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The VICE Guide to Right Now: Police Suspect a Woman Who Got Naked and Decimated a Subway Restaurant Was High on Spice

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Photo via Flickr user (vincent desjardins)

Read: I Was Addicted to Spice, and It Might Be Responsible for My Bizarre, Unexplained Sickness

Spiceor K2, or synthetic weed, or whatever you want to call itis fucking awful. There's a reason that it's known as "the worst drug in the world," and the reason mostly comes down to it being a legal, easily accessible drug that often turns its users into freaky, psychopathic zombies.

The drug is currently ravaging cities like New York, Los Angeles, and London, but it's also doing some serious damage in Alaska. Spice-related emergencies skyrocketed in Anchorage last summer, and now the city's police suspect the drug is to thank for a woman who stripped naked and laid waste to a Subway sandwich shop Tuesday night, an Anchorage CBS affiliate reports.

" disrobed, went fully nude, and kind of just went nuts," police Sgt. Shaun Henry told KTVA. "Started breaking furniture, destroyed the store, knocked over computers, ripped the ceiling down, sprayed a fire extinguisher all over, locked herself in the bathroom for a while, broke just about everything you could find."

Between Jared Fogel being the worst person imaginable, that kid finding a dead rat in his sandwich, and now this potentially Spice-induced rampage, Subway just can't seem to win one lately.



Doug Ford Pretty Chill About Stephen Harper Calling His Family ‘Losers’

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That poster really looks edited in, doesn't it? The placement behind Stephen Harper is too perfect. Photo via Facebook

CTV News man Robert (Bob) Fife recently went on air to note that, despite Rob and Doug Ford showing up to Stephen Harper's campaign event to give him an endorsement yesterday, the prime minister actually thinks Toronto's most notorious political brothers are "a bunch of losers."

On a segment of CTV News' Power Play yesterday, Fife riffed off a discussion of the Ford brothers' visit to a Harper campaign stop on Tuesday by joking about an interaction between himself and Tory staffers last election.

"I spoke to people in John Tory's campaign who were laughing because, when Tory was running against Doug Ford, the prime minister and were telling John Tory how much they wanted Doug to lose and that Doug and Rob were a bunch of losers."

The brothers were both contacted by VICE for reply, although only Doug Ford blessed us with comment.

Before going off about Tory's behaviour as mayor (without making any mention of his brother's own mayoral blunders like, ya know, being caught on video doing crack... twice!), Ford described Fife's allegations as "hearsay."

Former Toronto Mayor Rob Ford, circa 2011. Photo via Wikipedia

"All I know is I think the world of the prime minister," Ford said. "For the sake of the country, the sake of people in Toronto, it's essential that the prime minister gets reelected."

He also went on to describe Toronto's newish mayor as somebody with "the backbone of a jellyfish."

"John Tory will jump on the bandwagon of any part. He was the leader of the PC party. He'll go where the wind blows. We stick with our core beliefs, we don't waver, we were standing by the Conservatives for the past 55 years with our family, and we are still standing beside the Conservative party."

When asked whether felt about the statement made against him and his brother were valid, Ford once again told VICE that he's "not worried" about John Tory or his comments.

"I'm not worried about him, I'm worried about getting the prime minister elected," he said. "John Tory is spineless."

It should be noted that relations between Harper and the Fords has usually been one-way, with the latter making numerous endorsements and shows of support for the prime minister, with little being said the other way around.

Harper did comment on Rob Ford's cancer diagnosis, however (although it's unlikely he wrote this himself), and just today, when he was asked at an event why he was campaigning beside Rob Ford (a known drug-using politician), despite having anti-drug policies, Harper said he was not looking to cast judgement on the Ford family.

Follow Jake Kivanc on Twitter.

The VICE Guide to Right Now: ​Great News: A New Study Says Sitting Down All Day Won't Kill You

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Photo by Flickr user Phil Whitehouse

Read: Turns Out It Was Legal for that Dentist to Shoot Cecil the Lion

Still reeling from the news that sitting down all day could lead to an early grave? Relax: a new study, with even more participants, says you can sit your ass off and you won't die any sooner than that smug dick with the standing desk.

Dr. Melvyn Hillsdon from the University of Exeter spent 16 years following 5,000 participants for his study, and says, "Our study overturns current thinking on the health risks of sitting and indicates that the problem lies in the absence of movement rather than the time spent sitting itself. Any stationary posture where energy expenditure is low may be detrimental to health, be it sitting or standing."

So turns out it's not the sitting you need to worry about, just the never moving from your desk.

Hillsdon goes on to attack gullible health-conscious employers, saying, "the results of the study cast doubt on the benefits of sit-stand work stations, which employers are increasingly providing to promote a healthy working environment." Stupid fools trying to improve working conditions for their employees.

Sadly, it's not all good news for sitters. According to a literature review by the BBC, crossing your legs could increase blood pressure and intensify the risk of deep vein thrombosis. So remember that before you throw away the standing desk and settle back into that desk chair.

The VICE Guide to Right Now: The Philippines Is Still Pissed Off That Vancouver Is Using It as a Giant Garbage Bin

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That's some good garbage. Photo via Flickr user Meaduva

Read: Newfoundlanders Are Trolling the Fuck Out of Stephen Harper with This 'Barbaric Cultural Practice'

Vancouver, a city known for its borderline self-righteous waste disposal policies, is being called out by the Philippines for essentially using the island nation as an enormous trash bin.

Ontario company Chronic Inc. sent 50 shipping containers, or 2,500 tonnes, of "plastic for recycling" to the Philippines in 2013, but closer inspection by the country's Bureau of Customs revealed the bins were filled with regular old trash, including rotting food and adult diapers.

The Philippines has not taken kindly to this nasty surprise, with politicians and environmentalists arguing Canada violated international hazardous waste laws by shipping its crap overseas.

"Canada should take back its waste," Philippine Senator Loren Legarda told fellow senators at a hearing last week, while Leah Paquiz, a member of the House of Representatives is demanding Canada "show us the decency that we so rightfully deserve as a nation. My motherland is not a garbage bin of Canada." At a protest staged outside the Canadian Embassy in May, one person reportedly dressed as a garbage-filled shipping container. There's even a change.org petition calling for a congressional inquiry into "imported Canadian garbage." To date, the pile of trash is still festering in a Manila port.

Yesterday, Malcolm Brodie, chair of Metro Vancouver's zero waste committee, denied Vancouver's involvement in the literal mess.

"It sounds like it's come from... Whitby, Ontario, where there's a company called Ontario Chronic Inc. It may have gone through the Port of Vancouver but it's not Metro Vancouver waste, for sure," he told CKNW.

Chronic Inc. owner Jim Makris has said he purchased the recyclables from a Vancouver firm.

In an interview last year with the Toronto Star, Makris said sending garbage abroad doesn't make sense because it's more expensive than getting rid of it domestically. In fact, shipping waste to developing countries is such an issue, the UN banned the practice through the Basel Convention, which Canada is a part of.

At the time, Makris characterized the controversy as "the stupidest thing I've heard of in my entire life."

A spokesman for Foreign Affairs, Trade and Development Canada told VICE there was nothing hazardous in the material shipped and no laws exist to force Makris to recall the shipping containers.

Follow Manisha Krishnan on Twitter.

VICE Vs Video Games: It’s Time to Rethink Voiceless Video Game Protagonists

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Gordon Freeman of 'Half-Life 2,' in a situation you'd think he'd have something to say about

Mute protagonists are supposed to make video games and video game stories more engrossingsince your character doesn't have a voice or a personality, you can more easily map yourself onto them and feel as if you yourself are inside the game. That's the pitch, but personally I don't think there's any faster way to kill the illusion of a video game world, or make me realize the artificialness of what I'm playing, than by using a voiceless character.

People talk about the fantastic storytelling in Half-Life 2, the way information and exposition are threaded into the game's architecture and scene design. But then you get to the dialogue exchanges and people are speaking directly into Gordon Freeman's face, and he's just staring back at them, completely silent, like a maniac. Same goes for the Call of Duty games. There you have characters enduring the worst situations and pain, being shot, watching friends die, seeing whole buildingsincluding the Eiffel Towercollapse in front of their eyes, and they say nothing, not even an "ow" or a "woah." Portal does it. DOOM does it. Outside of cutscenes and written, unspoken dialogue options, games in the Killzone, Metro, and Fallout series do it; Dishonored does it; Skyrim and dozens of others. They all do it. And it's crap. There's no more effective way to eject me, mentally, from a video game than putting me in a scene where I cannot respond to what the other characters are saying.

Cole Phelps of 'L.A. Noire'

In those sequences, everything just suddenly seems so falseI'm not at all prissy about realism, but it's hard to have any kind of emotional response to a game when, through a mute character, it consistently reminds you of its own falsehood. Gordon Freeman is an acknowledgement of the audience. To a certain extent you must suspend your disbelief, but his presence is a giant flashing sign telling you that none of this is really happening, and that, rather than people (or representations of people) all these characters are constructed around the player. They aren't talking to Gordonthey're talking to me. No matter how I try to reason it in my head as a "gameism," it's such a total breakage of the fourth wall, such a blatant artificiality, that I can't take anything in the game's writing seriously. It's painfully manufactured.

I dislike as well the pandering nature of mute protagonists, the dreadful, dull obsequiousness of embedding the player so entirely in the story. I don't want to decide what kind of person I'm controlling. I'm not so insecure that everything has to be about me, me, me, and what I would do, or what I would say. I want to be told a story. I want to hear and experience the point of view of somebody else. There's a tension, obviously, because no matter how my character behaves or speaks, when the game proper kicks in I can do whatever I want with themJoel in The Last of Us is all gruff and brooding, but I can make him run in circles, miss every time he shoots a gun, and look like an idiot. But I still relish, certainly above the prospect of more mute protagonists, the idea of a game making me want to method-act the character.

