDMA, thanks to me alone." Selling drugs in that amount is basically printing money...

PRO: YOU'LL STOP BEING JEALOUS OF YOUR DRUG DEALING FRIEND ONCE THEY GET CAUGHT

[body_image width='1000' height='1034' path='images/content-images/2015/05/15/' crop='images/content-images-crops/2015/05/15/' filename='the-pros-and-cons-of-getting-a-summer-job-513-body-image-1431651529.jpg' id='56340']

Two days after the blog post went live, Capital NY reported that a student drug dealer at Columbia had been arrested and charged with two drug felonies, as well as a few non-felony drug charges. It's rumored that the dealer, Michael Gelzer (a former copy-editor for the school paper), was behind the brazen post in question. In a bit of added fun, Capital NY reported that Gelzer accepted payment over the personal finance app Venmo, on which the default setting for transactions is "public."

The penalties for college students facing drug charges aren't fun. Five students also from Columbia—which at this point is seeming like a pretty fun place to attend—were caught in a drug bust and faced penalties ranging from probation to jail time. In February, a 19-year-old Villanova drug dealer was hit with nine to 23 months in county jail, and in 2013, a Georgetown Law student and meth dealer was sentenced to four years in prison.

Even if your drug-dealing friend gets caught and doesn't face jail time (as many first-time offenders can manage), there are still court dates, court-mandated hangs with a probation officer, and extremely tense conversations with your parents to deal with. So don't be stupid and get a job already.

Drew Millard is on Twitter.

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