Quantcast
Channel: VICE CA
Viewing all 38002 articles
Browse latest View live

A New York City Cop Is Facing Murder Charges Over a Road Rage Incident

$
0
0

NYPD at a memorial for Delrawn Small in Brooklyn, New York. Photo by Erik McGregor/Pacific Press/Sipa USA via AP

Just after midnight on July 4 in the East New York neighborhood of Brooklyn, a man grew furious upon determining another driver cut him off on the road. Delrawn Small, who was with his girlfriend and kids, followed an off-duty cop named Wayne Isaacs for about seven blocks, apparently unwilling to let the slight go unspoken.

Eventually, Small got out of his car to say his piece at a traffic light. But Isaacs, who was wearing civilian clothing and was on his way home from a shift, pulled his service weapon from underneath his shirt and let out three rounds, killing Small.

Although the cop claimed he was punched through his car window, surveillance footage from the scene does not support that account. Zaquanna Albert, the girlfriend, has said Small had a short temper and enjoyed three drinks that night at a barbecue. She also told police Isaacs exited his car to shoot at Small—even though shell casings were found inside his vehicle, according to the New York Post.

Despite the conflicting stories, Isaacs was indicted for murder Monday, and the state attorney general's office announced formal charges Tuesday afternoon of second-degree murder and first-degree manslaughter. As his wife sobbed, Isaacs pleaded not guilty, and his bail was set at $500,000.

Governor Andrew Cuomo decided last year that State Attorney General Eric Schneiderman's office should handle all cases where a cop is accused of killing an unarmed civilian in New York—a nod to concerns about local DAs being too cozy with the cops they need to make cases. This is the first time that someone has been prosecuted under the new regime.

Neither of the men in this involved are strangers to trouble. Small has a 19-item rap sheet and has served prison stints for attempted robbery, attempted drug sale to a cop, and a stabbing, according to the Post. Meanwhile, the city was forced to pay a $20,000 settlement last year to a man who alleged that Isaacs beat him along with another cop, one of whom allegedly called the suspect a "nigger."

Video of the incident released by the Post shows Isaacs shooting Small almost immediately upon making contact with him.

The officer's lawyer, Stephen C. Worth, told a judge that his client's involvement in Small's death in no way resembles the seemingly endless number of others who have sparked protests, outrage, and arrests since the Black Lives Matter movement broke through in 2014. Worth specifically cited the case of Peter Liang, the rookie NYPD cop who accidentally shot and killed 28-year-old Akai Gurley in 2014; after being convicted of manslaughter and official misconduct, Liang got off with no prison time.

Justice Alexander Jeong on Tuesday was quick to point out a key difference here is that no one is disputing that the shooting was intentional. As one prosecutor put it, this was "a brutal, deliberate action wherein this defendant fired not one, not two, but three shots."

Follow Allie Conti on Twitter.


The VICE Guide to Right Now: Trudeau Just Approved a Massive Gas Terminal in BC

$
0
0

Lax Kw'alaams photo via Flickr user A.Davey

A controversial $36 billion liquefied natural gas project proposed for the northern coast of British Columbia just got a conditional green light from Prime Minister Justin Trudeau's government. If built, the shipping terminal near Prince Rupert and its associated pipeline will be one of the largest and most carbon-intensive resource projects in Canada's history.

Environment Minister Catherine McKenna, Fisheries Minister Dominic LeBlanc, and Natural Resources Minister Jim Carr flew out to Richmond, BC to make the announcement Tuesday afternoon. It is the Liberal government's first major energy decision. The Pacific Northwest LNG proposal, backed by Malaysian energy giant Petronas, will sit above one of the country's most prolific salmon-rearing habitats.

"Today the federal government approved the Pacific Northwest LNG project," McKenna told media Tuesday evening. "The only way to get resources to market in the 21st century, is to do it sustainably. This decision reflects this commitment."

The approval is seen as a win for Canadian industry which has been hit hard by low oil prices over the last two years. Minister Carr said the project would add $2.9 billion to Canada's GDP each year. But critics of the project say it will hurt Canada's chances of hitting its international climate targets, and damage the government's relationship with First Nations. Trudeau's government won an election last year on promises of climate action and a new relationship with First Nations.

Marc Lee, lead economist of the Canadian Centre for Policy Alternatives, called the project a "carbon bomb" out of step with BC and Canada's commitments to curb emissions. "Even if you just take the straight-up numbers from government and the proponent, and compare to those targets, it's really problematic."

Lee submitted his own assessment of the project's carbon footprint during the project's federal environmental assessment this spring, including both "upstream" extraction and processing impacts, as well as "downstream" combustion overseas. He said the project would make it impossible for BC to meet its climate targets, and doesn't bode well for the feds either.

"If the government goes ahead and approves Kinder Morgan, as it's kind of hinted it will, any climate action plan they introduce, carbon tax or not, is not going to have a lot of credibility," he told VICE.

Controversy has also dogged the project's consultation with First Nations. Of the five nations the project was legally required to consult, all but one have signed on or given conditional approval. Lax Kw'alaams band, one major holdout and opponent of the project, turned down a $1.2 billion benefit package last year over concerns the Lelu Island shipping terminal will damage Skeena River salmon stocks.

Though the band recently voted to continue talks with the proponent, community leaders and hereditary chiefs have since spoken out against the project.

Read More: Did This First Nation Consent to a Massive Natural Gas Terminal or Not?

Former Lax Kw'alaams mayor Gary Reece has been an outspoken opponent of the development, maintaining a protest camp on Lelu Island for more than a year. He told VICE the recent vote on whether to continue talks with the government and proponent was misleading.

"I know there's a handful that support the project, but the majority of people I've been talking to tell me they don't support it," he said. "The way was worded confused a lot of people."

"There are some people who just don't care about the sea resources and environment, and that's sad, but that's what we're looking at."

Follow Sarah Berman on Twitter.

The VICE Guide to Right Now: Good News, Acne Sufferers: You'll End Up Living Longer and Looking Better Than Non-Acne Sufferers

$
0
0

This sad little guy has his prime to come (Photo via Wiki)

Everyone has to look a little greasy and spotty during their adolescent years. It's a rite of passage. Some of us, of course, are unlucky enough to have adult acne in our twenties, walking around like grossly oversized pre-teens with boobs and a briefcase.

Why are we singled out? Who knows. But for those who blessed with a chronic pizza face, hormones, sugar and stress from our miserable lives are a few of the scientifically proven possibilities behind our facial situations.

One upside I'm consistently smug about, though, is the fact any dermatologist worth their tools will tell you that people with oily skin don't get wrinkles until later in life. Now, a new study has found out exactly why that is: the cells of people with acne have a built-in protection against ageing, which is likely to both make them look better in later life and also help them live longer lives.

A study of white blood cells taken from affected individuals showed they had longer protective caps on the ends of their chromosomes. These caps – called telomeres – are basically the chromosome equivalent of those plastic bits that stop shoelaces from getting frayed. The research shows that acne sufferers have significantly longer telomeres and therefore may be blessed with the gift of longer life.

Lead researcher Dr Simone Ribero, from King's College London, said: "For many years dermatologists have identified that the skin of acne sufferers appears to age more slowly than in those who have not experienced any acne in their lifetime. Whilst this has been observed in clinical settings, the cause of this was previously unclear."

In the study, researchers highlighted a gene pathway called p53, which regulates "programmed cell death", a kind of cell suicide. When telomeres become too short, it can trigger a series of events that lead to programmed cell death. The p53 pathway was shown to be less active in the skin of acne sufferers, although this is still under investigation.

Mind you, I don't really want to know the results of this further investigation. Because for now, I'm safe in the knowledge that I'll be fit forever and there's nothing you can do about it.

@hannahrosewens

More health stuff:

We're All Guinea Pigs In a Decades Long Failed Diet Experiment

Today's Teens Are Smoking and Drinking Less Than Their Parents Did

Way Too Many Women Don't Know Where Their Vaginas Are

I Went on a Commuter Town Pub Crawl to See Where Priced-Out Londoners Should Move to

$
0
0

All photos by Christopher Bethell

As I'm sure you're all aware – willingly or not – London is a very expensive place to live right now, and unless you have a lucrative Chinese pharmaceutical company among your roster of incomes then you probably can't afford to live there. And so the exodus from the capital begins.

But where is the best option for the capital's creative young people? Where can thousands of artistic future ad men and vacuous PRs allow their inner Pollock or Warhol to thrive before becoming addicted to the great pound note? And where can you just get fucking pissed as a fart? I went on a long as fuck road trip to M25 commuter towns to find out, and had a pint and a jaeger bomb in each one.

BILLERICAY

The jewel in Essex's commuter crown, the town of Billericay is quiet and leafy, apart from the Wetherspoons that resembles a place deemed too depressing to film a torture scene in a gritty UK gangster movie. But I wasn't on some weird bleak tourism vibe, I wanted to have fun. I wandered into The Chequers pub, which boldly claimed to be the best pub in Billericay, to see what was what.

On entry, all locals and regulars were tightly fit around one side of the bar, even though there was a whole other section round the corner. The bar was replete with snacks and dips, and the beer was cool and fizzy and didn't taste like the pipes had Zyklon B in them for once. It even had one of those old school golf games with the big white plastic ball that you spin to do a sweet drive with, which I haven't seen since I was about seven, so that was a nice whack of nostalgia. The handsome barkeep routinely offered me snacks, almost as if I were in a friendly American approximation of an Essex pub as opposed to an actual Essex pub – but this is no insult. It was a warm and cheerful environment. I asked the barman about the amount of commuters he gets in the pub, and he said that usually they just go home, apart from on Thursdays. On Thursdays they "fucking love" coming in the boozer.

It was time for my first jaeger bomb, so I popped along to Bar Zero, a fuchsia-themed club sort of place that had a worryingly large menu. I had to wait about 10 minutes to order my bomb as three women had three different very ornate complicated cocktails prepared for them, and then an extra one because there was a two-for-one deal on. I necked it quickly, but the glass was too small so most of it went down my top.

If set upon by graphic designers and vegan tattooists Billericay would be more than welcoming. It's full of lovely lads serving lovely pints, and is not to be scoffed at as a commuter hub for the discerning London millennial.

BANTER: 7/10
BOOZE: 7/10
VIBE: 8/10
APPEARANCE: 6/10
COOL FACTOR: 7/10

SEVENOAKS

Sevenoaks appears to the Gavroche of commuter towns. It is adorned head-to-toe in Bentley and Range Rover dealerships. There is a Bang and Olufson on the high street, long closed by the time I got there. No £600 dildo house phones for this pub crawler tonight, then. It simply wasn't meant to be.

I came across a pub called The Black Boy, which had a sign outside giving a very non-committal answer as to how it was named (something about a teacher, maybe, or a Vita Sackville-West character). I got a pint of Asahi. It was freezing cold, and having to neck it due to time constraints was a grossly unpleasant experience, the icy hops swilling around my gut. The only people in there were gaggles of women and men, all posh (or at least rich) separated by the room like they were at a school disco.

For my jaeger bomb I hit up The Anchor, a bit more of a pubby-pub. There was a darts night in there, with "The Undertaker" just stepping off the oche to be replaced by "Gavlar". The barmaid had never poured a jaeger bomb before so left the honour to me, which I did wrong. I was watched by a pub full of disgruntled-looking old blokes, so I thought it best leave as soon as it had passed my gullet.

Sevenoaks is kind of how I imagine the House of Commons bar to be: if you're not a regular you might as well be walking around proudly showing off a hammer-and-sickle tattoo on your arsehole. It will be very difficult to show these people your films from Camberwell Art School on your waterproof iPhone 7 here.

BANTER: 4/10
BOOZE: 5/10
VIBE: 4/10
APPEARANCE: 7/10
COOL FACTOR: 3/10

SLOUGH

It would seem that having pints and jaeger bombs and then getting straight into a car for an hour's drive is not good for the old bladder, and I almost passed out with piss-pain before a services miraculously appeared on the horizon. But Slough beckoned, the home of David Brent and not a lot else, and I had to get there in good enough time to neck more arctic lager and roided-up aniseed liquor.

Slough: if hell was a real place, no cartoonish fire and brimstone, no screeching demons with molten tridents, but a functioning place with the departed and damned living side by side trying to get along under Satan's oppressive gaze, Slough would be the model. I went past a pub called the Rising Sun, which looked like where all the ghosts of the very worst SS officers would be sent after death, and decided to go to the 'Spoons round the corner instead.

My San Miguel was, again, cold as the teat of a witch. My jaeger bomb was... well, a jaeger bomb (fucking horrible nonsense that no one should be drinking).

Slough is no place for the young creative millennial. It is too entrenched in its own foul malaise to foster any sort of creativity. Try and show off your menstrual art here and people would probably just try and eat it.

Speaking of eating, there is, inexplicably, a completely empty Pizza Express in all of these towns.

BANTER: 3/10
BOOZE: 4/10
VIBE: 1/10
APPEARANCE: 0/10
COOL FACTOR: 2/10

ST. ALBANS

And here we are, the Last Chance Saloon. St. Albans marks the final stop on my intrepid commuter town journey, and the late-closing Cock pub is my poisoner's medicine cabinet of choice. I drank my final jaeger and pint in this inoffensive half-homely half-late-night-fight venue to the laughter of the bar staff. Is it a place for young people? Is this the commuter town of the impoverished artistes of the maligned capital?

No, in short. It's too bougie, much like Sevenoaks. It is too safe, according to the barmen, and far too expensive. There's no edge, nowhere for the self obsessed man-or-womanchild to occupy and make their own. It was a fine place to end an evening, but it wasn't what I was looking for.

BANTER: 6/10
BOOZE: 6/10
VIBE: 6/10
APPEARANCE: 6/10
COOL FACTOR: 5/10

VERDICT

Unquestionably, the town of Billericay takes the crown for commuter town most up for shit-mouthed kids to infect like Zika virus and make their own hub. Its pubs are filled with friendly locals who encourage new blood, it has a kind of shabby chic that dickheads would fawn over in an attempt to appear 'real', and it's close enough to that old chestnut of the unbelievably trendy east London to be a viable option. Billericay – congratulations, you are sure to have an avalanche of wankers dressed in fusty Kappa tracksuits bought from Wavey Garms pop-up descending on you like impossibly woke locusts. I hope you enjoy it.

@joe_bish

More from VICE:

The Quiet Beauty of Britain's New Towns

The Most Affordable Town for London's Commuters Is Full of Snakes and Despair

An Ode to the Rancid, Hellish Beauty of the National Express Coach

Some Important Questions for the Man Who Has Been Bitten On the Dick Twice By a Spider

$
0
0

(Photo: dickhuhne, via)

Hi, just a quick one, but we need to—

Spider bites Australian man on penis again
BBC News, September 28 2016

— yeah we need to talk about this, because I have some questions and I think you have some too, a lot of them stemming from a single word in the above sentence, that word being "again". To paraphrase Wilde: to get bitten by one spider on the penis may be regarded as misfortune; to have two spiders bite your dick looks like carelessness.

Onwards:

A 21-year-old Australian tradesman has been bitten by a venomous spider on the penis for a second time.

The man was using a portable toilet on a Sydney building site on Tuesday, when he suffered a repeat of the incident five months ago.

Jordan, who preferred not to reveal his surname, said he was bitten on "pretty much the same spot" by the spider.

"I'm the most unlucky guy in the country at the moment," he told the BBC.

Something so Australian about the addendum "at the moment", there, as if there is a chance that someone could somehow take that crown by being unluckier, that at any moment some dude in Perth will have his dick bitten by two spiders simultaneously, dick blowing up to the size and erratic shape of a rugby ball, and Jordan No-Name with his cock bandages will shrug and go, "Well, at least I'm not the unluckiest guy in Australia any more."

"I was sitting on the toilet doing my business and just felt the sting that I felt the first time.