Article continues after the video below

Watch VICE's new film, 'Being Ida', about a young Norwegian woman struggling with borderline personality disorder

I don't mean like in a role-playing game where you build and define a character from the ground up, then go out and role-play them as you've imagined. I mean being encouraged to play in a way that is conducive to somebody else's story, to embrace the writing and play with it, in the companionship sense of the word. When I play L.A. Noire, I don't roam the city or go do the optional street crime side missions because I'm playing Cole Phelps, and he's a very self-interested, very officious character. That's testament to the writing. That's me, being convinced by solid characterization, to sacrifice my indulgence in game mechanics to keep the story of L.A. Noire coherent.

Writing and designing games this way is, I'm sure, much more of a challenge than creating a mute protagonist and leaving the player to decide, but it creates more interesting fiction. The fundamental promise of video games, for me at least, is their ability to not just let you watch and hear, but also vicariously feel what it's like to be other people. I don't want to just be me, parachuted inside a silent 3D body. I want to observe and learn and experience the lives and outlooks of others, and I think it's still possible for that to happen even when I'm actively inflecting a character's behavior.

New on Motherboard: Saying a Game Has 'AI' Makes It Better (Because Nobody Knows What It Means)

John Marston of 'Red Dead Redemption'

Above all, I dislike mute protagonists because they're not human. Humans talk. Humans scream. Humans have feelings and thoughts that they need to express. You look at the sexism, homophobia, and racism that has historically pervaded video game writing, the overwhelming and disheartening quantity of fantasy and sci-fi games, and it's obvious this is a culture that doesn't always care about people. But that won't change if mute protagonists continue to receive the preferential treatment from game designers and critics that they currently enjoy.

Video games need more people. I like how Amanda Ripley gasps when something frightening happens in Alien: Isolation. I like how Red Dead Redemption's John Marston shouts to his opponents during gunfights. Just small things, but those characters' voices lend games a commonly absent touch of humanity. When I play a mute, personality-less avatar, I'm not a personI'm just a cold, technological vector, a mere aspect of a video game that has absolutely no explicit feelings. I understand the mute protagonist as a device, one intended to remove the conflict between player, character, and story, but I think that conflict, even if it's being lost by the writer, is more interesting than a convenient sidestep.

Mute protagonists ultimately feel like a cop-out. I'd rather see video games try and perhaps fail to reconcile their inability to do human characters well than just give up. That seems, to me, more like progress.

Follow Ed on Twitter.

More from VICE Gaming:

Like a Dragon: Bit Socket's Beginner's Guide to SEGA's Amazing Yakuza Games

The Definitive Version of the Greatest-Ever Sonic Game Just Came Out

It's Time for Democrats to Chill the Fuck Out About Hillary Clinton

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Back in 2008, when Hillary Clinton was running her first presidential campaign, a debate moderator famously asked her to explain why voters just didn't seem to like her. In the seven years since, the questionremarkable for its insidious sexismhas continued to dog Clinton, fueling doubts about her second White House bid and endless strategy sessions about how to make the former secretary of state seem more "relatable" to all Average Americans.

But when Clinton took the stage Tuesday night at the first Democratic primary debate of 2016, those concerns seemed to evaporate. For the first time in recent memory, Clinton was, in fact, likable. More than that, she seemed to have finally gained a self-awareness of what it means to be Hillary Clinton.

In what was one of her best moments of the night, Clinton was asked which of her political enemies she is most proud of. She ticked off a laundry list that included health insurance companies, drug companies, the Iranians, and the NRA, closing it out with "the Republicans." It was a sly elbow-nudge to her base, but also a reminder: This is a woman who has a whole list of enemiesone who has orbited political scandal for most of her adult life, alternately reviled and pitied by segments of the American public.

On Tuesday night at least, Clinton seemed pretty OK with that, owning her scandals and denouncing her enemies in ways that seemed almost, well, presidential. After months of trying to make herself seem "relatable" by frying steaks like some Midwestern room mom, Clinton revealed her most authentic self when she was acting likesurpriseher authentic self: A former senator and diplomat running to be the first female president of the United States. She laughed! She smiled! She even made a joke about how long it takes her to pee.

The big moment of the night came when moderator Anderson Cooper finally asked Clinton about the email scandalthat annoying public records issue that has spawned an FBI investigation into the personal email server Clinton used while serving as Obama's secretary of state. Clinton didn't dance around the issue Tuesday, admitting briefly that she'd made a mistake, before launching into an invective against House Republican investigations designed to kamikaze her 2016 presidential campaign. Then she smiled. "I am still standing," she told the crowd, to roars of applause. "I am happy to be part of this debate."

Her rival, Bernie Sanders, then chimed in: "The American people are sick and tired of hearing about your damn emails!" Clinton glowed and laughed, thanking him with a quick hug. "Me too! Me too! Thank you, Bernie!" The crowd went nuts.

And Clinton was on the attack, too, slamming Sanders just minutes earlier over his record on gun control, and dismissing Lincoln Chafee's criticism on her Iraq War vote with a biting, "Yeah, but who was appointed Secretary of State by a person who made the same argument?" Asked later if she wanted to respond to Chafee's comments about her email scandal, Clinton replied with a curt: "No." When former Maryland Governor Martin O'Malley tried to come after her, she casually thanked him for supporting her 2008 campaign.

She even managed to turn questions about her spotty progressive record into something of an advantage. Asked whether she considered herself a moderate or a progressive, Clinton answered: "I'm a progressive who likes to get things done." When Sanders made the case for upending "casino capitalism," Clinton chided him as naive. The message was clear: Experience trumps ideology, if you actually want to get anything done.

That's not to say Clinton didn't stumble. Tuesday's debate underscored long-term issues that still lie ahead for Hillary's campaign, as Democratic activists continue to push the party further to the left. Clinton's remarks about banks, for example, seemed feeble compared to Sanders' righteous vitriol, and her comment that she "never took a position on Keystone until I took a position on Keystone," will be bouncing around the Iowa airwaves until next November. She also didn't manage to diffuse the threat from Sanders, who came away from Tuesday's as the overwhelming favorite of millennial focus groups and internet polls.

Still, for the thousandth time, Clinton's likability was put on display for America to judgeand instead of Robot Hillary, Democrats got a clear-eyed candidate and the only viable option for the Democratic nomination in 2016. She maneuvered as she should: like she had been there many times before.

Follow John Surico on Twitter.

Should Murderers Convicted as Juveniles Have a Shot at Parole?

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The Supreme Court is considering whether a 2012 decision barring mandatory sentences of life without parole for kids should be applied retroactively to hundreds of convicted killers.

We Asked Our Exes What It Was Like to Date Us

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Illustrations by Mai Ly Degnan

Late last month, the announcement of the impending launch of Peeplethe so-called "Yelp for people," which promised to let your friends, acquaintances, coworkers, neighbors, Starbucks baristas, exes, and arch enemies give you a starred rating and a little review about your moral charactermade a lot of people freak out. And understandably so. We want to believe that with each new person we meet, we're a blank slate, untarnished by that time we left a bartender a shitty tip or cheated on our boyfriend with his best friend. With the advent of Peeple, those interactions with other humansthe good, the bad, and the very badwould be broadcast on the internet, ruining our reputations forever.

Peeple doesn't exist yetit's slated to come out next monthso it's hard to know what kind of interpersonal consequences such an app could have on our lives. But it's probably inevitable that someday, likely someday soon, there will be a forum on the internet where people can casually review our character.o we might as well get used to the idea.

We decided to lean into the punch by preemptively collecting reviews from the people who knew us best: our exes. We knew that these former girlfriends and boyfriends would give us no-bullshit answers about the kinds of people we arewhen our cousins at VICE UK tried the exercise earlier this year, we all learned tons about what kind of people they really are. Here are their honest, unvarnished reviews of what it's like to date us.

A Review of Zach Sokol By His Ex-Girlfriend

It's almost impossible to describe how you were as a boyfriend since the whole time we "hung out or whatever," you made it your primary objective to make sure I knew we weren't dating. Even now that you've asked me to rate you, the disclaimer of "I wasn't technically your boyfriend" stands as firmly and pronounced as ever.

When you weren't so hung up on forcing our nonexistent relationship into ambiguous categories, you took me for grantedand not in the why didn't you use 'the G word' to describe me? way. You pigeonholed me into this manic pixie dream girl persona, which allowed me to only serve as a source of writing material... and I guess I still do. So I shouldn't have been that surprised that you ended things with a line from Annie Hall.

The rare times that you let your guard down and stopped striving to embody some caricature of a writer, social butterfly, and dare I say it, FUCKBOI were what kept me coming back. You introduced me to what are now some of my favorite books and albums and stuck by through my bat-shit moments. Oh yeah, and taught me how to roll cigarettes like a lady.

You are unequivocally yourself, which is mad frustrating but also insanely attractive. You embodied a lot of contradictions: selfless in the sack, yet distant; narcissistic, yet afraid to open up; available, yet only on your own time. But if I could go back, I'd emotionally exhaust myself again.

Legitimate Question: Should You Remain Friends With Your Ex?

A Review of Grace Wyler By Her Ex-Boyfriend

You reminded me of my high school ex-girlfriend and I think that's why I found you attractive at first. Hot, liked to party, not an attention whore. Your nose wasn't glued to a mirror and you were nice to me, so I think that's why I stuck around. You never took a picture with me though, so I couldn't show you off. And my parents still don't believe that you exist, period.

I was always very impressed with your journalistic ambitions and accomplishments. Not that I read any of it, but in theory I thought it was pretty admirable. Also, you always made an effort on Sunday night Skype sessions when we were 3,500 miles apart, but for future reference, long distance and PG don't belong together in the same sentence.