"I was like, 'I can't believe it's happened again.' I looked down and I've seen a few little legs come from around the rim."

He said that being bitten the first time had made him wary of using portable toilets.

I mean: apparently not wary enough, because he got bit all up in the dick again. Come on, man. Come on. Stop letting spiders bit your penis to shreds.

The tradesman said he was not sure what type of spider bit him this time.

One of his colleagues took him from the worksite in north-west Sydney to Blacktown Hospital – although many of his workmates were quick to see the lighter side of the situation.

"They got worried the first time," he said. "This time they were making jokes before I was getting in the car."

The concern, I suppose, is that this is the first act in a superhero movie, and that this guy – Jordan, although we may as well start calling him his true name now, Spider-Dick – that this guy now has unique weaponised powers stemming almost entirely from his dick, and he has to go on a journey to decide whether to use these powers for good or for evil. I mean, while we're here we may as well sketch out a basic plot summary:

ACT ONE

EXTREMELY EXPENSIVE OPENING GRAPHICS SEQUENCE WHERE THE CAMERA ROVES THROUGH A SERIES OF INTERLOCKING METAL COGS AND PLASTIC PIPING BEFORE ZOOMING OUT ON THE WORDS "SPIDER-DICK", THEN BACK IN AGAIN TO REVEAL THAT THEY WERE ALL PART OF THE SEWAGE SYSTEM BENEATH THE PORTALOO IN WHICH JORDAN IS ABOUT TO GET HIS DICK BIT OFF, THIS BIT BEING THE FORESHADOWING.

JORDAN takes a PLANK off a LORRY HEAVY WITH PLANKS. Everything is VERY ORANGE AND BLUE. He is wearing a HARD HAT, although notably NO VISIBLE DICK PROTECTION.

JORDAN: Hey, Dick

His DOG AND ONLY FRIEND, a LABRADOR THAT HAS INEXPLICABLY BEEN ALLOWED ONTO THE BUILDING SITE, is called DICK. THIS BIT IS ALSO FORESHADOWING.

DICK: Woof!

JORDAN looks at his PHONE. We see the LAST TEXT HE SENT, to a GIRL called JESSICA. It says, "I JUST REALLY HOPE I DON'T GET BIT ON THE DICK AGAIN TODAY." No reply. JORDAN sighs and drinks some water.

JORDAN: I gotta pee, Dick!

DICK: Woof!

CAMERA zooms in on a CLOSED TOILET CUBICLE. CAMERA, from above, zooms in on A CLEARLY COMPUTER GENERATED SPIDER. OVER 15 AGONISING MINUTES LATER, BECAUSE THIS MOVIE REALLY NEEDS A LOT BY WAY OF PLOT, JORDAN innocently SITS, PISSES and WHISTLES while the SPIDER lowers itself down on a PIECE OF WEB. THE SPIDER THEN BITES HIM ON THE DICK.

JORDAN: Ow! My dick! My dick! My dick, my dick, my dick! My diiiiiiiiiiiiiiick!

DICK, OUTSIDE THE CUBICLE, EVER LOYAL DICK, THE DOG:

ACT TWO

JORDAN wakes up in a HOSPITAL BED with an AUDIBLY BEEPING MACHINE NEXT TO HIM and SOME SORT OF TUBE IN HIS ARM. A NURSE runs and fetches a DOCTOR. The DOCTOR has a SLIGHTLY EVIL GOATEE and a SORT OF UNCHILL VIBE.

JORDAN: Doc, what happened?

DOCTOR: You got bit on the dick, Jordan.

JORDAN: Again?

DOCTOR: Yeah, man. Two times. What the hell.

JORDAN: I can't believe I got bit on the dick again.

DOCTOR: It is absurd. I mean, it is stupid.

JORDAN: My dick hurts real bad, doc.

DOCTOR: We'll give you something for the pain, but you're good to go home. You got anyone who can drive you?

JORDAN: Well...

CUT to DICK THE LABRADOR driving a TRUCK down a FREEWAY while JORDAN ices his DICK AND BALLS

JORDAN: Thanks, boy

§

JORDAN'S ELDERLY AUNT, AUNT GERMAINE, brings him MILK and COOKIES on a TRAY.

AUNT GERMAINE: How's your dick, baby?

JORDAN: Still pretty bad, Aunt Germaine.

AUNT GERMAINE: Oh, I'm just so glad your father never had to see you like this.

JORDAN: How did he die, Aunt Germaine?

AUNT GERMAINE'S FACE suddenly goes DARK

AUNT GERMAINE: You don't need to know that. You don't need to know that now.

NOTE TO MOVIE EXECUTIVES: IN THE SECOND FILM WE CAN REVEAL HIS DAD DIED BY GETTING HIS DICK BITTEN BY THREE SPIDERS. THE FILM CAN BE CALLED SPIDER-DICK: REVENGEANCE

§

JORDAN wakes up in the MIDDLE OF THE NIGHT. His DICK is GROWING GREEN AND PULSATING.

JORDAN: Woah.

Suddenly his DICK shoots a VILE GREEN ROPE up onto the ceiling and pulls JORDAN up to SWING FROM IT.

JORDAN: What the hell!

His DICK then DROPS HIM TO THE BED again and FIRES HUGE AND TERRIBLE WADS OF SEMEN up into the air, I mean like fucking CANNON BALLS, these things.

JORDAN: I'm dreaming! I have to be dreaming!

His DICK shoots ONE SOLID ROPE OF SEMEN OUT, WHICH YOU CAN KIND OF USE LIKE A LIGHTSABER

JORDAN: Or is this... actually cool?

§

In the HOSPITAL, we zoom in on THE DOCTOR. It turns out his namebadge says DR EVIL VON DOOM. He is looking at X-RAYS of JORDAN'S DICK.

VON DOOM: If that dick kid can get bitten twice on the dick by a spider and, by the looks of this X-ray, develop superpowers from it, then imagine what I could do with...

HE PICKS UP A SYRINGE

VON DOOM: Snake venom!

He plunges the SYRINGE FULL OF SNAKE VENOM into his DICK. His TROUSERS immediately begin to CONTORT AND WIGGLE. THERE IS LIGHTNING IN THE ROOM, SOMEHOW.

VON DOOM: MY DIIIIIICK! MY SWEET AND BEAUTIFUL DIIIIIIIIIICK! I FEEL IT GROWING... POWERFUL!!!!!

§

JORDAN goes into to the BUILDING SITE PREFAB OFFICE to pick up his PAYCHEQUE. JESSICA is behind the desk. She is PROBABLY PLAYED BY AMY ADAMS.

JORDAN: I gotta tell you something. The weirdest thing happened las—

JESSICA: Jordan!

SHE gives him a VERY PLATONIC HUG

JESSICA: How's your dick?

JORDAN: Yeah, good. Listen, can I ask you—

TAD ENTERS. He is VISIBLY STRONG and TOUGH.

TAD: Hey, babe.

He KISSES JESSICA on the LIPS

JESSICA: Hey Jordan, you know Tad?

TAD: Sup, brah?

JORDAN: Hey, man.

TAD: Heard about your dick.

THREE REALLY STRONG LOOKING STREET TOUGHS IN VESTS AND BACKWARDS BASEBALL CAPS who HAVE BEEN THERE ALL ALONG I JUST FORGOT TO MENTION THAT all STAND AND GIGGLE BEHIND HIM

JESSICA: Tad, don't be mean...

TAD: No, it's cool, man! It's cool to be bitten on the dick. By a spider. Repeatedly.

JESSICA: Tad...

JORDAN: No, it's fine Jessica.

TAD: Hey! Don't talk to my girl!

TAD throws a football really hard at JORDAN'S FACE

TAD: You fucking DICK NERD!

TAD and his GANG OF TOUGHS run away. JESSICA helps him up.

JESSICA: Are you OK?

JORDAN: Yeah.

JESSICA: God, he's just so... ugh! I just love bad boys, I guess. Bad boys with no visible bite marks on their dick.

JORDAN: I guess.

§

MONTAGE SCENE WHERE JORDAN AND DICK DRIVE OUT TO ABANDONED COUNTRYSIDE AND HONE JORDAN'S SKILLS, I.E. BLASTING TINS OFF AN OLD STONE WALL WITH FOCUSED CROTCH THRUSTS (THE FIRST CROTCH THRUSTS ARE INEFFECTIVE, BY THE END OF THE SCENE THEY ARE ACCURATE LIKE A SNIPER), SWINGING FROM HIGH STRONG TREE BRANCHES, SHOOTING WADS OF SEMEN LIKE STEPPING STONES ACROSS A RIVER AND HOPPING ALONG THEM, CUTTING LOGS WITH THE FOCUSED DICK BEAM, AND THEN AT THE END HE AND THE DOG HI-FIVE AND JORDAN SAYS, "YEAH"

JORDAN: Yeah!

§

RICH PEOPLE are at the OPERA dressed in FINE CLOTHES and EXPENSIVE WATCHES. They are TAKING THEIR SEATS to start the SECOND ACT – IF WE NEED 15 MINUTES MORE OF FILM TIME JUST HAVE A REALLY LONG OPERA SEQUENCE IN HERE, MAYBE THE OPERA CAN BE ABOUT A SPIDER, SOMEHOW? OR A SNAKE? IDK – when the GROUND begins to SHAKE. The RICH PEOPLE look around, shocked. A RICH OLD WHITE WOMAN grasps her BOSOM in PRE-SHOCK.

RICH OLD WHITE WOMAN: What on—?

DR EVIL VON DOOM emerges FROM THE STAGE FLOOR as SHARDS of WOOD fly AROUND EVERYWHERE. His DICK lashes around like an ANACONDA POSSESSED. He can FLOAT NOW. RICH PEOPLE begin to RUN and he KILLS ONE WITH A WELL-AIMED WAD OF SEMEN.

EVIL VON DOOM: No!

The RICH PEOPLE sit down. EVIL VON DOOM does a REALLY LONG SPEECH ABOUT THERE BEING A NEW WORLD ORDER NOW HE HAS A SNAKE DICK.

OH, RIGHT, UH: JESSICA is at the OPERA, for SOME REASON, and then he TAKES HER HOSTAGE and FLIES AWAY while LAUGHING EVILLY

TAD: Now I must be the unluckiest guy in Australia!

ACT THREE

JORDAN is WATCHING THE NEWS, which FOR PRODUCTION REASONS NOBODY CAN QUITE EXPLAIN has HD FOOTAGE OF JESSICA BEING ABDUCTED BY DR EVIL VON DOOM.

JORDAN: Stay here, boy.

DICK: Woof!

JORDAN puts on his SOON TO BE ICONIC but RIGHT NOW QUITE THROWN TOGETHER outfit of a PINK BALACLAVA and SKIN-COLOURED LEOTARD and JUMPS OUT OF THE WINDOW, his DICK swinging him INTO THE NIGHT

§

We cut to EVIL VON DOOM'S LAIR, where JESSICA is SUSPENDED over a PIT OF SNAKES

EVIL VON DOOM: Ha, ha, ha!

JESSICA: Why are you doing this!

EVIL VON DOOM: BE QUIET!

JORDAN enters

JORDAN: That's enough!

THEY HAVE a FIGHT that I AM BASICALLY GOING TO BE QUIETLY ASKED TO CLEAR MY DESK ABOUT if I DETAIL IT AS THOROUGHLY AS I WANT TO but needless to say IT INVOLVES LIKE A HELL OF A LOT OF SCREAMING AND JIZZING AT THE SAME TIME, and EVIL VON DOOM LOOKS LIKE HE'S WINNING but then TURNS AWAY AT EXACTLY THE WRONG TIME AND GETS HIT BY A REAL CANNON OF A CUMSHOT and ENDS UP IN THE PIT OF SNAKES, SCREAMING

JESSICA: You saved me!

DICK, who has SOMEHOW RUN TO THE LAIR and FOUND IT, ALSO, enters

DICK: Woof!

JORDAN: Ha, that's right, boy! Woof!

JESSICA kisses JORDAN

JESSICA: That's for saving me.

JORDAN: No one can know my secret.

JESSICA: I'm not even sure I understand it, actually. Like you never really explained it to me. What's with the di—

JORDAN: The spider bites.

JESSICA: Oh, because—

JORDAN: No, it's a spider bite thing.

JESSICA: It, like—?

JORDAN: It made my dick magic.

MONTAGE SEQUENCE: JESSICA and JORDAN QUIETLY GO BACK TO THEIR HOMES. TAD approaches JORDAN at the BUILDING SITE and SOLEMNLY SHAKES HIS HAND. AUNT GERMAINE stitches an ACTUALLY GOOD LYCRA SUIT up that LOOKS LIKE A BELLPIECE AND SHAFT. JORDAN stands on top of a TALL BUILDING against the DARK OF THE NIGHT.

JORDAN, NARRATING: This is my city. This is my domain. This is my story. I am—

JORDAN: SPIDER-DICK

Ha-ha, here it is

D to the I, C-K that's me

Or should I say him: Jor-den

Spider bite all on the tip of his glans

Spider-dick, with the superpowers

Dick can blast cum for hours and hours

Slick business with the dick business

Clearing up the streets with his hip dick wares

Evil von Doom got the dick of a snake

Ha-ha, ain't too much for our boy to take

Blastin' and rollin', shooting the spooge

Evil von Doom going back to dick school

And now he's safeguardin', building tops

Keep our streets safe with the gift of jizz wads

Jordan and Dicky, the dream team double

Mess with this dick and you're getting in trouble – COME ON!

FIN

Fucking come on, Hollywood, give me a job.

@joelgolby

More stuff from VICE:

A Pole Vaulter's Penis Ended His Olympic Dream

A Lesson in Pain From the Runner Who Sprinted Dick-First Into A Pole

How to Not Break Your Dick During Sex

We've Predicted Exactly Who Is Going to Win 'The Apprentice' This Year Just By Looking at Pictures of the Contestants

$
0
0

(All photos: BBC)

Gather, children, it is time again. Just as the twisting face of the moon rolls pebbles into sand, so 18 people of indiscriminate intelligence have gathered to try to sell Lord Alan Sugar a weird app they've come up with.

The Apprentice is exactly the same television programme every single year. It's just the way of the world, that from now until the end of actual time – when Lord Sugar is literally a composite consciousness being projected onto the frosted doors of his office – the same 18 candidates, with slightly different names and slightly different haircuts, will climb Amstrad towers to be bollocked by a multi-millionaire pensioner whose face looks increasingly like an apparition in a bowl of porridge.

While his American counterpart is maybe about to become the actual president of America, Alan Sugar is doomed to live the same season of television, over and over again, forever. Here are this year's just-the-same-as-last-year candidates. Here is the exact order they are going to get fired in, based entirely on portraits of each of them and a load of information we've just completely made up.

OLIVER

Oliver, by the looks of things, is going to be this year's first casualty. Essentially a bloke who looks like a supply teacher. A poor, unsuspecting chancer the BBC have thrown into the lion's den, just to give Rhod Gilbert something decent to chew on during the first episode of You're Fired. The first task will see the boys (Team Synapses) buy loads of squids and scallops from a fish market at 2AM, and then fail to sell them outside a pub somewhere in Bermondsey. The other lads will trick Oliver into being the project manager by inflating his ego and telling him they trust him completely – of course, in effect, throwing him under bus when they ultimately end up only selling £12's worth of gone-off scampi to a child who later dies of complications from food poisoning. Oliver will be told in the boardroom by Lord Sugar that he's "bloody useless" and that while he "might have been selling pollock, he's more of a fresh pillock, to be honest". After he's been fired he will thank everyone for the opportunity like a bullied schoolboy thanking his older brother for a wedgie. — AH

Soft-handed posh cunts always go first. Goodbye, Oliver. — JG

SOFIANE

Sofiane looks to be one of the most cliche-heavy candidates this year – "my motto is live the dream, but my dream's not finished" – which is why it's sad that he will go in Week Two, after royally fucking up some basic arithmetic and selling a load of cleaning products for a tenth of their actual worth, losing the task again for the boys (Team Renegade). He will try to palm his fuck-up off on his project manager, but will lack the skills of boardroom battle required to keep his head above water. He will also be laughed at by the entire room when Claude reads out some quotes from his CV in which he describes himself as being like a minotaur or something. In a last ditch attempt to save himself he will tell Lord Sugar he "started from nothing" and has "loads of potential" – playing to the deep stirrings in Lord Sugar, the part of him that hates people with A-Levels, love people who worked on markets once – but sadly his fate will already have been written by this stage.

"It's a no, Sofiane," he'll say, after keeping him waiting on an answer for what seems like hours. "You're fired." — AH

MICHELLE

There is a tipping point on The Apprentice where, as the weeks wear on, you remember that these people are, in both title and in terms of hierarchy, gunning for a place as an apprentice, and sometimes they are just too old for it. It gets too weird. Michelle is 35 and has a husband and a son, and a career, and in her case it is weird.

It's weird, also, because she's weird. The thing with Michelle is that she pulled age and rank in Week One and was team leader of the girls (Team Succubus), and the girls won the task, so despite her leadership – lots of screaming while looking down at a phone book, lots of wearing a hairnet and telling Frances "I think I know what a prawn is, luv," lots of running up to businessmen hurriedly taking phonecalls on their lunch hour and desperately trying to sell them an £8 tray of cous-cous – despite that, she's still in the process. But then when it comes to her time to lose, when her head is on the chopping block and Sir Alan lifts his axe and cleaves it from her neck, and it rolls and rolls and rolls, and in the cab back to the train station she wears a big maroon scarf and says half-confidently, "You will hear from me again. You will hear from me again," you know – deep-down – that you will not hear from her again. — JG

Michelle looks like the type to get a bemused reaction cutaway out of Claude because of how manic her sales technique is. — AH

DILLON

Week One and Sugar fires the team leader who led their team to defeat. Week Two he normally fires the guy who blamed Week One's leader for leading the team to defeat. Week Three, it's normally a direct fuck-up leading directly to a firing. There is no space for Sugar to hate anyone. No loathing. His first three firings are pragmatic: you mess up? You're Fired. You lost? You're Fired. There are no pockets of air for Alan Sugar's contempt for every single person in the process to truly breathe and grow gills.

That is until Week Four. Week Four's the first hate-fire. This is the first one Sugar is doing just for him. Dillon says, "I am famous for my truth bombs" and essentially looks like he got lost on the way to a casting to be Gemma Collins' new best friend on a short-lived ITV Be daytime reality show and ended up on The Apprentice instead. And Sugar loathes him. Sugar's there pulling him back from a celebratory winning team bro-hug in the first week to go "... oh, and Dillon?" "Yes, Lord Sugar?" "I've got my eye on you. I want to see a little bit more from you next week."

Sugar's there, visibly deflated when Dillon leads his team (Team Surge) to victory in the scavenger hunt task. "And Dillon, how did Dillon do?" he's asking Claude. "Actually very well," he says, with soft surprise, and Sugar exhales like the world's oldest, saddest whoopie cushion. And then Dillon's on the losing team. And then Dillon's in the final three. Dillon's trying to boast about his sales record and Karen's quietly correcting him – a gentle, "But that's not what happened, is it? JD made the sales, you seem more preoccupied with the order of things on the sales stand." And you can see Sugar, throbbing and undulating like a coiled snake, ready to strike. "Dillon," he says, as trumpets soar to a crescendo behind him, "you mucked up. You're Fired." His farewell drive-to-the-airport mac and rollercase outfit will be so flamboyant that Ofcom get complaints. — JG

~CHAOS WEEK~

It's Chaos Week and Aleksandra is here, coming in like your auntie who always smells of lavender and never remembers your name. Yes: she's "kooky" with a capital "OOK", and does things like claim she can "speak cat" and will definitely put in an over-the-top acting performance during the advert week. Aleksandra will remain a loveable but peripheral character until Week Five, when she will be given that little bit too much responsibility under the watch of an over-zealous project manager and go rogue, leading a sub-team in a wild goose chase down the banks of the Thames, accidentally not selling anything, fiddling while Rome burns through the rest of the task by really intensely making something useful but irrelevant to the task out of felt. — AH

Aleksandra will be double-fired (Chaos Week!) along with Natalie. Natalie, who accidentally misspells every single word on a work-thru-the-night-and-design-it label on a new range of artisan mustards. "Must-rad, is it?" Sugar says, beholding Karthik's beetroot-choco mustard concoction. "Sounds like..." and he freezes, realises the joke writers have dropped a bollock – he's stuck here mid-sentence holding some pink-brown mustard in front of some idiots, only he looks the fool, he looks stupid... "Just fuck off, Natalie. You're fired." — JG

MUKAI

Mukai legitimately wears a bowtie, so I'm afraid right from the get-go that he is a bellpiece. Of course, this does not – as it never does – impinge on his business acumen: in fact, and I don't think it's beyond my remit to start suggesting scientific findings from studies undertaken entirely in my head, you can only assume being a bellpiece is a tactical advantage in business. You have to be a bellpiece to sell. You have to be a bellpiece to mark prices up. You have to be a bellpiece say "drive" and "expertise" and then try to sell someone a scavenged chair for £400.

Mukai is internationally-minded, a snappy dresser, and constantly speaks as though he is suppressing a loud series of burps, which makes him nailed-on to put himself forward as Team Leader for hipster week ("Welcome to east London," Sugar says, vaguely gesturing towards a tired dance hall. "I want you to sell sweet treats to these plaid-wearing Brick Lane wankers. They'll pay £6 for fackin' anything if you put a brown paper sticker on the cunt."). After a boardroom tussle with JD over who decided to put walnuts in Team Elegance's brownie mixture ("You were Team Leader. The buck stops with you." "But you actually put a whole bag of walnuts in after I expressly told you not to" "The buck stops with you, mate"), Mukai is dismissed. Due to a last-minute attack of dignity he does not make an appearance on You're Fired. His business idea was for a new range of pens. — JG

COURTNEY

Oi oi, here comes trouble! Cheeky Courtney is an up-by-his-bootstraps Essex boy who Alan Sugar says "reminds me a lot of myself". Alan likes him: he's always smiling, always making snappy one-liners, always weaselling himself out of boardroom showdowns by making uneasy friendships with the Team Leader.

"Courtney," Alan says, like a proud-but-distant father. "I like you."

But then novelty gift salesman Courtney is put in charge of a task – the task is literally selling novelty gifts – and falls apart. He's in the back of a cab sweating and shouting into a hands-free phone. He's accidentally spent £200 on a tub of wind-up dentures because he forgot the live-and-die-by-it mantra, "Smell what's selling." The entirety of Team Surge has backed him into the corner of a Westfield pound shop and is yelling at him about the customer journey. "Courtney," Sugar says – distant, hopeful fantasies of them businessing together, lunching together, skipping hand-in-hand through golden fields, all dissipating to the dust – "You're Fired." — JG

Courtney is the best bet for Celebrity Big Brother 2017, where he will have penetrative sex on television with someone off Ex On the Beach. — AH

TRISHNA

Trishna, Week One: "I'm a hard nut to crack. I'm not here to make friends. I'm here to show Lord Sugar what I'm made of. I won't hold back until I've got what I want." Week Two: nothing. Week Three: nothing. Week Four: has Trishna been off ill, or something? Do they need to start taking register at the start of each task? Week Five: nothing. Week Six: there's a bit at the start of the episode where Trishna is the one who runs downstairs at 6AM in a towel to answer the phone, but then more-or-less nothing. Week Seven: Alan Sugar remembers she exists. "Trishna," he says, laser-beam focus all-eyes-on-her. "We haven't seen much from you. Next task, you're Team Leader." Week Eight: fired. — JG

KARTHIK

Oh boy, here he is: it's definite fan favourite Karthik. Whatever happens over the next 12 weeks you can be 100 percent sure that this will be the best You're Fired montage. He's Adam Corbally, he's Alex Mills, he's Alex Epstein. He's the character who will be sitting in the back of the car asking questions like, "Guys, what's a wok?" He's the guy who gets dressed up as a dog in an ill-advised attempt to liven up a pet food pitch to three major supermarkets. He's the guy who keeps mentioning his eyebrow in the boardroom, leading to Lord Sugar making the joke, "I bet that raised a few eyebrows, or eyebrow in Karthik's case," on at least one occasion (I'm serious, if Lord Sugar doesn't make that joke, I will enter the process myself next year), but he can't last. Karthik will fall down on a task that he will have confidently put himself forward to lead, saying something like, "It's computers, it's sales, it's everything I do in my personal business," only to totally end up not knowing what an ethernet cable is. Standing ovation on the set of You're Fired. — AH

JESSICA

While Karthik "you're a nice guy, Karthik, but you tried to wholesale bacon in a synagogue" is quietly getting fired before the task winner has even been announced, perennial boardroom agitator Jessica is biding her time. Jessica has been on the losing team eight weeks out of nine: she's been down to the last three seven times. Sugar's arms are folded, week after week after week, saying: "I don't know what you do." But Jessica is an online fashion entrepreneur, and that scares Sugar. He's never really cracked "the web". He's too afraid to fire her because she knows what Instagram is and he doesn't. One week she escapes firing by just locking eyes with him and slowly saying "viral marketing". The hot streak can't last, though: it is with regret that I must announce that Jessica is kooky, and we all know kooky can't last long in this process. Like a hothouse orchid, she is sent back from the Derbyshire hellhole from which she came. "I think I were just too full-on for Lord Sugar," she says, bouncing around the farewell cab, before turning to the backseat GoPro. "BYE, HATERS!" — JG

ALANA

Alana – with a slight shake in her voice and a flicker of humanity in her eyes – will be this year's "it is with regret" candidate. Every series there is one candidate who is really nice and quite good, but Lord Sugar decides doesn't have the killer instinct/acumen/experience/workplace-related one-liners to win. Despite her best attempts at sounding savage and single-minded, she will come across as far too normal, vulnerable and relatable to actually win. Alana will do well – she'll probably design an actually good bath toy at some point – but, after floundering around the Week 10 mark by allowing herself to be pushed around, will then be told she still has a long way to go. Lord Sugar will assure her "he sees a lot of potential" and that she reminds him a lot of him a few years ago, but that she isn't quite ready yet, so – and you hear it coming, like jet engines in the distance before the bombs even drop – it is with regret that, Alana: you're Fired. — AH

FRANCES

Frances is really keen that people don't underestimate her just because she is short and beautiful, which is why thus far she has navigated each challenge with a sort of icy-veined detachment from true reality that borders on the psychotic. To be honest, the only real reason Sugar fires her in Week 10 is because he's taken a peek at her business plan (new range of high street beauty salons) and already has doomed visions of the moment he incredulously asks her, "WHAT'S A FACKIN' VAJAZZLE WHEN IT'S AT HOME?" getting turned into a meme. She has to go. — JG

THE INTERVIEWS

It's THE INTERVIEWS, and Samuel will be the first to go after his business plan is revealed to be something like personal trainers for parrots, or luxury alcohol-free cocktail parties for under-fives, or high-end mouse mats, or Uber for boats, or bouncy-castles with an interactive twist, or flashing keyrings, or an online peer-review database of dry-cleaners, or something to do with events. He will spend the entirety of the interview episode being asked, "Do you really think this is a viable business model?" and his answer will sound less and less convincing every time. He will consistently be the best dressed.

Grainne. Grainne is one of those contestants who takes words like "drive" and "determination" and makes them sound like threats. She'll talk about her upbringing like she was raised by wolves, and take any challenge to her legitimacy as a candidate as a threat against her family. Grainne is a mother and she will mention this a lot. One week, she will pitch a new type of nappy – called a Happy-Nappy, with a picture of a puffin shitting and smiling on it – to Mothercare, open the pitch by telling them she is a mother, and go on to make £750,000, breaking all previous Apprentice records. However, at the interview stage, her business plan will be scrutinised with intensity by that Scottish bloke, who will reveal in startling scenes that Grainne has fluffed the maths. "It says here you turned over £60,000 last year," he'll say to her. "That's right," she'll reply. "Why then, when I spoke to your ex-business partner, did he tell me you actually failed to turn a profit at all in your first two years of trading?"

"Oh," she'll say. "Oh."

Then we come to JD. I'm finding just looking at photos of JD comforting, because when I look at photos of JD I know exactly how I'm going to feel for the next 12 weeks. I know the lovely glow that is going to fill my belly when he says, "I'm happy to be team leader on this one, guys," during the week they go abroad somewhere. I know how much I will rejoice when JD tries to paraglide as a treat for being on the winning team (Team Sorcery) on the perfume task. I know how much I will smile when JD trundles back down the stairs in week 12 to assist one of the finalists. Look at JD, he is the Kritios Boy of Apprentice candidates – a proportionally perfect specimen, comprised of high-blood pressure, bravado, idioms and aftershave.

I can already hear him growling, "Guys, seriously, can we cut the bullshit now?" in Week Four, while everyone argues over what their ready-meal brand should be called; or in the boardroom, reminding Lord Sugar over and over again about the one decent day of sales he did in Week Two. JD is that classic type of "decent bloke" candidate who bulldozes his way to the semi-final like a book of motivational business quotes with a sledge-hammer. Sadly, in the interviews, he will have his pants down for not knowing the difference between profit and revenue, only to be told by Lord Sugar that "he's a very nice guy", but lacking "the proper commitment I need in a business partner". After The Apprentice has aired, JD will have an admirable stab at a career in broadcasting, which will last around 12 days. — AH

Week 10 Daily Mail hit-piece reveals JD was having a torrid affair with Grainne throughout. "They grunted like pigs," a production assistant will say, anonymously. "Like animals. Like pigs. We had to keep topping up the communal condom bucket with caramel-flavoured sheathes. Like pigs, they were. Pigs." — JG

THE FINAL

You know that "you're the perfect combination of sexy and cute" line that originated from Crazy, Stupid, Love and immediately became the kind of thing fedora-wearing pick-up artists yell at the full moon when they run out of super likes on Tinder? Well, there's something to the idea of a formula taking you far, and no more is that so than on The Apprentice. Rebecca makes it to the final by being soft-edged, diplomatic and chatty (winning over the Hunger Games-esque girls' team in the first few weeks), good-with-numbers and quick-thinking (wins a pitch by retorting something to an ASDA executive that makes them all pull a face and mark something on a laptop that they later say "impressed them" in whispered conversation with Lord Sugar) and just generally very good at tasks (somehow magics up a full suit of armour during the scavenger hunt week) and ascends with ease to the final. Sadly, hamstrung with a blast-from-the-past team of JD, Jessica, Sofiane, Grainne and Karthik, she cannot topple the undefeatable monster that is: Paul. — JG

Paul is going to win, basically because he provides Lord Sugar with the two things he needs: a narrative and a really boring business plan. Firstly, Paul is going to start the process off being a real billy-big-balls loud mouth, shouting at the likes of Mukai and calling Sofiane a "wet ponce". However, as the weeks progress, Paul will get more and more boring, and around the Week Eight mark he will lead his team (Team Archangel) to a stunning victory selling fitness programmes to gyms. In front of everyone, Karen will tell Lord Sugar, "Actually, it wasn't really the product they were impressed with, the main reason they invested was because they liked Paul." Paul will do an unassuming but really smug smile and Karen will continue: "They said he was exactly the sort of collaborator they were looking to work with." Lord Sugar will then say, "Well! Paul, that's a bit more like it."