We broke up because your bar tabs bankrupted me and you made out with my friends while I was either passed out or visiting my grandmother. And then there was that whole "oceans apart" thing. I think you left me for a kinder, more compassionate, caring, less-successful version of myself. So no hard feelings.

A Review of Arielle Pardes By Her Ex-Boyfriend

The day I met you, I immediately knew you would be someone important in my life. Though it was months later that I actually told you I loved you, it was that night that I fell in love. I never really felt comfortable in my own skin, but with you, I was actually excited just being me. And that's the wonderful thing about you: You make the people close to you feel great just being who they are. That made it easy to be with you, easy to make a lot of great memories together. Whether it was shrooming in Amsterdam or you beating me and my friends at game after game of Wii bowling (I still don't understand how you were so damn good at that), we always had fun.

But you're also a very emotional personnot necessarily temperamental, but very full of emotions. You were a teenager when we first met, and unsurprisingly, were very insecure in a lot of ways. That translated into a visceral fear of disappointing people. You always seemed worried that I would be upset or angry with you about things that I often could not care less about, so you'd lie, a lot, and you weren't very good at it either. One thing you never seemed to learned was that an omission of the truth is still a lie. That bred a lot of mistrust and ultimately torpedoed our relationship.

In spite of all that, I remember our time together as one of the few periods of my life that I could ever honestly say I was happy. I struggle a lot with depression and anxiety, but being with you was, up until that point, the only time in my life I have ever really felt comfortable with who I am and where I come from. So would I ever go back to you? The jury's still out on that... Caveat emptor.

A Review of Matt Taylor By His Ex-Girlfriend

You will always be one of my favorite humans. I always had fun with you and felt like we understood each other on a level that most people never reach. I think that's why we can still be friends. But being your companion isn't for the weak-willed: You were consumed by your work, so much so that I still worry about you taking care of yourself at times.

You're very outgoing and social, two things I never have been, am or will be. It was great at first because you forced me out of my shell, but after a while it became tedious for both of us. You're extroverted, I'm introverted, and I doubt we could have completed a neural handshake to 'drift' control a Jaeger from Pacific Rim.

That's basically it. I always felt like we had a strong connection despite that one fundamental difference, but that's the thing about fundamentals: they're significant.

You're stupidly smart, and I feel like you made me smarter by association. You're driven and passionate and you're one of the most genuinely loving people I've ever been around. I feel very lucky to know you and to have been part of your life.

We could always have a good laugh, when I wasn't "in a mood." I was in a mood a lot; it really wasn't your fault. But the laughing, that was always my favorite part about being around you. I feel like knowing you extended my life.

A Review of Benjamin Shapiro By His Ex-Girlfriend

At this point we've been friends for way longer than we ever dated, so writing this feels a little weird? For the most part you were a great boyfriend. You're smart and funny, we were never at a loss for things to talk about, and up until the end, I never doubted how you felt about me. You care deeply about your friends, and can be very sweet, both in small things and grand gestures.

You are very intense. The first time we hung out one-on-one, you stopped halfway through dinner, asked if I wanted to know what you were going to do later that night, and then said you were going to go break up with your girlfriend. I really didn't know what to make of that. Then, even though you slept over the night before our first official date, and we spent every night after that together, you wouldn't have sex with me for the first month that we dated. The fact that girls could be actively interested in sex seemed to be new information to you.

Sometimes I felt like you wanted someone to support you or take care of you more than you wanted a partner. Although you're very liberal in some ways, I think that you also had a deep-seated 1950s view of what a relationship should be. When we dated, you worked part-time at a movie theater and I worked 60 hours a week. You made me feel like shit on a pretty regular basis for making more money than you did and for being invested in my job. This was aided by your almost psychic ability to pick the most cutting thing you could possibly say during a fight.

We failed pretty spectacularly at dating in the end, but having you as a friend means the world to me.

Good to Know: This App Tracks the People You Don't Like So You Can Avoid Them Forever

A Review of Allie Conti By Her Ex-Girlfriend

When we first met, I thought you were offbeat and highly intelligentwhich proved to be the case throughout the time we datedbut because both of those factors were so intriguing to me, I think I let you get away with a lot of behavior I would never have put up with otherwise. Even though we were able to engage well on an intellectual level, emotionally our relationship was a hot garbage mess. You had a really difficult time getting out of your own head and listening to me when I expressed my concerns or feelings; on top of that, your opinions about feelings themselves seemed like they were supposed to be either dismissed as stupid or considered something to be embarrassed or ashamed about. Maybe it was because you just never listened to me, or maybe it was due to some kind of denial. I'm still not entirely sure. And when you fucked up with something, you'd either lie by omission until I figured out what was really going on, or use the phrase "I'm sorry" as a band-aid to get out of the situation. In the end, you were never actually sorry.

You either oscillated between a sense of heightened bravado or intense self-doubt, and it could change at the drop of a hat. I think it gave you blinders when you were faced with other people's wants and needs (like the time I needed a zip file for work I accidentally left at your place; instead of sending it to me like you promised, you went out with friends and subsequently almost cost me a job). I don't think I'm high maintenance, but being in a relationship with you made me feel that way, which made me anxious. And when I would ask for simple things like a very chill date on Valentine's Day, you'd ask me what a date was. (You know what a date is. I've described it to you. Twelve times.)

I've let you know about a lot of this stuff already. Obviously, you and I are still friendsmaybe even good friends?and there are a lot of things I still think are amazing about you. You have a big heart (even though you're reluctant to admit it), have an impressive amount of ambition, are good in bed, and you know exactly how to make me laugh. To be fair, we probably also just weren't romantically well-suited for one another, especially due to my own propensity towards anxiety and my well-documented sensitivity. In the end, I'm really happy that we've continued a platonic relationship, but I don't think I'd ever want to be involved romantically with you again.

See more of Mai Ly Degnan's illustrations on her website and Instagram.

Follow Zach, Grace, Arielle, Matt, Ben, and Allie on Twitter.


What Happens When Inmates in Solitary Confinement Blow the Whistle on Their Abuse?

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This article appears in VICE Magazine's October Prison Issue

On April 28, 2010, in the Restricted Housing Unit of Pennsylvania's State Correctional Institution at Dallas, Carrington Keys heard his friend Isaac Sanchez scream. Like Sanchez, Keys had spent years locked in the "hole." It had been years since he'd hugged his mom. Years confined to a filthy box, drinking rust-brown water, enduring beatings by guards. Years beneath a fluorescent light that never went off, freezing in winter, smothering in summer's heat, the sole window to a bare hallway covered with Plexiglas. Years in which each day dragged the same as the last, their monotony punctuated only by explosions of violence.

Sanchez's scream didn't come as a surprise. Abuse in the prison had become so routine that a group of RHU inmates had recently banded together to document it for a local prisoners' rights advocacy nonprofit called the Human Rights Coalition (HRC). Sanchez and Keys were key contributors, as were three other prisonersAndre Jacobs, Anthony Kelly, and Duane Peters. HRC, which is primarily made up of prisoners' family members and ex-prisoners, compiled the inmates' statements into a 93-page report detailing the systematic verbal and physical abuse by guards. There was medical neglect, starvation, racial slurs, denial of water, abject filth, and even a prisoner who had been driven to suicide. Prisoners who dared file grievances over these conditions were subject to constant intimidation and retaliation by guards. Worse, the grievances themselves did no good. Between January 2008 and May 2009, inmates won fewer than 2 percent of disputes filed against correctional officers.

After HRC published its report, the organization mailed Jacobs a copy to his cell at SCI Dallas. Correctional officers intercepted the document and read through its allegations. Then they used the names of contributing prisoners as a checklist. Within days, the threats began. "This time, we'll break your teeth," a guard allegedly warned Kelly. On April 25, according to the inmates, guards began denying Kelly food.

The group stuck together, and Sanchez demanded guards give Kelly his meal tray. Instead, they allegedly began to starve him too. On April 28, guards pepper-sprayed Sanchez, stripped him naked, and put him in a restraint chair, cinching the straps so tightly that he remembered his extremities turning blue. Sanchez later said they left him there for at least 12 hours. (Officials at both SCI Dallas and the Pennsylvania Department of Corrections did not respond to repeated requests for comment.)

As Keys and his fellow whistle-blowers heard Sanchez's screams of pain, they knew they had to get in contact with the outside world. But filing grievances had proved to be a rigged game. According to James E. Robertson, a professor of corrections at Minnesota State University, "Retaliation is deeply engrained in the correctional office subculture; it may well be in the normative response when an inmate files a grievance." The inmates and their lawyers said guards punished those who filed grievances by slapping them with misconduct charges. In Pennsylvania, a prison has 15 business days to respond to a grievance, but a misconduct charge against an inmate nets an immediate punishmentoften a stay in the hole.

In solitary at SCI Dallas, successful protest meant a few things: hunger strikes, refusing to return food trays, refusing to return from the yard, and, most of all, covering cell windows. It was one of the few ways of drawing the attention of a superior. Guards would bring down a lieutenant, and an inmate could register his complaint. The morning of April 29, Jacobs, Kelly, Keys, Peters, and three other prisoners, Anthony Locke, Brian Scott, and Derrick Stanley, covered their cell windows.

"I was really scared because I figured, is this the time that they really fuck me up?" Keys later said. "But I also figured that I had to do something."

Shortly after the inmates began their protest, guards alerted Lieutenant David Mosier that the men were participating in an "unauthorized group activity." Mosier identified Jacobs as the leader. At 7:40 AM, a sergeant walked down the gallery with a camcorder in hand, banging on the men's cell doors and ordering them to take down the coverings. None complied. He made a second pass, and Armando Lago, an inmate who had joined the protest just after the guards had been made aware of it, agreed to remove the robe covering his window. All the others held firm. Then the prison psychologist, Robert Wienckoski, tried his luck, asking in a tone of professional concern. This time, Peters answered.