This is it – this is when Paul actually wins. But first he has to get through three more weeks before he actually claims victory. Then, after competently presenting his dead-boring business about insoles for running shoes to a room of Nike and Adidas bosses and Lord Sugar – who always spends the presentation evening being treated like the Queen of England or the Pope, entering the room late and being advised by courtiers – finally Paul will make one last sell in the boardroom, featuring an emotional plea specifying his graft and lack of education, before being crowned Lord Sugar's new business partner.

Then the lights dim, Sugar is packed off in cab back to his retirement bungalow somewhere in Surrey for another year, where he will sleep and dream of helicopters. The End. — AH

@a_n_g_u_s / @joelgolby

More stuff from VICE:

Shut Your Trap: Alan Sugar's Bizarre Descent Into Self-Parody on The Apprentice

'Donald Trump's Real Estate Tycoon' Is a Warning from History

Meeting the Winners of 'Knightmare', the 'Dark Souls' of Children's TV

10 Questions You Always Wanted to Ask: 10 Questions You Always Wanted to Ask a Person With Breast Implants

$
0
0

Giulie. Photo by Scott Hall

This article originally appeared on VICE Germany

23-year-old Giulie has 600 millilitres of silicone in her body – in her breasts, more specifically. She's a bartender at a club in Munich, has a pretty impressive following on Instagram and this October, she will be starting her law degree. About a year ago she had breast implant surgery, after which she went from "not even half an A cup" to a C cup.

When I call to ask her some questions about her boob job, Giulie laughs and talks a lot. Not everyone with implants admits to having them, let alone likes getting into detail about the ordeal but Giulie is delightfully open about her twins. And why shouldn't she be? One in five of all cosmetic surgeries performed on women in the UK last year were breast augmentations.

VICE: When people ask if they can touch your breasts to feel the implants, do you let them?
Giulie: If someone asks me nicely I do, yes. People are fascinated by breast implants and I understand that. I wish I had known someone with implants before my surgery because I had so many questions. Most women aren't open about it. I now know a lot of people who have fake breasts – but they only told me after I had surgery.

Do you ever think people might just want to sleep with you to know what it's like to touch fake breasts?
I have gotten some attention from guys who weren't interested in me before my surgery, but I obviously never went along with that. I don't believe anyone would want to sleep with me just out of curiosity for my breasts.

Do breasts with implants feel different than breasts without?
I've heard a lot of different opinions on that. Some people say they had no idea they were fake, others say they feel more solid. I personally feel that my breasts are much harder now than when they were natural. They're like trampolines. And when you touch the skin on the side – under my armpit – you can feel the edge of the implant. But I have no problem with my breasts looking or feeling artificial. It's not like I want to hide that I've had surgery. That's why I chose round implants, instead of anatomical implants that are modelled after the natural breast. Those are shaped like a drop and are more expensive. My implants basically look like round Tupperware containers.

Some men say they prefer natural breasts. Are those men lying?
I personally believe that men generally like large breasts and don't care whether they're real or fake. Everybody loves a good cleavage, I think. I feel like I'm getting a lot more attention since my surgery but that could also be just because I'm much happier, more comfortable and confident now, and that shows.

How much did your new cleavage cost you?
It was a special offer and cost me €3,600 (£3,100). I bought a new life with that money. I had always been pretty flat-chested and I really hated that. I work in nightlife and struggled to make it look like I had something there. Oktoberfest was hell for me. When I slept with someone I was so embarrassed when I took off my bra. My small breasts gave me bizarre complexes – when a guy didn't call or text me back I assumed it was because of my flat chest. Those days are over.

Photo courtesy of Giulie

Did it hurt?
When I woke up after the surgery, it felt as though there was this heavy steel plate lying on my chest. But then the nurses gave me such heavy painkillers that I just got really high. I spent one night in the hospital and they gave me more powerful painkillers when they released me – you really need those. The worst part was that I couldn't move my arms after the surgery. At first, I couldn't even put on a pair of pants, hold the shower head or push myself up in bed. And I've so far avoided push-ups or other exercises that involve breast muscles.

Are your nipples less sensitive now?
I still feel everything in my nipples. But below my nipples, in the lower half of my breast, there are some numb spots where I feel nothing. The surgeon told me I will probably be able to breastfeed if I have a child, but they can't guarantee it.

In 2012, it emerged that the health of about 300,000 women worldwide was at risk because of the bad implants they had received. Does that ever worry you?
No. I think you don't really have to worry if you've had your surgery in Germany by a respectable physician. The clinics in Munich really know what they're doing, and I researched the different clinics and doctors extensively before I made my choice.

Isn't it strange to have the same stuff in your body that baking moulds, mouse pads and Silly Putty are made of?
No, not at all. I haven't for a single minute regretted my decision. I'm not afraid I'll be reduced to the 600 millilitres of silicone I carry around. When I take my shirt off for someone I first have to really like him – and I trust I'll pick men who are worthy of seeing me naked.

Is it true that if you shine a flashlight against the side of your silicone implants, they glow in the dark?
I think I've heard something about that on TV. Wait, hang on while I try it out with a flashlight in the bathroom. Don't hang up.

No, there's nothing. This looks totally – Oh my God! They're glowing! I see it now, this is crazy. The bathroom is completely dark, except for these two shiny red half circles. This looks so creepy.

More on VICE:

Meet the Guy Who Co-Founded the Kickstarter for Breast Implants

It's Hard to Find Love if You're into Adult Breastfeeding

A Young Person's Guide to Checking Your Breasts for Cancer

The VICE Morning Bulletin

$
0
0

Everything you need to know about the world this morning, curated by VICE.

Photo by Spencer Platt/Getty Images

US News

Trump Claims He Was Holding Back During Debate
Donald Trump told a crowd of his supporters in Melbourne, Florida, Tuesday night that he was "holding back" during the first TV debate against Hillary Clinton because he did not want to "do anything to embarrass her." Trump also claimed his campaign raised $18 million in the day after the debate, "the biggest day we ever had."—TIME

Police Shoot and Kill Unarmed Black Man in San Diego
A black man was shot and killed by police outside San Diego after he pulled something from his pocket and assumed a "shooting stance," according to cops. The police chief, Jeff Davis, has since conceded the object was not a weapon. Protesters gathered at the shooting scene Tuesday afternoon, with some saying the man was shot with his hands raised, which cops deny.—Associated Press

Wells Fargo CEO Forfeits $41 Million
Wells Fargo CEO John Stumpf has agreed to forfeit $41 million in compensation in the wake of the bank's sales scandal. Meanwhile, Secretary of Labor Tom Perez said he will initiate a "top-to-bottom" review of the bank after allegations of labor law violations.—NBC News

Senate to Vote on 9/11 Bill Veto Override
The Senate is scheduled to vote Wednesday on overriding President Obama's veto of a bill that would allow families of 9/11 victims to sue Saudi Arabia over the attacks. Obama has argued that lawsuits would interfere with foreign policy, and the veto was just the 12th of his presidency. It is also the first to face the serious prospect of an override.—CNN

International News

German Mosque Bombed in Suspected Xenophobic Attack
Explosions rocked a mosque and a convention center in the German city of Dresden late Monday, and police said Tuesday they found remains of homemade explosives at both scenes, and suspect a "xenophobic" and/or "nationalist" motive. An imam and his family were in the Fatih Camii mosque at the time of the blast, but no one was injured.—Al Jazeera

Shimon Peres, Former Israeli President, Dies at 93
Former Israeli president Shimon Peres, who also served twice as prime minister, has died at the age of 93. He won the Nobel Peace prize in 1994 for his role negotiating peace accords with Palestine. Current Israeli PM Benjamin Netanyahu expressed his "deep personal grief on the passing of the beloved of the nation."—The Guardian

Bombings Kill at Least 17 in Baghdad
Three separate bombings killed at least 17 people and wounded more than 50 others in heavily Shi'ite Muslim districts of Baghdad Tuesday. ISIS has claimed responsibility for two suicide attacks in commercial districts, but not the third assault, a roadside bomb in western Baghdad.—Reuters

World's First Three-Person Baby Born
The world's first baby has been born using a new "three person" fertility technique. The child, now abut five months old, has DNA from his mother and father, along with a dash of genetic code from a donor. A team of American doctors traveled to Mexico to carry out the procedure for a Jordanian family, which is not legal in some countries.—BBC News

Everything Else

Elon Musk Has a Plan to Colonize Mars
The SpaceX founder has outlined his plan for manned missions to Mars, which he thinks could begin as soon as 2024. Tickets per person might cost $500,000. Musk said he wants humanity to become "a spacefaring civilization."—The New York Times/Newsweek

Jay Z Label Logo Lawsuit Dismissed by Judge
A federal judge has dismissed a $7 million lawsuit against Jay Z and his former label partners that accused them of copyright infringement over the Roc-A-Fella Records logo. An artist named Dwayne Walker has claimed he created the inspiration for label's signature image.—Rolling Stone

Pharma Bro Auctions Off Chance to Punch Him in the Face
Martin Shkreli, the former pharmaceutical CEO who became notorious for hiking up the price of a key HIV drug, is auctioning off the chance to punch him in the face for charity. Shkreli tweeted that he had received a bid of $78,000.—VICE

US Murders Up Almost 11 Percent
The FBI's latest annual crime stats showed an almost 11 percent increase in murders in 2015. But at a murder rate of 4.9 per 100,000 people, 2015 actually had the third-lowest murder rate of any year since 1991.—VICE News

Geniuses Say Apple Knows About iPhone 6 Touch Disease
Employees who work at Apple's retail stores say the company is well aware of the "touch disease" flaw affecting the touchscreens of thousands of iPhone 6 Plus devices. One said they had been left to "take the brunt of the abuse" from customers.—Motherboard

Danny Brown Drops New Album Early
Danny Brown has unleashed his new album Atrocity Exhibition, his first in three years, ahead of the announced Friday, September 30 release date. It features Kendrick Lamar, Earl Sweatshirt, and Kelela.—Noisey


Teen-Focused App Musical.ly Is the Music Industry's New Secret Weapon

$
0
0

The music press may not take Jacob Sartorius's music seriously, but the 14-year-old has roughly 10 million followers on the musical.ly app and now tours for his fans. Portrait by Jared Soares

This story appears in the upcoming October issue of VICE magazine, which will be online on October 10. Click HERE to subscribe.

Dae Dae is a 23-year-old rapper with a toothy grin and long, blue-dyed dreads that flap up when he dances. He grew up poor in Atlanta's Boulevard/Fourth Ward and started rapping at ten years old. When his father got locked up for selling drugs, he took a job pouring concrete and doing flooring to support himself and his family. It was while pouring concrete that he came up with the words for his debut single, "Wat U Mean (Family to Feed)," a song with a hook that summed up his reasons for being there: "Got a family to feed, they dependin' on me."

Less than a year later, he signed a record deal with in-demand producer Nitti Beatz and got to work promoting the track. When it hit the internet last April, the music video for "Wat U Mean" enjoyed modest success, while online clips by two prominent Atlanta dance crews—SheLovesMeechie and Team NueEra—earned the song 2.5 and 1 million listens apiece. By summer, the song was making the rounds on the radio, reaching number 7 on the Billboard R&B/Hip-Hop Airplay chart on August 27 and 25 million hits on YouTube by September. According to Dae Dae, a catalyst for the song's success was musical.ly, a music video-production and sharing app that few people have heard about in the Atlanta rap world.

Approximately 50 million people under the age of 21—or roughly half of the teens and preteens in America—are on musical.ly.

Musical.ly is both a utility app and a social network. Users select from a menu of their favorite songs, then record a 15-second video of lip-synching, dancing, or clowning around to the music. There is also an in-app livestreaming feature called live.ly. As with Instagram, its suite of editing tools and filters enables users to easily and speedily create content and then share it with their followers, who reward the videos they like with a dizzying proliferation of views, hearts, and comments. Musical.ly users who receive the most hearts over a given 24-hour period rise to the top of an in-app leaderboard displaying the most "popular" musical.ly users—dubbed "musers"—at a given moment. Of particular interest to young artists like Dae Dae, there's also a song chart, ranking the most popular songs on the app.

Approximately 50 million people under the age of 21—or roughly half of the teens and preteens in America—are on musical.ly, and a handful of that generation's most beloved viral stars got their start on the app. There's Baby Ariel, a 15-year-old Florida native who began uploading lip-sync videos to songs by Justin Bieber and Drake while living in her grandparent's house; as I'm writing this, she has 13 million followers on musical.ly, does national tours with other digi-celebrities, and makes money off of sponsored editorial on her YouTube channel. And there's Jacob Sartorius, a former child actor from Virginia who debuted his first pop single, "Sweatshirt," to his roughly 10 million followers on the app. By September, the song—a tune about the 14-year-old heartthrob offering to let a girl wear his sweatshirt in case she's not yet ready to kiss—had more than 26 million views on YouTube.

Musical.ly boasts more than 11 million video uploads per day from more than 120 million users worldwide; 64 percent of the app's American users fall within the coveted 13–24 demographic, and 75 percent are female. Hoping to capitalize on that audience, Dae Dae debuted a 15-second snippet of "Wat U Mean" on musical.ly in August; to promote it, he hosted an in-app contest challenging listeners to make a music video of themselves performing his signature dance, where he languidly swings his arms in the air to the song's staccato "Aye" shouts. Since its inception, the challenge has yielded a staggering 153,719 responses, with scores of newly won fans performing their own renditions of the "Aye" dance.

"I definitely did connect with a lot of people on musical.ly I wouldn't think even listen to rap music," Dae Dae told me via email. "This older guy made a video, and I was thinking he could be doing anything else with his time, but he took time out of his day to rock out to my song."

According to a representative from musical.ly, the app drove a major spike in YouTube views for "Wat U Mean" and more than doubled iTunes sales from one week to the next, all through outgoing links on his user-profile page. D.R.A.M., an up-and coming rapper from Virginia, who has worked behind-the-scenes with Rick Rubin, noticed something similar happening with his Lil Yachty collaboration, "Broccoli." After his team released the music video on YouTube in July, they discovered that the song had already been charting on musical.ly for months, garnering 30,000 videos without any direct promotional campaign. Today, more than 285,000 videos have been posted with #broccoli; thanks in part to the app, it was the summer's biggest sleeper hit.


Dae Dae, a rapper from Atlanta, accessed a new audience by promoting his single "Wat U Mean" on musical.ly. More than 100,000 of the app's users created their own videos to the song. Portrait by Devinn Pierre

Through musical.ly, Dae Dae and D.R.A.M. gained access to the sort of impromptu secondhand promotion typically reserved for artists who already have rabid fan bases (think Drake's "Hotline Bling" video, which spawned a wave of memes that further spread the song). Beneath musical.ly's ostensible function as a place where young people amuse themselves making videos for their friends, the app poses an eye-opening, potentially industry-disrupting question: Why try to promote your music all on your own when you can get fans to promote your work for you?

"Fans don't want to only receive new music; they really want to create and interact with this music," Alex Hofmann, president of musical.ly North America, told me by phone from the company's San Francisco headquarters. The soft-spoken German helms the company with Alex Zhu, a self-titled "designtrepeneur" from Shanghai whom he met while working as a marketing director at SAP Labs, a Silicon Valley enterprisesoftware company. Zhu has said he came up with the idea for a combined music-video app and social network while riding the train one day, watching a group of teenagers taking selfies and listening to music. A month later, in July 2014, he and Shanghai based co-founder Luyu Yang launched an early iteration of musical.ly in the iTunes app store.

Downloads were slow the first year. But in April 2015, after the company began allowing users to follow one another, favorite one another's posts, keep tabs on the highest-charting videos via a leaderboard, and remotely collaborate on videos via musical.ly "duets," things started taking off. By July 2015, the app jumped from 1,450 downloads a day on average to half a million and landed the coveted number one position on iTunes. By March 2016, according to a TechCrunch report, musical.ly had 60 million active users and $100 million in venture capital, at a $500 million valuation. Today, it employs around 100 employees in offices in California and Shanghai.

The music press has largely ignored musical.ly, likely because Baby Ariel and Jacob Sartorius, two of the app's most visible faces, seem more like vlogger-style internet personalities than serious musicians. But many of the big-name rap and pop stars—and the labels that sign these musicians—have been paying attention for months.

Musical.ly uses song snippets to entice users out of the app and to streaming sites where they can listen to—or purchase—the real thing.

Log on to musical.ly, and you'll find a selection of songs by Wiz Khalifa, Fetty Wap, and Ty Dolla $ign to choose from; each has run promotional campaigns similar to Dae Dae's. According to musical.ly, a campaign Arianda Grande did for "Into You" yielded 772,000 fan videos; Rihanna's #Work challenge generated 830,000 fan videos, which, per Hofmann, caused the hashtag for the song to start trending on Instagram. This summer, Hofmann also reported observing a direct, if delayed, correlation between songs charting on musical.ly and songs that began charting on Billboard.

As Hofmann sees it, musical.ly's potential to transform the music industry stems from its emphasis on what folks in Silicon Valley call "digestible" content, using fragments of songs as advertisements for the whole. "It doesn't disrupt the flow on Spotify or Apple Music," Hofmann explained. In other words, musical.ly uses song snippets to entice users out of the app and to streaming sites where they can listen to—or purchase—the real thing. "What the industry secondary consumption leads to primary consumption," he explained. "We don't take a piece out of the pie with musical.ly. We actually make the pie a little bigger."

Musical.ly's in-app editing tools simplify producing and sharing 15-second videos, which are soundtracked by users' favorite pop songs.

Lyor Cohen, a storied music executive with experience running major labels like Island Def Jam and Warner Brothers, is one of many in the industry who stand to profit from a larger pie. In 2012, he co-founded 300, an independent record label synonymous with the viral successes of rappers like Fetty Wap, Young Thug, and Migos, with a professed mission to harness social media to transform the music business. In 2014, 300 announced a partnership with Twitter and gained unparalleled access to the social network's stockpile of music-related data in exchange for helping the company develop yet-to-be-unveiled tools for A&R and marketing professionals. Cohen only had complimentary things to say about musical.ly—in fact, his team encouraged Dae Dae and Nitti Beatz Recordings to try it in the first place.

"300 loves being the test-tube babies for innovations, particularly around products that incorporate music," Cohen told me by phone. He said Dae Dae's musical.ly campaign resulted in a "dramatic increase in streaming and sales," and that 300 plans to run campaigns for other artists on the label, including Young Thug and Brooklyn post-punk band Mainland. "Something they're hitting is very powerful," Cohen said of the app.

Sebastian Begg, an A&R and artist manager at Interscope Records, said he noticed success similar to Dae Dae's with BUNT., a German electronic-folk duo that launched a twangy comeback single, "Old Guitar," on musical.ly after some time out of the spotlight. By the end of the three-week musical.ly campaign, the band saw its Spotify listener base increase from 86,000 monthly listeners to 902,000. Begg wasn't entirely surprised; the MIT grad had been meeting with Hofmann since around the time musical.ly went number one in the app store. According to Begg, he'd advised Hofmann to develop musical.ly as a tool not only for amplifying preexisting stars but also for launching new ones. "If you can contribute in breaking an artist, you will be a lean-forward platform," he told me. "That means that instead of being able to react to pop culture, you will be able to progress pop culture."

Business Insider reported that musical.ly now offers its artists certain free-of-charge support services, such as connecting them with talent agencies, organizing meetups with fans, and even helping them to review some contracts. In June, news broke that musical.ly had signed a deal with Warner Music Group, home of Atlantic Records, Rhino, Warner Bros. Records, and many more. Ayal Kleinman, the vice president of marketing at Warner Bros. Records, said he was unable to comment on the specifics of the deal, but said that it enabled the company and its affiliate labels to freely license music to and promote music on musical.ly. Hofmann added, by email, that musical.ly has "formal relationships with all of the major record labels and music publishers," including Sony, Interscope Records, which is part of the Universal Group, and 300, which is distributed by Atlantic Records. When it comes to streaming sites like YouTube, iTunes, and Spotify, he wrote, "Musical.ly is in conversations with all three and will likely partner with one in the future."

But Kleinman said he sees the app less as a catchall marketing tool than a way of targeting a very specific demographic. "I know that there's a sweet spot in the demographics for the app, and it's definitely younger kids," he said. "In terms of the repertoire that we choose to promote on the app, it's going to be stuff that speaks to that audience. We're not putting more mature material on there."

Beyond the question of demographics, musical.ly has limitations. Its emphasis on creating viral content out of hooks lends itself more to accessible pop fare than to the stylistically adventurous corners of music creation—a reality reinforced by the leaderboard and song-chart features, which suggest that the most popular content is what matters the most. Musical.ly may also be taking a grassroots promotion method and stripping the democracy out of it. If social media's biggest contribution to the industry has been to level the musical playing field, allowing artists without label backing to market their output themselves, then an app running promotional deals with the majors runs the risk of using the veil of digital meritocracy to mask a system that is innately rigged. Viewed in the most cynical light, musical.ly could also be seen as a vehicle by which major labels can manipulate unsuspecting teens—drawn in by the app's entertainment value—to run their promotional campaigns for them.

Jacob Sartorius, a former child actor from Virginia who debuted his first pop single, "Sweatshirt," to his roughly 10 million followers on the app. Portrait by Jared Soares

Still, Hofmann stressed that he sees musical.ly more as a "family" than a service. "Our goal is to have a platform that connects millions of people and allows them to express themselves," he said.

These days the company is focused on expanding internationally. Of the territories musical.ly is in, it's seen strongest growth in Germany, the Netherlands, France, Mexico, Indonesia, and the Philippines; for countries with poorer-quality internet, the company has even introduced a lower-bandwidth version called musical.ly light. Hofmann told me the company now allows fans to compensate artists directly, by using live.ly to digitally deliver small sums of money—or "gifts"—to the artists they love.

In September, Hofmann's employees at musical.ly North America were in the process of packing up their desks. This fall, they'll relocate to a new office in Los Angeles, in order to work more closely with the entertainment industry. It's a move that feels symbolic of the company's rapid rise from a tech-world startup to music-industry power player, like Apple and Spotify before it. Still, the full scope of its impact on that business remains just as mysterious as the day when Dae Dae woke up, opened the app, and saw thousands of people from around the world dancing to and lip-synching his song.

This story appears in the upcoming October issue of VICE magazine, which will be live on October 10. Click HERE to subscribe.

'American Honey' Is a Brilliant Film About Society's 'Throwaways'

$
0
0

Photo by Holly Horner, courtesy of A24

Andrea Arnold's fourth film, American Honey, is an impressionistic and engaging epic that follows homeless 18-year-old Star (Sasha Lane) as she traverses the basin of America working as part of a "mag crew"—a group of youths who go door-to-door in US neighborhoods hawking magazine subscriptions, living on what they earn, and living in the moment. Facing highs and lows that include a torrid romance with fellow mag-crew'er Jake (Shia LeBoeuf), lecherous potential clients, and the squalor that streaks America's lower-class realities, Star's experience is shared with the audience as a journey without a specific endpoint: a reflection of growing up, and the confusion and ecstasy that surrounds it.

Distributed by indie-film powerhouse A24 and produced in part by Pulse Films (which VICE has a majority stake in), American Honey is the latest success in Arnold's career, which has also included directing credits on season two of Transparent and the 2009 coming-of-age drama Fish Tank. The latter won the jury prize when screened at the Cannes Film Festival, and American Honey did the same during this year's fest as well; when I met with Arnold and some of the film's mag crew cast on a hot September afternoon in A24's offices, some of them had returned from the film's screening at the Toronto International Film Festival, and they were still in a celebratory mood.

"We had a party bus—that was my favorite thing," Arnold said, beaming amid the gregarious noise coming from her cast—18-year-old Dakota Powers, 22-year-old Raymond Coalson, 21-year-olds Chad Cox and Isaiah Stone, and 25-year-old McCaul Lombardi—as they got settled in. "We had a good party, and we danced at the party hard." Inspired by a New York Times article about life on the road among mag crews, Arnold sought further inspiration—and casting—by going on a road trip through under-explored parts of the US, from the Deep South to eastern Texas and Utah. "I needed to get to know America a bit more," she explained.

For Powers, Coalson, and Cox, the film was their first time acting, and the opportunity was a change of pace from what they were doing when approached by Arnold's team: Cox was working in construction in Virginia, Powers was couch-surfing in Nashville while looking for work, and Coalson was largely homeless in his Panama City, Florida, hometown, taking in spring break while trying to find steady employment. "When Andrea casted me, I'd never felt so much love in my life from just meeting someone," Coalson intoned, with complete earnestness. "Before this movie, I could've been dead. I was dying."

Much of American Honey features the mag crew engaging in various daily rituals: driving around in a van, partying, and blasting recent hits from musical acts like Atlanta rap duo Rae Sremmurd and Chicago R&B impresario Jeremih—and, most ubiquitously, Rihanna's "We Found Love," Arnold's personal choice for the soundtrack and a dizzying, immortal pop explosion that acts as the film's theme song. The filmmaking process undoubtedly established a strong camaraderie among the actors (and Arnold) that clearly still exists to this day; during our interview, a gently boisterous vibe persisted throughout, with as much crosstalk as there was compassion for one another.

VICE: While filming, were there parts of America you guys had never seen before?
Raymond Coalson:
South Dakota was awesome.
Dakota Powers: The pretty stuff you see in the movie—the little ghetto towns that we shot at—was pretty much like my hometown, so it felt like I was home but in a different area.
McCaul Lombardi: South Dakota took us all aback. None of us had been there. It's so visually incredible—from the Badlands to Mount Rushmore to Crazy Horse. The Badlands was one of the most beautiful things I've ever seen.
Andrea Arnold: What do you remember, Chad?
Chad Cox: The Badlands were amazing.
Arnold: He deserves a medal because he did most of the driving .

How hard was it to drive while being filmed?
Cox:
It was a different experience. You're trying to drive and be in the moment at the same time.
Lombardi: Also, he had ten people yelling at him at one time.
Arnold: And the music was playing.

How did you prepare for playing mag-crew kids?
Lombardi:
For pre-production, we all flew out and had mag-crew classes that we took. We brought in some real mag-crew guys, and they sat down and talked with us for a week. It was cool to hear their life compared to what we were about to go embark on.
Arnold: Then I'd make them go out and sell wanted to change our lives, in a way, but I don't think she realized that she actually did. I went from being homeless to living in one of the biggest cities in the United States—I live in LA now, and everything I ever dreamed about and was on my bucket list has happened.

Something impressive about American Honey is that it's about homeless youth in America without seeming exploitative. Andrea, was that in the back of your mind while making this film?
Arnold:
The thing that attracted me to doing a film about the mag-crew world was the way everyone in that world comes together and forms a family. When we were casting, I made it clear that, for everyone we cast, I wanted to make sure their light was on—and for everyone here, their light is on.

Andrea's films typically capture rituals among people—what people do when they're together—and American Honey features many scenes where the cast is hanging out and engaging with each other in different ways. How long did it take for everyone to fall into that groove?
Five seconds.

Why is that something that you continue to return to as a filmmaker?
When I'm attracted to make something, it's not as simple as having an intellectual idea of what I want to do. It's usually some emotional connection, or an image. My image for this was a family of people from difficult backgrounds who found something together. Once I get going, it chooses me—I don't have a clear idea of why I'm making something, but it becomes obsessive, like something in my mind that I need to work out. I'm starting to write something now—I have an idea of what it's going to be, the image I'm starting with—and I can't leave it alone. It's a feeling.

If there's one thing that any of you want this film to teach when it comes to life in America, what would that thing be?
When I was in Austin for casting, I went to the homeless shelter there, and it was mostly young people in the shelter. The man working there said to me, "These people here are viewed as the throwaways of America." I love America, but it seems very divided in places. Capitalism is a tough way to live for some people. I was reading The Art of Loving, and there was a chapter saying that capitalism is incompatible with love, because love is about giving and capitalism is about taking. The one thing I'd like people to understand that no one is a throwaway.
Lombardi: We want to bring awareness that this life is real. This isn't just some made-up fiction.
Coalson: Life is what you make of it. When you're at your bottom, don't give up, because it could always get worse. Make the best of the worst situation.
Powers: How you see America in your eyes is how it is.
Cox: America's a journey. You can go all across America, and everything's different.

Follow Larry Fitzmaurice on Twitter.

The VICE Guide to the 2016 Election: I'm a Young Black Woman and I Support Trump

$
0
0

The author, outing herself. Photo by Jay Stephens

I had my last popular political opinion when I was nine years old. In the aftermath of 9/11, everyone on my television screen was praising President George W. Bush for his fearless leadership. I have a vivid memory of turning to my friends at recess one afternoon and saying, "If Al Gore had been elected, he'd be hiding under his desk in the Oval Office right now!!"

What a brainwashed idiot I was.

Now, like a majority of Americans, I don't trust the news to tell me the truth. I am genuinely baffled every four years when the otherwise intelligent people I know invest themselves fully in watching staged cable news shows and sharing clickbait articles they probably didn't even read. This election cycle, many of my misguided social media friends have tried to make Black Lives Matter and the crusade against police brutality the top political issue for African Americans. As an African American, I find this extremely insulting to my intelligence.

Don't mishear me: Preventing police abuse is a critically important issue, as the recent murder of Terence Crutcher illustrates. However, it is irresponsible of us to focus our civil rights efforts exclusively on the symptom of police brutality, and not the disease of socioeconomic inequality that infinitely exacerbates the problem.

We need to remember that economic crises trigger violence around the world, and that falling wages for low-skilled workers in the United States have been directly linked to increases in violent crime. The fact that the unemployment rate is twice as high for blacks as it is for whites should not be considered in isolation from the reality that our 13 percent slice of the population also commits over half of all homicides. Our economic vulnerabilities decrease our standard of living and increase our chances of having negative interactions with the police. African Americans deserve a presidential candidate with pragmatic solutions for correcting the root causes of the issues we face.

That candidate is Donald Trump.

" promises uncontrolled, low-skilled immigration that continues to reduce jobs and wages for American workers, and especially for African American and Hispanic workers within our country," Trump said in a speech on immigration that has been, at it's most polite, called "out of touch with reality."

There is an impulse to respond to comments like these made by Trump with disgust—but he's right. Despite the popular liberal myth that undocumented immigrants only take jobs Americans don't want, they really are displacing African Americans from employment opportunities. In 2008, the United States Commission on Civil Rights found black men to be disproportionately employed in low-skilled labor jobs and in direct competition with undocumented immigrants. One year later, the Federal Reserve connected record-high American youth unemployment with an influx of low-skilled laborers entering the country. Perhaps most damningly, the National Bureau of Economic Research examined census data from 1960 to 2000 and found "as immigrants disproportionately increased the supply of workers in a particular skill group, the wage of black workers in that group fell, the employment rate declined, and the incarceration rate rose."

The negative knee-jerk reactions Trump receives for referencing these uncomfortable truths is what Heather Mac Donald of the Manhattan Institute calls "the hypocrisy of the Black Lives Matter movement and its allies." It's much easier to center a political movement around criticizing an amorphous external force—"the system!"—instead of around the much more complicated task of reversing internal cycles of violence and poverty with tangible policy decisions.

The potential of a Trump presidency shouldn't scare Black Americans, but a Hillary Clinton administration is worthy of our concern. The racial justice section of Clinton's website doesn't address economic revitalization until the eighth of nine bullet-points; the first point is dedicated to "criminal justice." Adding insult to injury, Clinton's immigration reform section promises to extend a pathway to full citizenship for undocumented immigrants within the first 100 days of her presidency.