"We want to talk to the Luzerne County public defender's office. We want to talk to our attorneys," he said.

"You want to talk to your attorneys?" Wienckoski replied, sounding incredulous.

"These men are abusing their power and retaliating against us for paperwork that has been filed... Until you all do that, we have nothing to say. We want to talk to our attorneys."

After a little more back-and-forth, Wienckoski gave up.

At around 10:00 AM, the prison ordered cell extractions on six of the inmates: Jacobs, Kelly, Keys, Locke, Peters, and Stanley.

A cell extraction is a procedure commonly practiced in the solitary confinement units of prisons across the country. They are meant for cases in which a prisoner will not leave his cell or is a risk to his own safety. During a cell extraction, guards wielding Tasers, batons, tear gas, and riot shields subdue and shackle a prisoner, then drag him to another cell.

At SCI Dallas that morning, each cell-extraction team was composed of five guards, padded in riot gear, their faces hidden behind helmets and gas masks. They were all white. The prisoners were all black. Before the extraction, the officers tested their equipment. One man held an electrified riot shield, which delivered Taser-strength shocks. The second held a baton, the third a Taser, the fourth handcuffs, and the fifth leg irons. A guard followed each team with a camcorder.

The officers marched to Keys's cell. They demanded that he remove the orange jumpsuit that was blocking his window and submit to a strip search. He pulled the covering aside and peered out at them. He'd wrapped his face in a white T-shirt that he'd smeared with a brown substance that looked like feces. His eyes, in their hollow sockets, burned with both defiance and fear. Behind him was the small box that was his world.

The guards began to pry open the door, pulling out fabric that Keys had wedged in its sill. As soon as the door opened an inch, they sprayed tear gas. According to an earlier briefing where the officers had discussed the day's cell-extraction procedure, further tear gas was being poured in through the cell's vents. Keys began to cough.

Clouds of tear gas filled the lens of the camcorder behind the guards, and they poured into the cell, armed with their baton and electric shield and shackles and Taser. They fell upon the skeletal Keys, and he disappeared beneath them. "Stop resisting!" they shouted, as if resistance were possible. Then they pulled him from the cell and through the corridor, to another room where they pushed him to the floor.

There, the guards cut off Keys's jumpsuit and ran their hands over his naked body to search him. They forced a hood over his head. Leaving him only in his underwear, they put him in a cage, re-cuffing his hands.

Keys screamed: "They want to break my wrists! They know I'm not resisting!" They attached his tightly cuffed wrists to a restraint belt. (Five years later, his hands still go numb occasionally.)

In fact, calling attention to the abuse had been taken as an invitation for more of it.

In his new empty, waterless cell, Keys was still soaked in tear gas, hooded, shackled, and clad only in his underwear. Eight hours later, the prison evacuated him to SCI Frackville, a facility about 50 miles to the south. SCI Dallas's shaky handheld cameras captured the cell extractions of the five other protesting inmates as well. When the process was complete, authorities also evacuated Jacobs and Stanley to prisons across the state.

During a debriefing following the extractions, the guards reported that they had sustained no injuries. The inmates were another story. Jacobs later said that he was left with a black eye, and during video of his cell extraction, Locke can be heard crying in agony that guards had broken his arm. At one point, footage of Kelly's extraction cuts out for several minutes while correctional officers apparently replace the camcorder's batteries. When the video flickers back on, he screams, "They got a few punches in there!"

After the men were dispersed to separate prisons, their case remained an internal, disciplinary affair, with some of them being sentenced to additional time in the hole as punishment. At SCI Frackville, Keys hoped to make a new start, but the incident followed him. In letters to his mother, Shandre Delaney, Keys wrote that guards denied him food, and the prison slapped him with seven misconducts for "assaulting" the riot-gear-clad officers during the extraction. "The games do not stop," he wrote on May 12. "But where there is a will there is a way and they certainly can't break my will or the will of those who are on my side."

Two days earlier, HRC had filed a formal criminal complaint with the Luzerne County district attorney about the events of April 29 and the targeting of Jacobs and Keys. Deputy district attorney David Pedri quickly rejected the complaint, saying it lacked "prosecutorial merit" and witness corroboration.

Keys later told me, "My pen is my main defense." He had long used it to file grievances and lawsuits objecting to the abusive conditions of his imprisonment. In June 2010, frustrated by his inability to reach the higher-ups in his SCI Dallas protest, Keys filed a lawsuit, stating that he was the subject of many incidents of "cruel and unusual punishment" at the hands of guards. But this time he didn't just target those officers. His lawsuit also named state corrections secretary Jeffrey Beard, deputy secretary Michael Klopotoski, and the district attorney herself, Jackie Musto Carroll. All of them had failed to protect him from abuse, he said, despite his countless letters and grievances. In fact, calling attention to the abuse had been taken as an invitation for more of it.

A few months later, the very district attorney's office that Keys had sued responded with allegations of its own. The DA charged Keys and the five other men forcibly removed from their solitary cells on April 29 with felony rioting. The charges carried a potential sentence of seven more years in prison. The DA slapped Keys with six extra felony charges of aggravated harassment by a prisoner, which, together, carry a theoretical maximum sentence of 49 years. The DA's office claimed that he'd thrown feces on the guards as they dragged him out of his cell. (The video footage of the cell extraction doesn't show this.) Rioting, of course, is generally understood to be a group activity. The complaint does not explain how a man can riot if he is locked alone in his cell.

The men immediately regarded the charges against them as retaliatory. The only way to make sense of them was that the inmates were being punished for blowing the whistle on the abuse of Isaac Sanchez. "It is surprising to me that a district attorney would find it a priority to prosecute a nonviolent protest conducted in the privacy of one's solitary confinement cell," said Carol Strickman, a staff attorney at Legal Services for Prisoners with Children. "In California, to my knowledge, there were no criminal prosecutions related to the 2011 and 2013 mass hunger strikes that had over 30,000 people participating." The six inmates were facing serious prison time for what they had intended to be a peaceful protest, and for the next five years they would be caught in a legal limbo of trials, appeals and delays, plea bargains, denied parole, and tested principles. The men, who called themselves the Dallas Six, would try to remain committed to bringing their prison's abusive conditions to light, even in the face of being confined there longer.

"He was always a little activist," Keys's mother, Shandre Delaney, told me this August. At 56, Delaney is a slight, delicately pretty woman, her graying hair gathered in two braids. When she spotted me in the lobby of my hotel in downtown Pittsburgh, she walked over hesitantlya fall had messed up her back some years ago. Despite this, she'd spent the previous day protesting against the Fraternal Order of Police's centennial celebration, which had been scheduled to take place on the first anniversary of the day that Darren Wilson shot Michael Brown in Ferguson, Missouri.

Delaney raised Keys and his brother as a single mother, on a secretary's salary, in West End, Pittsburgh. Over coffee, she painted a picture of her son as a child: a short boy who devoured history books, loved to draw, and always looked out for others. But when he was in fourth grade, he yelled at a teacher. What might have earned a white child detention threw a black boy straight into what Delaney called the "school-to-prison pipeline." Keys, she said, was hauled before a court and accused of making "terroristic threats." This began a cycle of reform programs, each stricter than the last. According to Delaney, when he was still a pre-teen, a counselor punched him in the stomach. Others used racist slurs. "By the time he got bigger, he was mean and mad. People call you a nigger, tell you you're nothing," she told me. "I feel so bad whenever I think about it."

In 1999, when Keys was 18, he walked into the Cliffhanger Saloon, a Pittsburgh dive bar with a racist reputation, and pulled out a gun. What happened next is subject to dispute. Delaney told me her son tried to fire into the ceiling, but the gun didn't go off. The Pittsburgh Post-Gazette said he was attempting to rob the place. Whatever Keys did, it failed. Patrons beat him so badly that he landed in the hospital with a concussion. Then he was charged with robbery.

Keys spent the next two years waiting for his trial in jail. While there, he claimed a guard attacked him during mealtime, and he fought back. As a result, Keys received an additional assault charge, which put him in a position where he felt he had to take a plea on the robbery charge. In 2001, Keys was sentenced to five to 20 years in prison and sent to SCI Mahanoy, 250 miles from home.

Delaney was determined not to lose contact with her son. "For years I wrote him every day, and sent him books every week," she told me. "It cost so much money. I did it just to let him know I was thereto keep him strong." Eager to give him some intellectual structure, she began sending him works on African history, critiques of American imperialism, and copies of the Final Call, the official newspaper of the Nation of Islam. Guards saw any interest in Islam as tantamount to terrorism, and after the September 11 attacks, in 2001, they began seizing Keys's copies of the Final Call. He filed his first grievances to get them back. From then on, Keys documented the targeting and abuse he witnessed in prison and helped his fellow inmates do the same.

He also participated in more direct action. During his court cases, Keys was held at SCI Camp Hill, a facility that inmates nicknamed "Camp Hell." There, he organized a protest of the meager rations by having inmates refuse to return their meal trays until they got more food. "Writing a letter to any branch of government is just not a reasonable alternative when a prisoner has not eaten in weeks," he later wrote about the incident.

In 2003, guards locked Keys in the hole of SCI Mahanoy, apparently for getting into a fight with another prisoner. Once there, they piled on misconducts for minor infractions like covering the light in his cell. With a few brief respites, Keys would remain in solitary for the next nine years.

In 2008, Keys was transferred to SCI Dallas, and shortly thereafter he got to know Andre Jacobs. By that time, Jacobs was already infamous among prison guards for being one in a handful of inmates who had successfully represented themselves in court. Earlier that year, the 27-year-old Jacobs won a $115,000 settlement against the Pennsylvania Department of Corrections for the destruction of his legal papers. His meticulous courtroom performance helped inspire HRC's Bret Grote to become a lawyer.