Voting for Trump has its drawbacks, of course. Some economists think low-skilled labor jobs are never returning to the United States, and even if they do, robots will take them all anyway. Additionally, some black Americans are offended when they hear Trump bluntly discuss impoverished inner cities, the low-skilled labor force, and the benefits of stop and frisk. There is a reasonable sentiment that since not all black Americans fit into the narrative of despair that Trump describes, it's wrong of him to characterize us as a struggling monolith.

However, the economic divide between blacks and whites is already so large it'll take 228 years for us to amass the same amount of wealth whites currently have. I believe Trump's overzealous presentation comes from a place of honest indignation over how US immigration policies have displaced black workers, exacerbated crime, and prevented many of us from fully realizing the American dream.

When respected civil rights leader Representative John Lewis says Trump's divisive rhetoric reminds him of segregationist governor George Wallace, he's not entirely wrong: Trump's rhetoric is divisive, but some divisive policy-driven rhetoric is exactly what African Americans need right now. We might even be getting the message. Before Monday's debate, the Los Angeles Times/ University of Southern California tracking poll showed that blacks were turning from Clinton and to Trump.

In his immigration speech, Trump told all Americans, "If we're going to make our immigration system work, then we have to be prepared to talk honestly and without fear about these important and very sensitive issues." African Americans must look beyond the absurdist racist caricature that has been painted for us of Trump and be prepared to talk honestly about how illegal immigration is one of the many forces hampering our success.

Economic vitality—not police brutality—should be the primary political concern for African Americans this election cycle. Establishing economic stability is a gateway for us to begin effectively addressing the plethora of other historical disparities that disrupt our pursuit of happiness. Trump makes a compelling policy pitch that deserves our consideration if we truly want to prove that black lives matter.

Follow Jay Stephens on Twitter.

Read a response to this essay on VICE.com tomorrow.

Andrew W.K. On Why Pressure Can Be Good

$
0
0

"The pressures of life don't stop until we die," writes Andrew W.K. Illustration by Tallulah Fontaine.

Andrew W.K. is a party rocker and motivational speaker whose advice column at the Village Voice touched millions of readers. Currently he's traveling to all 50 states like some kind of rock 'n' roll Tony Robbins, giving speeches about his revolutionary Party Power philosophy and helping people work on the most pressing in their lives. Starting today, each week Andrew will write about a singular topic for VICE, distilling it to its essence and examining it in total. Here now, Andrew W.K. on pressure. #AWKon

When I was a child, performing piano recitals made up a large and ominous part of my musical training. Naturally, there was a tremendous amount of pressure to play my assigned piece perfectly, or at least to not make a blatant and embarrassing mistake. This pressure manifested itself as fear, and I would obsess over the potential horrors awaiting me—the terrifying possibility of a flubbed note or, worse yet, going totally blank and sitting at the piano in dead silence, unable to remember who or where I was, or how my piece was supposed to go.

This pressure to not mess up came from my piano teachers, from the other students in class, from the audience, from my parents. But most of all, it came from some obscure place inside myself. I dreaded those recitals, and I nervously anticipated them with more intensity than I did trips to the doctor's office, or talking to girls I had crushes on, or big year-end final tests in school. I took the stage with hands so sweaty I struggled to keep my fingers from slipping off the piano keys. I experienced that strange combination of red-hot cheeks and ears and icy-wet feet and toes. But I still performed at every recital, year after year. I was compelled to by a bizarre inner drive I couldn't explain.

As soon as the annual recital ended, there was a small window of relief. No matter how poorly I had played, at least I had gotten through it. I enjoyed that euphoric feeling of accomplishment and relief for about an hour, while my parents and I took part in a post-recital ice cream shop ritual. But as soon as I finished my sundae I felt that familiar pressure start to creep back in. On the way home, while looking out the car window at the passing houses and trees, I'd realize it was already time to start learning and practicing a new piece, inevitably counting down to another recital. The pressure started all over again.

Despite all that stressful heaviness, even my childhood self could tell there was something important happening during this vicious cycle of pressure and release. This weight wasn't just pushing me down. It was pushing me forward, pressing more of me out of me. It was shaping and changing me for the better.

These piano recitals were the first time I had an up-close encounter with wanting to do something I didn't want to do and liking something I didn't like. If someone had told me I didn't have to play my piano piece, or that the entire recital was canceled, I would have felt relieved, but I also would've felt oddly cheated. Learning to embrace this paradox has become an ongoing life puzzle. But back then it was fresh and alien, and I was disturbed and fascinated by the collision of these two conflicting impulses—like and don't like, want and don't want—these two strong feelings synthesizing into something empowering and revolutionary.

Pressure doesn't have to only push down on us. It can also give us something to push off of.

It's easy to see why this process is so confusing. Like most people, I was taught that pressure is a negative thing, a malevolent weight we're under, a cruel and impersonal outside force, pressing down on us from above, holding us back. We're made to think pressure constrains our efforts, exhausts us and drains our energies through the endless need to fend off this invisible and formless power. We're led to see pressure as an enemy working tirelessly to thwart our best efforts as we pathetically try to keep up with the demands of daily life.

We've also been told that avoiding strife and strain is proof of real success in life. We are told that all of our hard work is eventually meant to free us of the need to feel any pressure or discomfort at all. We are told that staying at home, resting, and watching TV all day, with no pressure or intensity around to disturb our serenity, is the ultimate attainment. That the most successful person never works and just sits by the pool all day. But deeper inside, we realize this can't be why we're here. There's got to be more we are working toward than just resting.

We are here to grow. We are here to expand. The fruits of our labor are not meant to free us from labor, but to allow us to earn the right to pursue more noble and refined types of labor—to improve the nature of labor we devote ourselves to, and increase our ability to take on ever more challenging pursuits, to engage in greater and greater work. What I understand now about my piano recitals was that they weren't supposed to be easy or pleasurable, but they had a goodness hidden inside them that made even the unpleasant parts meaningful. They were evidence of a process. They were proof of something becoming something more, or something becoming someone, a person becoming a human being.

Pressure doesn't have to only push down on us. It can also give us something to push off of. Pressure can be a platform, a launch pad. As I said before—it's a mechanism through which we can refine ourselves. Much like a diamond is formed by the earth's incredible pressurized forces going to work on a simple piece of carbon, so too do the external pressures in our lives form us into better people.

The pressures of life don't stop until we die. Even if we decide to tune out this fundamental feeling, it's still there, and being alive in a meaningful way means managing and appreciating pressure, not avoiding it. Perhaps it's the best proof we have that we're alive. Maybe that feeling of pressure is the life-force itself—that mysterious spark of vitality that animates and sustains us.

We are worthy of the pressure we have around and inside of us not because it's there to hurt us, but because it's there to propel us. We can get in front of it, we can get on top of it, and we can ride it toward our destiny. This pressure can bring out our best. May we each find the strength to harness the fundamental pressure of being alive and use its power to build something glorious and beautiful.

Follow Andrew W.K. on Twitter.



The Story Behind the Teen Mom Arrested with a Dead Baby in Her Bag

$
0
0

It's been a year since Tiona Rodriguez arrived on Rikers Island. That means a year since medical workers at Rosie—as the jail complex's Rose M. Singer Center is affectionately called—removed the implant that was supposed to spare her getting pregnant again. (They replaced it, at her request, with a Mirena IUD.) In the time since her July 2015 indictment, Rodriguez has earned her GED and begun college courses, though what New York City's most reviled mother mostly does is count down the hours until her next visit with her son.

"You don't understand life until you have a child. You don't understand love," Rodriguez told me when I asked about her now five-year-old son Shakim, who she said visits her on weekends and sleeps every night in her old bed. The 20-year-old inmate sports her boy's name tattooed on her right shoulder and brags about him in the manner of mothers everywhere, telling me how he walked the day before his first birthday and as a kindergartener can hold a conversation with anyone.

It's hard to reconcile Rodriquez's evident maternal devotion with her tabloid infamy—as the "teen who carried dead tot into store" almost three years ago, according to the New York Post. On October 17, 2013, the then 17-year-old and her friend were stopped by a security guard in a Manhattan Victoria's Secret on suspicion of shoplifting. According to court documents, the guard opened her bag to find a pair of jeans she later told police were stained with menstrual blood, along with the remains of what she said was a miscarriage. Prosecutors contend it was the body of an eight-pound baby boy who was delivered full-term and alive late the previous morning in the bathtub of a friend's home in Glendale, Queens, and who they claim lived for several minutes prior to being asphyxiated by his mother.

Rodriguez and her lawyers have maintained from the start that the baby was stillborn. Though she wouldn't discuss the specifics of the birth with me when I visited Rikers to ask her about it, she repeatedly insisted she hadn't known she was pregnant—in part because the etonogestrel rod she'd had implanted in her upper arm is among the most effective methods of birth control in the world.

While being treated at Bellevue Medical Center after getting caught with the baby in her bag, she told a detective she gave birth in a bathtub with the water running. Thirty-odd hours later, Rodriguez and her friend were arraigned on charges of petit larceny and possession of stolen property, misdemeanor offenses that were quietly dismissed before the end of the year. The baby's corpse now lies in the sprawling Woodlawn cemetery in the Bronx. His tiny gravestone bears no name. NYPD detectives and investigators from the DA's office, the Daily News reported, attended the funeral.

Rodriguez's lawyer would not comment on the case, but prosecutors say she delivered another baby alone in her own bathtub the year before giving birth to the infant she's accused of killing—just one year after her son Shakim was born at Brooklyn's Woodhull Hospital. That first delivery—Shakim's—was unexpected and unmedicated, the first inkling anyone in her family had she might be pregnant, prosecutors say.

No one knows what happened to the second child, though prosecutors believe Rodriguez texted her boyfriend throughout the ordeal, let him know the infant was dead, and debated how to dispose of its remains. A similarly callous text exchange with a friend around the 2013 delivery is likely to be a linchpin in the case against her; at one point, the teenager apparently talked about a plan to "dig a hole, put somewhere, lol, then we go eat IHOP."

Tabloids basically dubbed Rodriguez a murderer 20 months before she was indicted, and six months before her son's death had even been ruled a homicide by the medical examiner's office. The Post and other outlets generally parroted the prosecution's narrative of a calculating monster devoid of the most basic human instinct to love and protect a helpless child.

What everyone including Rodriguez agrees is that what happened that morning in Queens is unspeakable.

But this story is more complex than a mere tabloid tale. Stillbirth and suffocation can look identical under a microscope, and regardless of her culpability or the callous texts she sent, Rodriguez herself was a victim of circumstance—a teenager who'd given birth three times and essentially been constantly pregnant since age 14, a child who tumbled through every possible crack before landing on Rikers. Her alleged crime is awful to contemplate, but it is also one only committed by the desperate. As forensic pathologist and infanticide expert Gregory Davis told me, "I have yet to see a wealthy white woman get charged" with killing a child she claimed was stillborn.

What everyone including Rodriguez agrees is that what happened that morning in Queens is unspeakable. I'm not sure someone who's never given birth can even begin to imagine the horror of doing it alone in the bathroom, or of ripping a blood-slick umbilical cord between their bare hands. I know I couldn't imagine it before I had my own son. Even in early labor, the contractions felt like a meat grinder made of my body was grinding itself into hamburger—a pain that bled quickly into raw, animal fear.

The love I felt for my son was like that, impossible to convey to someone who has not felt it. As a mother I could hear the same love in Rodriguez's voice when she spoke about Shakim—which she did, at length, her eyes alighting on this or that child in the visiting room whose hair or voice or smile reminded her of her own.

"That's what scares me the most, that I'll lose him forever," she told me.

This was not the soulless "blank-eyed" baby-killer the Daily Beast described at excruciating length after her shoplifting arraignment in 2013, nor the "adept" pregnancy-hider from the New York Times account of her murder indictment. It certainly wasn't the infant-hating woman I feared would recoil from me because I'd been forced by one of those banal crises of working motherhood to schlep my own eight-month-old along on the 9-to-5 round trip trek that is a Rikers visit—or else lose the only day I could wrangle free to meet before her next court date.

My son was hardly the only young child in the visitor's room. In fact, we were surrounded by kids, among them a kindergartener who clung to her incarcerated mother at the table beside us, a newborn asleep in the arms of the visitor just behind her seat, and a preschooler in braids like the ones Rodriguez used to weave for her son plopped down in the seat behind mine. Scores pass through the island each day, their diapers sniffed for drugs and their onesies patted down for contraband. I brought mine because I didn't have another place to leave him, and because unlike many of the places my work takes me, I knew we would be safe there.

The first question I asked Rodriquez was how a mother who loved her son like I did could end up where she was. Though I returned to the question several times over our hour-long interview, I left no closer to understanding how she could have killed her own child than when I'd arrived. Instead, I was haunted by a new question.

What if she didn't?

The New York City Housing Authority complex where Tiona Rodriguez lived with her family before her first arrest is probably best known as the place where Jay-Z grew up. These days, the Marcy Houses are neither the worst nor the best of the city's sprawling public housing projects. But with boutique coffee roasters encroaching from the gentrified blocks to the south and slick Kosher grocers catering to the Satmar Hasidim who've moved here from Williamsburg to the north, it's about as far a cry from "Murder Marcyville" as it is from Mayberry.

The other defining characteristic of these baby-killers is that very often nobody knows they're pregnant until they go into labor—frequently not even the mothers themselves.

That apartment in Bed-Stuy is the home Rodriguez told me she longs for every morning just after she wakes up and realizes she's locked up in Rosie. Her homesickness is second only to her longing for her son, whom an uncle said still lives there with her mother, Marissa.

Before her initial arrest, Rodriguez confirmed, she was a student at the nearby Williamsburg Charter Academy High School, just blocks from the hospital where she first gave birth in 2011. She described her relationships both at the school and at home as warm, but what little she would say about childhood made her early life sound difficult. Though she insisted she knew she could get pregnant at 14, Rodriguez described her circumstances as too chaotic for her to care about it at the time. She said her son's father was a neighbor about her age, and that the baby had been named for him.

Rodriguez added that she nursed Shakim until he was six months old, despite the excruciating pain many mothers will recognize that still made her wince and clutch her arms over her chest when she spoke about it. If she is convicted of the sole offense with which she is charged—murder in the second degree—Shakim will be his mother's age before her minimum sentence is up.

"There is perhaps no victim more defenseless than a newborn child," the Manhattan district attorney, Cy Vance, declared when he announced Rodriguez's indictment. "I am confident that the experienced homicide and child-abuse prosecutors in my office will see that justice is served in this tragic case."

But what exactly counts as justice for baby Rodriguez looks dramatically different in the United States than it does almost anywhere else in the developed world. According to experts and academic sources, the defining characteristic of women who kill their newborns is that they aren't women at all, but teenage girls. Like Rodriguez, they are almost always poor and living with parents. Also like her, most give birth outside a hospital and have no prenatal care.

The other defining characteristic of these baby-killers is that very often nobody knows they're pregnant until they go into labor—frequently not even the mothers themselves.

Prosecutors contend that Rodriguez deliberately hid her pregnancies from those closest to her while calculating a cold-blooded murder, but she told me she had no idea she was pregnant in 2013—a fact most women who have ever been pregnant will find hard to believe. But a 2013 international review of recent neonaticide studies published in Aggression and Violent Behavior finds "denial of pregnancy"—the belief that one is not pregnant until the evidence is an irrefutable infant—is actually quite common. According to the study:

The pattern of delivery in these neonatal women is highly consistent. The young women, often in some state of denial even during the delivery, experience cramps, and believe they have indigestion or flu. Over a period of hours between remaining in bed and attempting to have a bowel movement, a newborn is produced. Sometimes over the course of hours they may realize they are in labor, but sometimes denial continues until they are presented with an actual newborn.

In this case, part of the reason Rodriguez didn't know she was pregnant, she said, is that she had no reason to think she could get pregnant—she was on birth control.

Rodriguez explained she was given her first dose of the injectable contraceptive Depo-Provera at the Mount Sinai medical office on Court Street in Downtown Brooklyn just six weeks after Shakim was born, a testament to the fact that both she and her doctors were eager to prevent another pregnancy. As many as 20 percent of teen mothers in New York City use no form of birth control at all postpartum, and many breastfeeding mothers avoid hormonal methods until their babies are weaned. By contrast, Rodriguez said she continued with several courses of Depo before deciding she couldn't stand the side effects. (She told me it made her hair fall out.) It's not clear precisely when her second birth fell along this timeline, but it's almost certain she was already pregnant with her third baby, the one she's accused of murdering, when the etonogestrel implant was slipped under the skin over her bicep.

I asked her how she felt when she discovered she was expecting again despite all her precautions.

"It was a shock," she said.

Shock, too, is common among girls who kill their newborns, according to the Aggression and Violent Behavior study. "The response is then often an immediate one, given the breakdown of the denial, into an act to undo the product," as though a baby were a Snapchat profile you could delete from your phone.

It's precisely because the response is so consistently irrational, so grossly incompatible with our most basic concept of motherhood, so statistically isolated to the young and traumatized, that most countries don't treat these acts as murders. The United States is virtually alone among developed countries in lumping mothers who kill their newborns together with domestic homicides and drug shootings in its criminal justice system.

"The contrast between the way infanticides and neonaticides are handled legally in the United States compared to the rest of the world is striking," wrote the author of the 2013 review. "If it is argued a mother killing her child is so blameworthy that no special legal consideration need be given, it ignores the well-documented psychological and physiological changes that exist. To ignore these phenomena also begs the question why other countries acknowledge such changes in mothers with neonates."

According to the study, roughly 50 countries have special charges for mothers who kill while "not fully recovered from the effects of giving birth or the effects of lactation" that are more forgiving than murder. The authors argue that an even more fine-grained distinction should be made between mothers who kill children less than a year old and those who kill babies in their first day of life, the latter being almost invariably adolescents whose "cognitive and cortical functions are still in a state of development."

"The science on this is very fuzzy in 2016." —Thomas Andrew, former New York City Medical Examiner

Regardless, what today is tried as murder in the US would be charged as a lesser offense in Canada, where infanticide carries a maximum of five years behind bars. If convicted, Tiona Rodriguez could spend the rest of her life in prison.

All of which assumes the prosecution is correct and Rodriguez killed her child— a supposition many experts say could rest on shaky science.

Statistically speaking, the day a baby is born is the day it is most likely to die. More than a million babies worldwide die on the first day of their lives, a quarter of them from labor complications. While 98 percent of those deaths take place in developing countries, the United States leads the industrialized world for infants who breathe their last breath within 24 hours of their first—almost 11,300 a year. In 2013, when Tiona Rodriguez's son was found dead, nearly 400 newborns died in New York City alone, meaning infant deaths outnumbered murders by at least 44 tiny bodies.

"We all want children to be born alive and healthy and happy and fulfilled. Sometimes when that doesn't happen, we want somebody to blame," said Dr. Davis, the neonaticide expert, who's based at the University of Kentucky in Lexington. Often, that blame falls on the mother, he told me, though he warned that "just because you don't like the mom, doesn't make her a criminal."

Davis couldn't speak specifically to Rodriguez's case. But he said part of the reason he's never seen—in his 30 years of medical practice—a woman of means charged with killing a baby she claimed was born dead is that proving a baby has ever lived when the sole witness says otherwise is "virtually impossible."

"Unless there's food in the stomach, like milk, or unless there are bruises around the mouth and gums that can show pinching of the mouth and nose shut, there is really no way to diagnose live versus stillbirth" from an autopsy alone, he told me.

Thomas Andrew, the chief medical examiner for the state of New Hampshire and a veteran of the New York City Medical Examiner's Office who served for six years in the 1990s—at the tail-end of an era when annual homicides sometimes numbered in the thousands—agreed. Like Davis, he couldn't speak specifically to Rodriguez's case, but said he'd seen many like it in his years as a death investigator.

"The science on this is very fuzzy in 2016," he told me. "As a matter of fact, as science has improved, the question has become more murky."

In the absence of clear trauma, some experts still debate the value of laboratory tests to tell stillbirth and homicide apart. Yet many medical examiners still use scientifically contested methods to rule an infant death a homicide. The New York City Medical Examiner's Office can only share the cause and manner of death—homicide by asphyxiation—not how the examiner reached their conclusion, so it's impossible to know before trial precisely what tests or evidence were brought to bear.

But among the most common is an old method called the hydrostatic or "float" test, which involves dropping a lung in liquid, sometimes with a piece of liver as a control. In theory, the lungs of someone who has drawn breath will float. But the physical pressure of a fast birth can force air into the baby's lungs, and almost any degree of decomposition can create the same effect. Other tests can be similarly inconclusive.

All this leaves pathologists only circumstantial evidence to tease criminal intent from tragedy.

"Every medical examiner who's been practicing for any length of time has been faced by a case like this," Andrew explained. "These are hard, hard cases. The defense is inevitably stillbirth—Yes, I gave birth to the baby, but the baby was dead."

Neither the district attorney nor the medical examiner's office could tell me why it took six months to rule the baby's death a homicide, nor why no charges were filed in connection with the killing for another year. But in Andrew's opinion, "The delay has everything to do with making sure the case is airtight."

"The medical examiner doesn't perform an autopsy and consider that in a vacuum. The history is hugely important," the former NYC medical examiner explained. A witness who heard the baby cry or a pattern of bloodstains at the crime scene might shift the balance, as might texts like the one Rodriguez is alleged to have sent to a friend. Still, Andrews said he "would have to have pretty compelling circumstantial evidence" to call a newborn's death a homicide.

What makes a homicide even more complicated to prove in Rodriguez's case is that poor babies already have miserable mortality rates in New York without any help from their mothers.

A major driver of New York's infant mortality rate is the city's stubborn teen pregnancy rate. Teen births and infant mortality are often in perfect overlapping lines of statistical misery—babies born to adolescent mothers are as much as 50 percent more likely to be born dead or die within weeks than babies born to even slightly older parents.

New Yorkers from the neighborhood around the Marcy Houses where Rodriguez lived with her family are among those most likely to become parents as teens; they bear the brunt of the city's abysmal maternal mortality rate, and as children are among those most likely to die in the first year of life. New York's education department spends an estimated $10 million a year on day care alone for the children of its teen parents, the health department an additional $1.87 million on school-based pregnancy-prevention programs, and yet neither of those initiatives reached Rodriguez despite her obvious need of them.

But it gets worse. The neonatal death rate for New York City babies whose mothers received no prenatal care is 21.2 out of 1,000, making that by far the single greatest predictor of infant mortality regardless of cause. Other major points of correlation include a mother who is overweight or obese, a mother with who is under 18 and anyone living in and around certain high-poverty zip codes. Nationally, one in five children born to a teen mom is her second, third, fourth, or even up to sixth child, and repeat births are also a demerit to survival. In this morbid game of bingo, Rodriguez blacks out the board of risk factors.

"If you were to look at the literature on these kinds of cases, she really fits the profile," Andrew told me.

The problem is, that profile is also a perfect fit for a killer.

Rodriguez is slated to appear in court again in October, three years after she was arrested for shoplifting with the corpse in her purse. Last week, she turned 20, and ten days earlier, her son Shakim turned five, crossing the invisible barrier from the nursery to the school yard.

"I want to have another baby," Rodriguez blurted out suddenly toward the end of our conversation at Rikers. "I want to do it the right way, with a big belly and everything. I want to do all the planning," she added, noting that she hoped her next baby would be a girl.

I was taken aback. What part of pregnancy could she possibly miss given the how the previous ones had turned out? Why put herself through it again, plan a nursery for a child she might never hold? Hadn't her belly swollen enough?

The young mother was adamant.

"I never got that chance," she told me. "Because I never knew."

Follow Sonja Sharp on Twitter.

Illustration by Deshi Deng

Five Writers Who (Almost) Got Away with Lying

$
0
0

Photo of Laura Albert and Savannah Knoop courtesy of VICE Films

"The book says clearly on the jacket 'fiction.' The rest is extra." Laura Albert says this in the VICE Films–produced, Jeff Feuerzeig–directed documentary Author: The JT LeRoy Story while holding a copy of Sarah, the first novel she published under the pseudonym JT LeRoy in 2000. While Albert wrote, she recruited her sister-in-law Savannah Knoop to appear as LeRoy at book readings and meetings; armed with sunglasses and a blond wig, Knoop brought LeRoy to life and kept her that way for nearly seven years.

That is, until 2006, when the resulting essay, "The Blood Runs Like a River Through My Dreams," was published in the June 1999 issue of Esquire, was chosen as a National Magazine Award finalist, and resulted in a book deal with Houghton Mifflin. Seven years and two award-winning memoirs later, revealed Margaret B. Jones to be Margaret "Peggy" Seltzer, a private school–educated woman raised by her biological parents in the affluent, Sherman Oaks neighborhood of the San Fernando Valley.

James Frey
If nothing else, the author of 2003's A Million Little Pieces serves as a reminder to never, ever lie to Oprah Winfrey. The 2003 memoir documented Frey's rabid drug addiction, following the author as he bounced from hospital, to jail, and finally to rehab. Oprah selected A Million Little Pieces for her book club and book sales skyrocketed; three years later, reporters at The Smoking Gun repay her publisher a staggering $22 million.

Stephen Glass
At 25, Stephen Glass was a journalistic wunderkind, a reporter with bylines appearing in the most reputable publications across the nation. By 1998, he was an associate editor at the New Republic. His story "Hack Heaven" caught the attention of Forbes investigative journalist Adam Penenberg, who unanimously ruled that he would not be licensed to practice law thanks to his disgraced reputation in journalism.

Follow Layla Halabian on

The VICE Guide to Right Now: A Newfoundland Doctor Was Suspended for Asking a Patient If She Likes Big Dicks

$
0
0

You fucked up bruh. The Canadian Press/Sue Bailey

A Newfoundland doctor has been found guilty of professional misconduct for asking a patient who was undergoing a Pap exam if she "liked big ones or small ones."

Labrador West physician Adekunle Owolabi has been suspended from practicing medicine for six months, following a tribunal hearing Monday with the College of Physicians and Surgeons for Newfoundland and Labrador.

Elizabeth Mate, the doctor overseeing the tribunal, said Owolabi's innuendo about dick size was "cavalier" and "unprofessional," according to Global News.

But the gross comments seem to be pretty on brand for Owolabi; a total of four female patients accused him of making sexual remarks and hugging and kissing them during appointments.

Before returning to work, Owolabi will have to take a lesson on doctor-patient boundaries (apparently it's not obvious that asking a patient about dick size preferences is frowned upon), and for two years afterwards he'll be supervised while seeing female patients. He also has to pay the college back $75,000—the cost of investigating complaints against him.

Owolabi reportedly defended himself against the allegations by describing one of his patients as a "pathological liar" and "mischievous,"—charges that the tribunal dismissed.

His lawyer Paul Stokes argued that in the scheme of things, hugging and kissing women is not that big a deal.

"He's very disappointed," said Stokes of the decision.

Follow Manisha Krishnan on Twitter.


New Study Shows That Tinder Doesn't Hurt Romance

$
0
0

Image by Ben Thomson

Ever since Tinder first appeared in the App Store, people have been mourning the death of romance. The antiquated ritual of meeting a prospective partner while off your face at the club has been replaced with something that, we're told, is inherently sadder—flicking through an endless stream of profile pictures while lying in bed at 10 PM on a weeknight.

Social researchers have been concerned by the impact of technology on human relationships for some time. In his book Liquid Love: On the Frailty of Human Bonds, Polish sociologist Zygmunt Bauman argues that computers are killing our ability to feel, and that online dating has turned modern love into a destructive computer game.

But it's not only grumpy old academics who think sex apps signal our social demise. We're also prone to shaming ourselves. "We can tell everyone we met in a bookshop," lonely men write on their Tinder profiles, apparently embarrassed that they're trying to find love online.

Be ashamed no more, horny dudes of the internet. New research published this month by the University of Sydney's Dr. Mitchell Hobbs directly addresses Bauman's argument that online dating is destroying modern love. In it, he contends this outlook is overly pessimistic. Speaking to me, Dr. Hobbs explains the digital revolution has actually improved our experiences of sex, love, and intimacy.

"Commencing the study, I actually thought that the data would confirm relationships are less solid in contemporary period," he says. "Prevailing sociological theory has been saying that in a time of rapid social change and increased emphasis on individualization, we're reluctant to enter into lifelong long-term partnerships."

However, the 366 participants in his study—all of whom were active users of apps like Tinder—indicated otherwise. "What we found is that people were saying the opposite," Hobbs explains. "Actually, the vast majority were saying they value the idea of monogamy and long-term partnerships. Seventy-two percent of our participants were just as inclined to be monogamous while using the app."

Not only does Hobbs's research refute the common understanding of online dating and sex apps as slightly depraved and sad, but it also shows how these technologies are actually helping us find love more effectively than we've ever been able to before.

"Eighty-seven percent of people told us they had more opportunities to pursue partners as a result of this technology," he says. "About 66 percent said that it gave them greater agency and control over romantic and sexual encounters. It's clearly a good thing."

As Hobbs explains, sex apps are simply a better version of dating mechanisms that have existed for decades. "Think the lonely hearts classifieds section of the paper, and then video dating in the 1980s," he says. This research helps prove something that we should have known all along—sex has always been a game, apps just make the rules a lot more clear.

Image by Maddison Connaughton

Online mediums, it turns out, are surprisingly effective in fostering connections IRL. People who are actually seeking love on apps like Tinder or sites like OkCupid will have a much easier time than those who are trying to find the perfect partner by hanging out in public spaces, "accidentally" dropping something on the ground and hoping a handsome suitor arrives to help them pick it up, or however people meet on sitcoms and B-grade romantic comedies.

Of course, anyone who's used Tinder to try and find real, lasting love will complain about the app's inherent sleaziness. Hobbs says that's a fair complaint, but sleaziness isn't the fault of the technology itself. Humans have been looking for no-strings-attached sex since the dawn of time.

"The meaning and usage of this technology is determined by the values of the users themselves," he says. "If an app gathers a reputation for just being for hook ups, that might dissuade people from giving it a go. That could change the culture and ultimately drive people away from the platform—but the relationship crowd could move perhaps other, more friendly apps like Bumble."

However you feel about sex apps, let's acknowledge that the cute "how we met story" is mostly a myth. What are the chances of sitting next to your future partner on a plane flight, or starting up a conversation in a bookshop when you both reach for the Penguin Classic? Slim to none, my friend. What are the chances of finding someone who shares your interests on a dating app that uses an algorithm to specifically seek out people who are into the same weird stuff as you? Significantly higher.

Maybe the children of the future won't be quite as enticed by the stories of how their parents met as we once were, but that's a small sacrifice. This is the best time in history to be a lonely person in their 20s. Swipe away.

Follow Kat Gillespie on Twitter.

The VICE Guide to Right Now: Trayvon Martin's Parents Will Tell Their Son's Story in a New Memoir

$
0
0

Trayvon Martin. Photo released by the Martin Family

On January 31, 2017, a new memoir called Rest in Power: The Enduring Life of Trayvon Martin will hit booksellers' shelves five days before what would have been Martin's 22nd birthday.

According to the Hollywood Reporter, the project is going to be written by Martin's parents, Tracy Martin and Sybrina Fulton. They've signed a deal with Random House's One World, a publishing wing headed by Christopher Jackson, one of the most prolific African American editors in publishing today.

"It first brings Trayvon back to life as the full, three-dimensional, complex kid he was, through his parents' eyes," Jackson told the Reporter. "Then to the dark and confusing days following his death, which slowly transform into the blossoming of a powerful, historic movement for change and healing that we're still watching unfold five years later."