Jacobs's achievement was even more remarkable given his history. He spent his youth in and out of institutions, and was first locked up in adult prison at 15, after he was convicted of drug possession. Still a child who could barely read or write, he embarked on a dizzying course of self-education. He drank up the world from books, learning everything from how to knot one's tie to philosophy and science. He wrote feverishly, finishing five volumes of poetry and autobiography. He got his GED and then took courses to become a paralegal.

"My method has been to draw on any source that would help me grow, because what grows continuously can never die," Jacobs wrote to me. "This principle can be applied to prison, relationships, oneself, or nature. They can pour poison on my rose petals or cut my stem. But my roots are hidden in a place just for me."

The men, who called themselves the Dallas Six, would try to remain committed to bringing their prison's abusive conditions to light, even in the face of being confined there longer.

Jacobs had become an accomplished jailhouse litigator despite barriers put in place by the 1996 Prison Litigation Reform Act, which forces prisoners to exhaust the grievance system before bringing charges and to pay a $350 fee just for filing lawsuits. In addition to suing over their own abuse, he and Keys were also unafraid to provide testimony in the cases of their fellow inmates, even though they faced retaliation for it themselves. After Matthew Bullock, an inmate in the RHU at SCI Dallas, was found hanging from a noose in his cell in August 2009, they made sworn statements to HRC identifying the six officers who, they said, had goaded Bullock to kill himself. Bullock was a mentally ill man convicted of murdering his pregnant girlfriend, and he had attempted suicide at least 20 times before being incarcerated. The inmates said that the correctional officers had kicked in his door, taunted him, and cut off his psychiatric medication. According to their testimony, when Bullock threatened to kill himself, guards moved him to a cell with no camera. In the criminal complaint filed by HRC, Keys testified that he heard a correctional officer brag about making Bullock commit suicide and say that "he would like to see other inmates kill themselves."

The retaliation for the testimony was swift. Within days, guards allegedly dragged Keys to the strip cage, demanding to see his "sweet black ass." In October, Jacobs said they ransacked his cell, destroying more of his legal documents. Though HRC's complaint was soon rejected, Bullock's family used affidavits from the inmates to sue the Pennsylvania Department of Corrections. They eventually settled out of court for an undisclosed amount. By the time the HRC report addressed to Jacobs arrived at the prison in April 2010, guards had already been incensed at the whistle-blowers for months. Not only had the men embarrassed the officers, they had cost the prison money. Jacobs maintained a strong resolve. "The DOC can... continue persecuting me for exercising my rights," he had written shortly after his legal victory in 2008. "But I will never stop resisting because I live and die by principles. It is who I am."

Jacobs says he has spent the last 14 years in solitary confinement, and he is allegedly on Pennsylvania's Restricted Release List, which is kept secret from the public. The roughly 100 prisoners on the list have been accused of assault, escape, or "a threat to the orderly operation of a facility," though Jacobs claims it is also used as retaliation against whistle-blowers. (In 2006, after an inmate in a neighboring cell fell to his death while trying to flee, Jacobs was convicted of conspiracy to escape.) Once on the Restriced Release List, an inmate can only be released from solitary if the state's top brass says so. According to Jules Lobel, the president of the board of the Center for Constitutional Rights, the procedure for release from solitary for these inmates is arbitrary and lacking standards. "For many of these guys, there is no clear way out," he told the Pittsburgh Post-Gazette in 2012. "What that creates is a lack of hope, despair."

"Even though they have our bodies here, we have our minds," Keys told me when I visited him this August at SCI Forest, where he is currently incarcerated. A lanky, handsome man, he had shaved his signature dreadlocks in order to be perceived as less "aggressive" in court when the trial on the trumped-up rioting charges began later in the month. For the past five years, hearings about the case have dragged at a glacial pace. The defendants made many motions to dismiss. All were denied. Prosecutors fought to keep the six from showing videos of their cell extractions in court, claiming they were "inadmissible because they were irrelevant." In July 2013, Jacobs petitioned to have the trial rescheduled because files were not available to the inmates in court. Around the same time, Keys's 2010 lawsuit against SCI Dallas officials and the district attorney was dismissed. All the while, the local press ran articles laced with contempt, treating the riot convictions as a foregone conclusion.

During this time, the men tried to maintain a united front. In The Price Men Pay, a booklet Keys compiled about the incident, he wrote: "In 2010 when six Black men covered cell doors, the New Jim Crow summoned a Riot Squad to pepper spray, electro-shock and bloodily beat us. This happens not because there is an actual 'Riot,' but because of the fear of 'Black unity.'" But as the years passed the inmates began to drift apart, yearning to get out from under the threat of more prison time. Kelly pleaded out first. In 2011, he had maxed out of his sentence but was still being held at a local jail, awaiting trial on the new rioting charge. Eventually, he broke and accepted a plea bargain. No one from the Dallas Six has heard from him since. Next, in March of this year, Stanley negotiated a plea deal after completing his original sentence. The following month, Locke had his rioting charges dismissed in exchange for a misdemeanor disorderly conduct conviction. Only Jacobs, Keys, and Peters were continuing to fight the charges. (In 2013, Peters, who claims he is a citizen of the Moorish Empire being held as a prisoner of war, had his mental competency evaluated and was ruled fit to stand trial.) The three men were finally scheduled to face a jury on August 24 of this year.

SCI Forest is about two hours away from Pittsburgh, the closest major city. Its visiting room resembles a school gym, and one corner is decorated with cartoon characters to indicate where inmates can play with their children. There was a vending machine where visitors could purchase food for inmates. The incarcerated were forbidden from coming near it, and a guard barked at us when Keys leaned over to look at his choices. I bought him microwave popcorn and cranberry juice. (In his nearly 17 years in prison, he claims to have seldom seen a vegetable.) He walked gingerly, as if from an unhealed injury.

According to Keys, the cell extraction on April 29, 2010, was not even the worst one he'd endured. Cell extractions were part of the routine in most RHUs, seen by some as a way of beating prisoners under the guise of standard operating procedure. In 2007, during his first cell extraction, he said guards slammed his head against the metal bed. During another, he claimed they stomped on his face and broke his nose. Two faint scars remained. Other times, guards used their Tasers on his groin or, during the strip search that followed an extraction, kept their Tasers continually pressed against his skin. He learned to hold up his mattress as a small bit of protection against guards' electric shields, and to wrap his head in a T-shirt to prevent them from tearing out his dreadlocks.

Cell extractions are a standard, barely questioned part of mass incarceration that take place many thousands of times a year. Though an old tradition, they started to happen more frequently during the rise of super-maximum-security prisons in the 1980s and 90s. Guards became warriorsarmed, armored, briefed in military jargon. Few rules regulate their use, and according to Jeffrey Schwartz, a corrections consultant, only about 20 percent of those carried out are necessary. Though common, injuries sustained by inmates during cell extractions aren't tracked by any government agency. In 2010, an inmate at a maximum-security prison in Tennessee suffocated to death from the force applied by restraints during an extraction. The medical examiner ruled it a homicide, but no criminal or disciplinary charges were brought against the correctional officers.

That incident was recorded on video just as the cell extractions at SCI Dallas were, but it didn't make much of a difference. While video evidence is ostensibly kept to maintain accountability, the recordings in the Dallas Six case contradict the most serious charge faced by the groupthe felony aggravated harassment charges against Keys for allegedly throwing feces. Not only is the event not seen on video, but the guards made no mention of it during their debriefing. Keys said that when he asked for DNA tests on the correctional officers' riot suits, the prison stalled, then claimed to have lost them.

Over the years, Keys has remained committed to fighting the charges to bring attention to the conditions inside Pennsylvania prisons. "Our trial is important because it expresses a dark side of America that the general public thinks only happens in military detainee camps," he wrote in The Price Men Pay. But the lingering rioting and aggravated harassment charges hung over his head. Keys said that they were constantly used to justify denying him parole. Though he believed fiercely in his innocence and the justice of what the Dallas Six had done, he longed for freedom. He'd spent 16 years incarcerated. He yearned to eat real food, to check out the internet he had never seen, to start his life again.

Earlier this year, the district attorney offered him a plea bargain: If he accepted the assault charge, he might avoid additional prison time. But it would also mean confessing to a crime he didn't commit. He was dedicated to blowing the whistle on the abuse he and others suffered in solitary, but was he willing to face years more in hell to uphold that principle?

Jacobs still hasn't gotten out of solitary confinement. Because of this, when I went to visit him a week before the trial, we were not allowed a contact visit. We spoke over telephones, a pane of glass between us. At 33, Jacobs is bald, with a small mustache. He wore a red prison jumpsuit, with his legs chained and his cuffed hands short-shackled to his chest. In the visiting room at Luzerne County Correctional Facility, where he was being held ahead of the trial, they cut the phones cords deliberately too short, and Jacobs spent our 45-minute visit in a painful-looking contortion trying to hold the phone to his ear.

"Guards need to know that prisoners in solitary have value," Jacobs told me when I asked him about what ought to be done for those in his situation. He described those locked in the hole as powerless subjects, targets for consequence-free abuse. To break the pattern, prisoners needed to take a public stand and declare their valueand to have people on the outside advocate for them. Still, Jacobs looked askance at activist groups, which he claimed used prisoners' misery to advance their own organizations while leaving the inmates themselves to face retaliation. He was skeptical of HRC, and of Keys for considering taking a plea. He told me that he would fight the charges to the end, because standing up for something meant sacrifice.

"Do you play chess?" Jacobs asked me through the glass. He explained that in chess, when one is in a weaker position, the best tactic is to postpone. To wait, to force your enemy to exhaust himself on pointless maneuvers, and then, to attack the moment he makes the smallest slip. To Jacobs, the state was like the weaker party in a chess game, waiting indefinitely for the inmates to cede their righteous positions. He wasn't going to let them win.