In 2012, 17-year-old Martin was gunned down by George Zimmerman in Florida, who claimed he was acting on self-defense. Zimmerman was eventually tried and acquitted of second-degree murder, subsequently sparking the creation of the Black Lives Matter movement. Zimmerman has made headlines since, after getting involved in yet another shooting, then trying to sell the gun he used to shoot Martin, and then allegedly bragging about killing him.

Rest in Power will be Martin's family's chance to reclaim their side of the story. According to Jackson, "Everyone who's been reading the manuscript is in tears by the second chapter."

Read: George Zimmerman's Gun and the Merchandising of Black Death

Why Pitbull Bans Are Bullshit

$
0
0

Like, are you fucking kidding me with this little guy?! Graham Hughes/Canadian Press

Yesterday the city of Montreal passed a controversial pitbull ban that seems driven entirely by fear and emotion rather than fact. It's a move that seems particularly shortsighted given the number of North American cities with prior breed-specific legislation—or BSL—who are in the process or repealing pitbull bans that have proven to be inconsequential at best and at worst, is destructive to dogs.

Montreal's legislation, which goes into effect on Monday, Oct. 3, was prompted by a deadly mauling in June by a dog that may not even have been a pitbull. Christiane Vadnais died after being attacked by a neighbour's dog that got into her backyard. Though it's been described as a pitbull, it was registered as a boxer and no DNA tests were done after the dog was put down. Following that attack Montreal Mayor Denis Coderre vowed to target "dangerous breeds," and after yesterday's vote he told reporters, "My duty as mayor of Montreal is making sure I am working for all Montrealers. And I am there to make sure they feel safe and that they are safe."

While current pitbull owners in the city will be able to keep their dogs as long as they acquire costly special permits and abide by specific regulations, many dog owners feel vulnerable to having their pets seized and euthanized.

"I don't like the idea that someone could accuse my dog of something and have it taken away without proving it did something because of fear. Dog owners are really demoralized. People are talking about actually wanting to leave the city," pitbull owner Paul Labonté told VICE.

Many agencies including the SPCA, the American Veterinary Society of Animal Behaviour, the United Kennel Club, the American Bar Association and even US President Barack Obama oppose breed-specific laws. There is no evidence to prove that dog bites and attacks on humans are reduced by these bans. What is proven is that dogs are needlessly put down, harnessed and muzzled. Owners live in fear of seizure and euthanization and animosity amongst neighbours is created by misunderstanding and ignorance.

Same, tbh. Ryan Remiorz/Canadian Press

Here in Ontario, a pitbull ban has been in place since 2005 and in the city of Toronto dog bites have actually gone up in intervening years. Despite the lack of pitbulls, some dog owners practice reckless behaviour believing that a Labrador or poodle somehow requires less training or supervision.

It's almost cliche to say it, but the real problem is shitty owners, not "bad" breeds. BSL is fear-driven, narrow-minded and scientifically unsound. If safety is the primary concern these kinds of bans have proven to actually put more people at risk. They also put unnecessary pressure on a city's animal shelters and lead to confusion and suspicion about just what exactly constitutes a pitbull or dangerous breed. Trying to determine a pitbull by sight alone can be very difficult especially in a rescue dog or mutt. In Montreal a pitbull is considered everything from a Staffordshire bull terrier to an American pitbull terrier and any mix of the two. It's also any dog that looks like a pitbull which as any bully breed owner knows can include a very wide variety of breeds.

Are we willing to condemn a dog to death because of a case of mistaken identity? Would you rip a dog from its family because of a suspicion that it looks like something you've been conditioned to fear? I absolutely am not and it's horrifying to me that we would put people in that situation. My own dog is a bulldog/boxer mix and despite his old age and gentle demeanour, has an appearance that puts strangers on edge. I would be devastated if I suddenly had to live with the fear that he might be taken away from me because of an assumption.

"Because someone doesn't like the way your dog looks he could be taken away from you. Logic's been absolutely thrown out the window," echoes Labonté.

Ahead of the looming city-wide ban and a possible provincial ban, Montreal's shelters are scrambling to move pitbulls to provinces and states without breed-specific legislation. The city's SPCA have also threatened to stop all dog-control services to the 12 boroughs in 2017 and are reportedly planning demonstrations to contest the law.

Follow Amil on Twitter.

Everything You Need to Know About the $36-Billion LNG Project That Has Turned Many First Nations Against Trudeau

$
0
0


Photo via Facebook

The federal government has approved a $36 billion liquefied natural gas (LNG) project just south of Prince Rupert, British Columbia that, if built, will add thousands of construction jobs, will be one of the largest GHG emitters in Canada, and will very likely cause mass protests and social unrest on Canada's west coast.

Known as Petronas' Pacific Northwest LNG plant, BC and the federal government hope the project will add more than a billion dollars in annual taxes and royalties.

But if construction begins on the project, First Nations along the coast have threatened a "Standing Rock of the northwest." Already, there is a growing encampment on Lelu Island, the site of the proposed LNG export terminal, and several First Nations in the area have threatened legal action against the project.

Before it's built, though, Petronas has to reassess whether it makes economic sense to build an LNG plant and export terminal when the price of the fuel has plummeted in the last three years as the project jumped through federal regulatory hoops.

What is the project, exactly?

Built and operated by Malaysian oil and gas company Petroliam Nasional Berhad, a.k.a. Petronas, the gas plant would receive natural gas extracted in northeast BC, which would be transported by a TransCanada pipeline. The plant would liquefy that natural gas and export it to Asian markets from a terminal near Prince Rupert.

Petronas has promised the project will add 4,500 jobs at peak construction, as well as 330 operating jobs and 300 local spin-off jobs.

READ MORE: Meet the Indigenous Occupiers Challenging LNG Development on BC's Lelu Island

How have people reacted to its approval?

People in Fort Saint John, BC are overjoyed, with many posting in the Facebook group "FSJ for LNG" that their coffee tasted better this morning when they heard the announcement. "Must be a little LNG in that coffee!" one resident wrote. The community, the hub of BC's natural gas sector, had pushed for the project's approval following mass job losses in the oil sector.

But First Nations surrounding the location of the proposed terminal were shocked and disappointed when the news broke. The export terminal would be built at the mouth of the Skeena River, a delicate wild salmon habitat on the second-largest salmon river in BC.

Christine Smith-Martin of Lax Kw'alaams First Nation crashed the press conference yesterday with a jar of salmon to say, "The salmon that we're talking about in our community is a very important piece, and you're not addressing the salmon, what about the salmon?"

While Lax Kw'alaams' elected council supported the project in a letter after the deadline to the Canadian Environmental Assessment Agency, many from the First Nation have called the council's approval a betrayal.

Members of the Haida Nation posted on Facebook that they would wear "No LNG" T-shirts when the royals visit their nation on Friday.

READ MORE: Trudeau Just Approved a Massive Gas Terminal in BC

Erica Ryan-Gagne of the Haida Nation told VICE News that the approval of this project would lead to a "Standing Rock of the northwest."Ryan-Gange recently returned from Standing Rock in North Dakota, where she made connections, contributed supplies, and handed out "No LNG" T-shirts. She called the experience "empowering."

She predicted that while the group of volunteers on Lelu Island is small, "they're ready, and they've been there through the winter as well."

She said other First Nations, including members of the Haida Nation, are on standby for when Lelu Island calls for backup. And it won't just be support from the Haidas, she said, it will be "all up and down the coast"

"It's going to happen at the drop of a hat," she said. "If they put the call out, people will come."

Meanwhile, environmentalists have said it will be challenging, if not impossible, for Canada to meet its Paris climate commitments once the plant and terminal are up and running.

Earlier this year, 90 scientists sent a letter to Catherine McKenna, minister of environment and climate change, calling on her to reject the LNG proposal because the GHG emissions from the project and its upstream effects "are significant and represent material challenges to BC and Canada toward meeting their climate change targets."

The scientists pointed out that the GHG emissions reported by the proponent "are likely underestimated," and said the CEEA has found that the GHG emissions from the project will be "high in magnitude, continuous, irreversible and global in extent," and would emit 11.5 million tonnes of carbon dioxide each year, not including downstream emissions when the gas is burned in Asia.

So if it's such a huge GHG emitter, why would the government approve it?

Petronas has said the project would add $1.3 billion annually in taxes and royalties to three levels of government.

The federal government has been under pressure from Canada's struggling oil sector and the Conservative opposition to approve energy projects that would add jobs in the west.

"The Pacific Northwest LNG will provide thousands of jobs and billions of dollars in investment at no cost to taxpayers," Conservative leader Rona Ambrose declared during Question Period on Tuesday as the federal environment and climate change minister flew to BC to announce its approval.

Trudeau has repeatedly said Canada needs to get its resources to market, but must do so in a responsible way with proper consultation with First Nations.

What happens next?

Before the project is built, Petronas has to re-do its math on LNG to decide whether the project makes business sense. Regulatory hurdles have delayed the project for three years, and in that time LNG prices have plummeted as supply has outstripped demand.

"It's a very tough environment. We are entering a period of oversupply and prices for both oil and LNG are low. To commit to additional capital expenditure for Petronas and its partners over the next four years will be very challenging, especially as budgets are being cut," one LNG analyst told the Financial Post.

In order to build the project, Petronas also has to meet 190 legally binding environmental conditions.

Follow Hilary Beaumont on Twitter.

Rape Survivors Are Suing to Have Their Rape Kits Processed

$
0
0

A rape kit at Camp Phoenix. Photo via Wikimedia Commons

Heather Marlowe was raped at a party in May 2010, during the city's popular Bay to Breakers footrace. She reported the assault and subjected herself to the four-hour forensic examination, which produces a cache of evidence commonly known as a rape kit. Kits can include semen, hair, and skin cells from the attacker, all of which can be used to identify a suspect. But the San Francisco police didn't test her kit for more than two years—and today, they still haven't managed to catch her attacker.

Marlowe isn't alone. An estimated 400,000 untested rape kits languish nationwide, according to the US Department of Justice. Now, Marlowe and other rape survivors like her are turning to the courts, claiming that cities that ignore potential DNA evidence are violating survivors' civil rights.

Marlowe sued the city in federal court in January, claiming those delays violated her constitutional right to equal protection and due process. She recently expanded her suit, arguing that the San Francisco Police Department's handling of sexual assault cases is part of a larger pattern of discrimination against women who file sexual assault reports that infringes female survivors' right to equal protection. Later this week, San Francisco will argue in court that Marlowe's case should be thrown out—the first significant hearing since she sued in January.

Under California's Sexual Assault Victims' DNA Bill of Rights, police must test any DNA evidence from a sexual assault, develop a suspect profile, and upload the information to the Federal Bureau of Investigation's Combined DNA Index System—or CODIS, a national database of offender DNA—within 14 days.

"The 14 days that it was supposed to take for my kit to be processed turned into 868 days," Marlowe told the San Francisco Police Commission during a meeting in 2013. "I got to a point where following up trying to attain any information was becoming very frustrating and re-traumatizing, because I was continually being told that my kit was not a priority."

Rape kits have been around since the 1970s. They can be remarkably effective in identifying suspects; a 2009 Justice System Journal study found that rape investigations involving forensic evidence were 24 times more likely to produce an arrest. Another study from 2016 found that in Detroit, Michigan, 900 previously untested rape kits led to 259 hits in the DNA database, 69 of which were serial rapists.

When sexual assault victims consent to a rape kit, they agree to preserve as much evidence from the assault as possible. They're discouraged from eating or drinking anything, going to the bathroom, or taking a much-wanted shower. Rape kit evidence can be collected up to five days after an assault, and survivors may have to travel for hours to reach a hospital where nurses have been trained to collect forensic evidence. Their bodies are living crime scenes, and collecting evidence from them is necessarily invasive. All these factors can make survivors reluctant to submit to go through with it.


Marlowe spent years thinking her rape kit hadn't been tested, and only discovered this year—as a result of the litigation—that it was processed in 2012. However, investigators said her kit contained insufficient DNA markers of her assailant to be checked against the national DNA database.

The San Francisco City attorney's office didn't respond to a request for comment on why Marlowe's kit went untested for more than two years and why it didn't contain sufficient evidence.

The city argued in its court filings that the San Francisco Police Department asked its crime lab several times in 2010 to test Marlowe's kit, but that no law required testing within a particular period of time.

A 2014 San Francisco audit revealed that the city, like many across the country, was storing thousands of untested rape kits dating as far back as the 1980s. Marlowe argues that the city's heap of untested rape kits shows that other women are treated similarly, creating the foundation for her claim that San Francisco Police's attitude toward sexual assault investigations violates women's equal protection rights.

The city has argued in court filings that Marlowe can't prove it has treated rape kits from males any differently, but hasn't said how many of its rape kits come from men. But Marlowe's attorney, Alexander Zalkin, told me that the city's argument doesn't hold water. "The statistics show that 90 percent of sexual or rape crimes are against women. When you take a step back, this is almost universally affecting women."

Sandra Park, a senior attorney with the American Civil Liberties Union's Women's Rights Project, told me that Marlowe's argument is one that's helped women win lawsuits before.

In the 1990s, survivors of domestic violence began filing lawsuits alleging that when police failed to respond to their cases, they violated women's civil rights.

"That set a precedent that equal protection claims could be brought, so long as you could show it was a bias against women," Park told me. "That case law has carried over into current times."

Marlowe is not the first to take a stab at applying those legal tactics to crimes that largely affect women. A trio of Jane Does sued the town of Harvey, Illinois, in 2012, saying Harvey police had violated victims' civil rights by failing to make use of available DNA evidence.

And in Memphis, Tennessee, three women and girls—all assaulted by the same serial rapist, who operated for at least a decade—claimed in 2014 that the city's failure to test their rape kits flouted the Constitution. Memphis police, investigating the rapes of girls as young as 16 and 12, regularly focused on the supposed falsity of their reports and didn't take them seriously, according to their lawsuit.

Their rapist, Anthony Alliano, ultimately pleaded guilty and was sentenced to 178 years in prison. He was only caught after using a credit card stolen from one of his victims.

In Harvey, "It seemed like the department was not only in shambles, but actively resisting investigation of those cases," Park says.

In Harvey, federal judge Sharon Coleman ruled in 2015 that "if true, the facts alleged are alarming," but that the women hadn't shown police treated them differently than male rape survivors. She also ruled that former Harvey police chief Andrew Joshua was immune from the constitutional claims. The plaintiffs reached a settlement with the city last year.

The Memphis plaintiffs voluntarily dismissed their civil rights suit in late 2014, opting to sue in state court instead.

That doesn't mean such cases can't succeed, Park says, but plaintiffs need time to gather evidence that female rape victims were uniformly treated poorly.

"In many departments, whether it's a formal policy or longstanding practice, would be satisfied," Park says. For example, when the National Institute of Justice investigated Detroit's rape-kit backlog, it found that officers had made biased comments against the victims in their reports. Those comments led rape kits to remain untested, she said.

Marlowe claims a San Francisco police officer made biased comments to her, including that because she was a woman who "weighs less than men" and has "menstruations," she "should not have been out partying with the rest of the city on the day she was drugged, kidnapped, and forcibly raped."

San Francisco, like other cities that have been targeted, has argued in court filings that the Constitution doesn't provide this kind of justice for crime victims.

" doesn't require an investigation, or any specific type of investigation," Deputy San Francisco City Attorney Margaret Baumgartner told me. "This isn't a constitutional issue."

While other Constitution-based suits so far haven't succeeded, Zalkin believes Marlowe's suit has a better chance of winning.

"We certainly have enough to show there's an equal protection violation here," he said. "If we are successful, governments are going to have to think twice if they decide not to test these rape kits, or store them for years at a time. The hope is that this will effectuate some change on a policy level, on a national level."

Follow Beth Winegarner on Twitter.

Viewing all 38002 articles
Browse latest View live




Latest Images