On the morning of August 24, I drove to Luzerne County to see the trial for the last three members of the Dallas Six. On the courthouse steps, supporters had organized a press conference. Quakers, crust-punk environmentalists, several representatives from Jewish congregations, and black activists from Decarcerate PA and HRC stood alongside the women who had loved and cared for the Dallas Six while they remained in prison. Delaney stood particularly tall. For the past ten years, she had dedicated her life to making sure her son and men like him were not forgotten. She held a banner that said "DEFEND PRISON WHISTLE-BLOWERS. DEFEND THE DALLAS SIX." Peters's ex-wife gave a statement in a soft French accent. They were proud of their loved ones for taking a stand against the prison, but deeply wounded by all that the men had endured.

They did not know what would happen in the court. While the jurors were being selected, the Dallas Six supporters sat in the hallway and waited. Press and family weren't allowed in the courtroom during the process. The courthouse in Wilkes-Barre was lovely, sunlight pouring over its pink stone dome, which was adorned with allegorical women representing civil, criminal, and common law. Men in leg irons shuffled through.

After a few hours, the inmates' standby counsel, Michael Wiseman, came out, and the supporters gathered around him. Inside, Keys had finally seen video of his extraction taken from cameras mounted outside his cellfootage whose existence the prison had previously denied. In them, he saw yet more confirmation of what he had always known: He hadn't thrown anything. The aggravated harassment charges were lies.

Prosecutors had again pressured the men to take a plea, but they refused, instead insisting on a further postponement so they could integrate the new evidence into their defense. The trial date was rescheduled for February 1, 2016.

A few weeks later, Keys called me in a hopeful mood. "I don't know how to describe the feeling ," he said. "It's like a reenactment of the whole thing, but it's a relief." Later that day, his mother sent me a photo of the three remaining members of the Dallas Six leaving the courthouse in Wilkes-Barre. In the photo, they stood together, their handcuffs concealed by suits their loved ones had ironed for the occasion. They looked like free men, the guards behind them merely shadows.

The VICE Morning Bulletin

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Protesters in Ferguson (Photo by Jamelle Bouie via)

Here is everything you need to know about the world this morning, curated by VICE.

US News

  • Protesters Occupy Baltimore City Hall
    Around 30 activists from the Baltimore Uprising coalition occupied City Council chambers overnight. They are angry about the "coronation" of interim police commissioner Kevin Davis and other police policies, following the recent death of Freddie Gray in custody. AP
  • Church 'Sin' Beatings Lead to Death
    Bruce and Deborah Leonard, members of a "mysterious" New York church group, have been charged with beating their 19-year-old son to death at a session for confessing sins. Lucas Leonard's brother Christopher is in hospital, having also been beaten. USA Today
  • US Troops Now in Cameroon
    President Obama has sent 90 specialist troops to Cameroon to help fight Islamist militants Boko Haram. American forces will grow to 300 and will conduct airborne intelligence, surveillance, and reconnaissance operations. Washington Examiner
  • Dietary Pills Put 23,000 in ER
    Tens of thousand of people wind up in the emergency room each year after taking diet pills and energy boosters, according to new research. Doctors have warned of the dangers of unregulated supplements. The Washington Post

International News

  • Peace Deal in Myanmar
    The government of Myanmar has signed a ceasefire deal with eight armed ethnic groups, hoping to end decades of violent hostility. But seven more rebel groups, all seeking greater autonomy, are yet to sign the "nationwide" agreement. BBC
  • Syria's Rebel Towns Attacked
    Syrian army troops, backed by Russian jets, have launched an offensive on rebel-held towns north of the city of Homs. Iran's Lebanese ally Hezbollah is also reported to have joined the attack, aimed at keeping President Bashar al-Assad in power. ABC News
  • Norway Wants to Return Refugees
    The Scandinavian country is seeking to return a growing number of Syrians refugees who have travelled from Russia across the Arctic north of Europe. Norway will now try to send back any Syrians who lived in Russia for "an extended period". Reuters
  • Australia Writes to Morrissey
    Australian officials have responded to criticism about a plan to cull 2 million feral cats by 2020. One commissioner has penned a letter to animal rights protesters Morrissey and Brigitte Bardot explaining the cats have already wiped out 27 native species. The New York Times

Jay Z (Photo by Joella Marano VIA)

Everything Else

  • Jay Z Denies Sample Theft
    The rapper has told a jury he didn't know there was a sample of an Egyptian songwriter's 1957 song "Khosara Khosaraon" on his own 1999 hit "Big Pimpin'". Clearing samples was "not my job," Jay Z insisted. Billboard
  • Yes Means Yes
    Three US states now have Yes Means Yes laws, meaning only a freely given yes counts as consenting to sex. But new sex-ed lessons have left students confused. The New York Times
  • How Putin Tries to Control the Internet
    An exclusive extract of new book The Red Web reveals how the Russian leader uses online tools to destabilize the "political and social situation" of other countries. Motherboard
  • Inside a Biohack Lab
    The creator of Bulletproof Coffee has spent over $300,000 trying to hack his own biology. Watch one man's attempts to be as healthy as humanly possible. Munchies

Done with reading for today? That's finewatch this, the third part of our new documentary How Pablo Escobar's Legacy of Violence Drives Today's Cartel Wars.

Why You Actually Should Care About Hillary Clinton's Damn Emails

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More on Hillary Clinton's emails from VICE News:

What Hillary Clinton and the State Department Didn't Say About Her Emails

Hillary Clinton's 'Bleak Week' Emails Show Response to WikiLeaks Revelations

Emails Show How Far Clinton Was Willing to Go to Promote Old Pal's Interests

A Top Hillary Clinton Adviser Called John Boehner 'Louche, Alcoholic, Lazy'

On Tuesday night, at the first Democratic debate of the 2016 election, Bernie Sanders was asked about the secrecy surrounding Hillary Clinton's emails. By way of an answer, he turned to Clinton and informed herforcefullythat "the American people are sick and tired of hearing about your damn emails."

According to moderator Anderson Cooper, Sanders was employing a rhetorical gambit used by politicians and comedians alike known as "playing to the room"in other words, it was a good shortcut to a big applause. His campaign capitalized on the surge, and with almost suspicious timing, sent out a fundraising email referencing Sanders' crowd-pleasing remark. Evidently, 44,000 were #FeelingTheBern, sending Sanders a total of $1.4 million by the end of the night.

Were the comments endearing? Obviously. But true? Not so much. At least according to one American, who happens to sit a few desks away from me, and who probably cares about Hillary Clinton's emails more than maybe anyone else in the world. His name is Jason Leopold, and he's the VICE News' investigative reporter sometimes known as a "FOIA Terrorist."

Jason is the guy who sued the State Department for access to Clinton's emails earlier this year, and continues to be one of the best people to turn to for up-to-the-minute coverage of the scandal. He has a whole community of avid readers who care about what he abbreviates the "HRC emails."So when Sanders implored American votersand journaliststo just drop the email subject altogether, I thought I'd ask Jason for his take.

Now that I've had this conversation, I care a whole hell of a lot about the damn emails. Read what he had to say, and maybe you will too.

VICE: Hey Jason. Why do you give a shit about Hillary Clinton's emails?
Jason Leopold: I filed a request for all of her emails because I wanted to gain insight into how she conducted herself as secretary of state, and how that would inform the public as to how she may be as president. That would go for any candidate who is running for office.

Do you have a political agenda?
I personally hate everyone in both parties. There's nothing partisan about what I'm doing. I'm doing this as a journalist who believes that the public has a right to know what their elected officials are up to. I know we're focusing on wrote apologizing.

But it turned out to be a bigger story?
It was only after I did some reporting around that letter that I found out that the letter was never sent. Brennan apologized, but he didn't make admissions about how the CIA did spy on the Senate, which he articulated in the letter, and the letter itself was never ever sent.

Crazy! But if something like that never comes out, is it still worth caring about?
The most important aspect of her emails that anyone should be paying attention to is the fact that we don't have answers as to why she was using a private email account, and avoiding the Federal Records Actwhich is a lawand why the State Department failed to respond to legitimate requests from journalists under the Freedom of Information Act for her emails years before this scandal was ever revealed.

Do we really know nothing about that?
She changes her story time and time and time again. These are things that anyone should care about when it comes to an elected official. My takeaway is that the rules, for some reason, did not apply to Hillary Clinton, as they would have applied to anyone in the federal government. It's also a failure on the part of the State Department, which did not reign her in.

Follow Mike Pearl on Twitter.Follow Jason Leopold on Twitter too.

Everyone Loves NASA But No One Wants to Give It Money

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All photos courtesy of NASA

Last week in the Washington Post, Joel Achenbach predicted that NASA will never put an astronaut on Mars. The agency simply does not have the budget for it, he argued, and it's unlikely the U.S. government will ever cough up the additional cash that will be required for such an elaborate mission. Astronomer and Slate writer Phil Plait agreed, and wondered whether NASA's massive, ongoing PR campaignwhich recently included collaborating with Ridley Scott on his $113 million-domestic-grossing The Martian"will backfire" because, thanks to Congress's major budget-shorting over the past few years, it can't make good on its promises to the public.

Congress says it can't fund NASA if the agency doesn't provide concrete dates and budgets for its Mars missions. Meanwhile, NASA has shared detailed plans for their Mars endeavors, but can't provide those price tags or dates without knowing how much they'll for sure be able to get. NASA and Congress's mutual reticence is understandable: as a recent New York Times op-ed pointed out, even a tiny shortage from Congress and the White House can severely cripple and sometimes even sink a project, dumping millions of taxpayer dollars down the drain in the process. Given that reality, reports that missions like the (theoretically) extremely promising Commercial Crew program have now been set back by as much as a billion dollars doesn't bode well for a manned Mars mission happening any time soon.

Even so, Congress's stubbornness with the NASA budget would baffle anybody who got within five miles of NASA's Jet Propulsion Laboratory in Pasadena this past weekend. Originally founded in the mid-1930s after a handful of pyromaniacal Caltech students whose penchant for rocket-building attracted the interest and approval of the United States Army, the relatively small research outpost now hosts an annual open house, the aim of which is, of course, to invite the local community behind the curtain to learn about and engage with NASA's many current and future missions and projects.

While it's a fairly popular event in any given year, the turnout for this year's eventthanks in no small part to its role in The Martianwas, in a word, incredible. On Saturday, the campus, which can only host about 21,000 people, reached capacity and had to close its gates within the first three hours; on Sunday they hit the same limit in an hour and a half, while parking filled entirely by the time doors opened at 9 a.m. Hundreds of people, many with small children, walked and waited in line for hours in the blazing, 95-degree sun for a chance to get in; and hundreds, as JPL's Twitter account hilariously documented, were turned away before they even got close. Once the lucky ones got inside, they were met with even more lines, to 21 different attractions around the campus, most of which involved several more hours waiting in temperatures that neared 100 degrees fahrenheit .

As a native southern Californian, I've been to Disneyland more times than I can count. Still, I've never experienced a crowdor wait times, including a two-plus-hour line for parkinglike the one that engulfed JPL this past weekend. (Employees, I found later, attested to exactly this.) In total, a spokesman estimated the weekend attendance at around 45,000.

The most massive lines were those to look in on places like JPL's own Mission Control bay and the Microdevices lab, where engineers develop sensing devices in futuristic-looking clean rooms, as well as quick video screenings, like a clip called "Crazy Engineering," which highlighted some of the flashier, more science-fiction-y technologies being developed at the lab. "Crazy Engineering" was a 20-minute video; by 11 a.m., the estimated wait time, according to the app JPL developed specifically for the event (just like a music festival!), was nearly three hours.

If nothing else, this is proof that people like NASA, and they think going to Mars seems like a pretty cool idea. Experts agree, too. Astropunk Neil DeGrasse Tyson submitted testimony to the Senate urging increased spending on NASA, specifically for missions to Mars. "Epic space adventures plant seeds of economic growth," he wrote, "because doing what's never been done before is intellectually seductive (whether deemed practical or not), and innovation follows, just as day follows night." Astrocapitalist Elon Musk, meanwhile, has argued that if we increased NASA's budget to one percent of our federal budget, "we buy life insurance." (Which is to say, Musk thinks that we should colonize Mars so we have somewhere to go in case a giant asteroid hits the Earth.) Hell, when Republican presidential candidate Ben Carson was asked by US News what he'd do as president, he said, "I would get the NASA program off the ground because enormous numbers of inventions came out of NASA, things that we use every day. And you know we need to bring the innovative spirit back to America." When your cause has support from nerds on the left, right, and center of the political spectrum, that indicates that it's probably a pretty important one.

On Motherboard: NASA Is Getting Serious About Space Hibernation

The budget insufficiency, however, is less well-known. Studies have shown that the average American believes we give vastly more of the federal budget to NASA than we actually do. In 1997, one such study found people believed it commanded as much as 20% of it.

Yet for the past decade, NASA has received no more than 0.63% of the annual federal budget. Last year it received just 0.5%, which came to $17.6 billion. A mere 0.27% of personal income taxes goes to NASA, meaning most Americans pay about 10 tax dollars per year for the program, or less than one cent per tax dollar. (By contrast, we paid 27 cents per tax dollar to the military.)

NASA may not be able to go to Mars, but Tom Sachs made one in his studio.

Logically, there shouldn't be such a perpetual struggle to fund our space programas evidenced by the turnout at the JPL, NASA wants to tell people about what they're doing, and people want to listen. There's an argument that sustained public interest in NASA's day-to-day activities should add up to increased budgets. And yet that's not quite always the casewhen asked by VICE if the JPL Open House's popularity would contribute to an increased budget for the agency, a NASA rep responded, "I would say probably not."

This year, NASA and President Obama have requested $18.5 billion from Congress for the 2016 fiscal year. (Though the 2016 fiscal year technically began on October 1, Congress voted to extend 2015's budget until December so they could iron out the particulars of the 2016 budget.) If passed, NASA's budget will see a $500 million increase from its 2015 allotmenthowever, it's still only about half a percent of Obama's proposed $3.5 trillion budget.

It hasn't always been this way, though. The biggest sum Congress has ever awarded the agency came during the Apollo 11 era; in the years leading up to the moon landing, the government dedicated huge percentages of the federal budget to the space program, topping out at 4.41 percent of the Federal Budget in 1966. At an inflation-adjusted 43.5 billion, that's two and a half times the amount given to NASA in 2014. That was at the height of the Cold War, when America's achievements in outer spaced were viewed as an expression of our ideological supremacy over the U.S.S.R.

These days, we're actually working with Russia to explore our solar system rather than competing with them. Maybe the spirit of cooperation will motivate humanity to get our asses to Mars, because god knows this chicken-and-egg clusterfuck NASA and Congress have created won't.

Follow Devon on Twitter.

Meet the Heroic Greek Fishermen Saving Refugees from Drowning in the Aegean Sea

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A refugee boat towed by fisherman Kostas Pinteris being brought into Skala Sikaminias harbor. All images by the author

So far in 2015, over 200,000 refugees have landed on the Greek island of Lesbos in the eastern Aegean seathe most common entry point into Greece for those fleeing the war in Syria. The sea crossing from Turkey to Lesbos takes only an hour, but it's dangerous and, too often, deadly.

The flimsy inflatable boats the refugees are packed into by smugglers are always over capacity and often sink in bad weather. Sometimes they're held up in the sea by what people say are Turkish bandits demanding money. Greek's extreme-right political party Golden Dawn are also known to be intercepting the boats and smashing their engines. Adults and children drowning in the sea is a weekly occurrence.

Hundreds of young European volunteers are heading to the island every month to help the refugees off of the boats, providing food, shelter, and transport. However, some of the least well-known humanitarians in this crisis are from the island itself: Greek fishermen have been saving refugees from the sea for at least a decade, and with the number of migrants crossing the sea increasing massively this summer, their role has increased significantly.

Greek coastguards shine a light on a refugee boat arriving on Lesbos

"We've been helping refugees for ten years," fisherman Thanasis Marmarenos tells me. They've been coming to Lesbos from Iraq, Afghanistan, Somalia, Eritrea, and other countries since 2005, he says, and the numbers have gone up and down since thenbut it's reached unprecedented levels this year. In 2007, for example, an estimated 10,000 refugees landed on Lesbos, Samos, and Chios put together, compared to an estimated 220,000 on Lesbos alone this year.

"In the past, because it was illegal to enter the island on a boat, people would come halfway across the sea and then destroy their boats," says Thanasis. "We would go to save them when they were in the water." Now, he tells me, dozens of the many boats that arrive each day are so overcrowded that they're too heavy and water-logged to even make it to the island.

The boat engines are cheap and often break down. The Greek coastguards rescue as many boats as they can, Thanasis says, but with only two response vessels, they are overstretched. "We help boats every night. The Greek coastguard don't have a lot of ships and they can't cover all the seathat's why we help."

Fishermen help women and children they rescued from a sinking refugee boat to harbor

Thanasis is 62 and has been fishing for five decades. He lives just a few hundred yards from the harbor and keeps a lookout with binoculars when he's out fishing or at the port. If he sees a boat in trouble, he tells the other fishermen and the coastguard and then sets out to help it. "When I meet the boat, I say, 'Women and children first.' But often people panic and everyone tries to get on," he says. He takes the women and children to the harbor in his own boat and will then go back and tow the rest. "I am scared sometimes to go to help, as often all of the young men on the boats try to get on my boat and there is a risk my boat would get too full. It's a very big problem," he says.

Thanasis works in Skala Sikaminias, the small port town on the island's north coast, nearest where most of the refugee boats land. His boat is one of four out of 30 that is regularly used to save refugees. "Some of the fishermen are racist. They don't want the Syrians to come," Thanasis says. "Once I saw a fisherman with a large boat laugh when he saw a refugee boat in trouble. There are always arguments between fishermen who help and fishermen who do not help."

Kostas Pinteris, one of four fishermen in Skala Sikaminias who help refugee boats that get into trouble every night.

Kostas Pinteris, 40, is another fisherman who helps refugee boats regularly. He wants to help but it does take its psychological toll. "We find bodies in the water and on the beaches," he says. "One month ago on Tsonia beach, there was a woman washed up. One of the fishermen said to me, 'I need a psychiatrist; I can no longer see these bodies.' If something goes wrong, you feel guilty. Anything can happen."

It's about 8 PM in Skala Sikaminias harbor when Kostas gets a call from the Greek coastguard: a boat has been spotted about a mile out at sea, not moving. They ask Kostas to go and find out what's going on. We run to his small fishing boat. About ten minutes out of the harbor, a refugee boat glides past usthey point behind them into the pitch black; that way, they say. We meet the boat in trouble: it's taken on too much water and isn't moving. They toss Kostas a rope and we tow them back to the harbor. It's choppy. The people in the boat behind us look terrified as the vessel veers from side to side. But as we enter the harbor, the terror turns into celebration. People wave and cheer. Volunteers help people off the boat and hand out emergency blankets. "Life," Kostas says with a shrug.

A Syrian child saved by fisherman Kostas Pinterisis given an emergency blanket by a volunteer

Kostas says the European Union isn't doing enough to respond to the crisis. Frontex, a joint operation between several countries to coordinate policing of the EU's borders, is one of the only EU organizations working on Lesbos.

"In September, I reported an incident to the coastguard," he says. "A man was in the middle of the sea for half and hour; a Frontex boat was next to him, doing nothing. I said to the Greek coastguard, 'What is Frontex doing? There is a man, he is going to die. Why are they just observing?' After half an hour, I went into the sea and saved the man myself. Why are Frontex here? They're taking money. Why? To watch people die?"

A woman is taken off the refugee boat saved by Kostas

With the coastguard overstretched and the EU doing very little to help, the fishermen are the last line of support for boats that get into trouble, and they get little or no support.

"No one ever helps; no one ever gives anything," Kostas says. "I had to pay 200 for a new waterproof telephone because the coastguard is calling all the time. But I was not expecting anything. We are helping because we are humans. We see it in front of us; we cannot ignore it."

Things will get a lot harder when the winter comes and the seas get rougher, Thanasis says. "I'm afraid of the day when the weather is bad and I can't go to help. We only have small boats and in bad weather, we can't go. I don't want to see this day. I'm afraid for both the refugees' lives and my own life when this day comes."

Thanks to Elisabeth Dimitras, Toula Koutalelli, and Liza Nanasou for the translation.

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‘The Assassin’ Director Hou Hsiao-Hsien Talks About His Feminist Martial Arts Film

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I'd just come out of my interview with the acclaimed filmdirector Hou Hsiao-hsien when I found myself in the elevator chatting with Genevieve,the film's publicist. She had a quick,unassuming intelligence, an upper-lip piercing, great bangs, and Dr. Martensboots.

"Did you already meet the director?" she asked. "Ihaven't yet, but I have to! I'm obsessed with The Assassin."

Her zeal was palpable. I said that I'd also come outof the press screening in a great mood, as had the other female critic I'doverheard, who'd announced that it was her fifth viewing of Hou's film, which premiered earlier this year at Cannes, earning Hou the award for best director.

I wanted to hear what Genevieve lovedabout it. She talked about Hou's ability to tell an emotionallycomplex story using only images. She mentioned the gorgeousness of the composition. I wondered, though, if our love for the filmdidn't have to do with this bare-faced, black-clad heroine, this female assassinwho not only didn't need rescuing but also won every fight. Who could kill men,or not kill them. Who never lost her agency. And barely had to show anyskin.

Credited for inaugurating the Taiwan New Wave ofCinema along with Edward Yang and Tsai Ming-liang, Hou Hsiao-hsien is notwidely recognized as a feminist filmmakeror at least not yet. He is, rather,best known for his trademark neorealist style: static long shots, slow pacing,and a penchant for couching momentous historical conflicts within quietdomestic scenes. His films feel diaristic, crammed with the trappings of quotidianliving, and the lost moments that fill up the day-to-day.

The Assassin is both stylistically and thematically consistent with the films that he has made in the past decade. Set during the Tang Dynasty, the assassin Nie Yinniang (Shu Qi) has been ordered to kill her beloved ex-fianc. A perfect mix of the fantastical and the mundane, The Assassin shadows this well-trod wuxia (martial arts) genre while remaining faithful to the basic precepts of realism. The fighting scenes are brief, unadorned, and confined within the realm of gravity. In fact, the fighting feels almost obligatory, depicted simply because fighting is an expected part of an assassin's life.

Beginning with Millennium Mambo (2001), all of Hou's films have centered on a solitary female protagonist and her quest for love. Caf Lumire (2003), Hou's contemporary take on Ozu's 1953 Tokyo Story, is about a young researcher who discovers that she is pregnant and decides to have the child alone. His next film, Three Times (2005), is set during three different time periods: the first, a story about a pool-hall girl, is set during Taiwan's martial law period; the second, about a courtesan trying to negotiate her way to freedom, is set during Taiwan's occupation by Japan. Both parts are composed almost exclusively of static interior shots framing bright, open doorways where men saunter in and out, bringing news, money, and their fleeting affections.

If not spurred by a conscious decision, this trend of strong leading women inHou's output seemed worth investigating. I sat down last week with the directorand asked him about why he has, wittingly or not, become a feminist filmmaker.

VICE: Why did you decide to make a filmabout a female assassin?
Hou Hsiao-hsien: Well, I first read this story when I was in college.At the time, they'd just published a collection of short stories from the TangDynasty. They were all about 1,000 words long. I really liked this story aboutNie Yinniang, especially the opening.

Did you find the story exceptionalbecause this assassin was a woman?
Actually, there were a lot of female assassins back then, but this one seemed reallyspecial to me. The story is about this general's daughter who gets taken awayby a Daoist nun, and she leaves for many years to train to become an assassin.By the end, her training is so advanced that she has the power to turn herselfinto a bug and burrow into someone's stomach. I thought that was a little toooutrageous. So I just used the first part of the story.

Shu Qi hardly says anything in thewhole film, but you can really see the inner conflict in her expressions and herbearing. What's the cause of her suffering?
There'sa scene in the film when Nie Yinniang has to listen to her mother recount the storyof her past. Before she was taken away, she was supposed to marry Tian Ji'an I mean, when it comes down to it, I have to control the movie. Only I know howit all fits together, scene by scene. Writers use words to construct a scene.But I'm using images. The mind makes the image. Then I have to turn the imageinto words for the script.

Follow Anelise on Twitter.

The Assassin opens in New York and Los Angeles onFriday, October 16, with an expanded theatrical release to follow.

So Sad Today: Fuck Music, Let's Talk About Feelings: An Interview with Neon Indian

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Illustrations by Joel Benjamin

I got to talk one on one with Neon Indian's Alan Palomo thissummer when I covered FYFin LA. Initially I was scared to talk to him. For me, Neon Indian's musicconjures momentous feelings, memories, fantasies of makeouts that did anddidn't happen, a state of eternal longing, the transcendence of linear time.That's a lot of presh. Also, I don't really like talking about music. I'drather listen to music and talk about feelings. But Palomo, whose third album, VEGAINTL. Night School, comes out tomorrow, was so emotionally open that Idecided to make the interview its own column.

When we spoke, he had just performed his set, which includeda number of tracks from the new album.They were hot and synthy and expanded on the trippy, yearning, fantasyaesthetic that I love about his work. But where his previous albums could bethe soundtrack for a mystic prom or a day down the rabbit hole in your lastteen summer, this new album feels like it's of age now, barely legal, attendingits first rave at an 80s club on the astral plane where Michael Jackson's ghostpresides over the festivities.

So Sad Today: Thereis a dreamy, eternal summer, endless youth quality to your albums. Even VEGA INTL. Night School, which has moreof a dance vibe, has that kaleidoscopic longing in tracks like "Annie," "Baby's Eyes,"and the opener, "Hit Parade." I've always wanted to know if that's inspired bythings you have felt or experienced, or if there is a wish in that.
Alan Palomo: Wellto some extent, whenever you have control of a situation that representsyourself in some medium, it's kind of like playing the Sims. You try to createsome idealized construct of what your life would be like if you had control ofevery absolute component. I think there's a nostalgia in a personal sense asfar as revisting the situation and anecdotes that created the lyrics, thatinspired the songs. Sometimes a song's a song. Sometimes you sit at a piano andit feels kind of contrived, but then you create meaning out of that experiencetoo. But the songs that really have resonated with people were these reallyintentional songs, like Polish Girl or Deadbeat Summer,and there's a lot like that on the new record too. And even if it sounds kindof smiley and wispy, there is always this component where any good story isgoing to have a bit of devastation with the happiness.

Right. If nothingelse, it's devastating that a moment of happiness has to end.
I feel like happiness is a wonderful transient that you findfrom moment to moment, but in a much broader scheme, the point of life is tofind those little moments and still accept that everything else is this ongoingwave and fluctuation.

Yeah, which is kindof annoying. I always want every beautiful moment to last forever, which, actually,I think is called addiction.
Me too. You ever have one of those friends who meditates andthey really seem to have a Zen handle on their existence, and it's almostslightly annoying? It's like, oh I guess everything is just like c'est la vie, huh? That being said, Ienjoy meditating. But part of the joy is that it's like in... what's it called... Zazen,where they call part of the practice mind weeds. The more that you have, itsort of enriches the practice. And that's totally a pretentious thing to say, butat the same time, part of the joy of something is that you have to take thoseingredients that make life complicated to really value what it is. Otherwise,wouldn't happiness just be sort of like normalcy if you had no other frame ofreference? And then you wouldn't have the callous to deal with when life just sort ofdecides it's not your turn and you gotta wait till the next time it comes backaround.

Yes, it's easier tobelieve in meaning in the universe when it is your turn. It's way harder whenit's not your turn. It's hard then tohave the faith that it's ever going to be your turn again.
Sure. And like the smaller person in you would totally havesome sort of vitriol, like, well why can't it just be my turn all thetime? And to some extent I think it'stotally healthy to be sort of chasing after the state of mind that you mightnever attain, but it was an honest day's work to try and take care of theweeds.

I guess in some waysthe weeds serve us. They give us something to do so that we don't float off theplanet too soon. What would you say was one of your most otherworldly, perhapsteen, experiences?
Obviously there's always the mad dash running throughsprinklers or cops busting up a party. There's, ugh, this is so hokey to say,making out in a backseat listening to "Lover's Spit" by Broken Social Scene and, like, you're on yourgirlfriend's lap and she's looking down at you and her hair is covering yourface and it's kind of this obscure, beautiful amalgam of all the things thatyou romanticize about youth. Those things are like seconds, but what it echoesthroughout, that totally defines you as a person, right?

I'm so glad you saidthat. I just knew you had that experience in you. It's palpable. What aboutyour psychedelic experiences. Were any particularly memorable?
Well, if you've done psychedelics, you always wonder if theyhad some influence in the outcome of your brain chemistry.

Yes. For me it'slike, I'm glad I opened those doors because it allowed me to see that there areother contexts, or null context, from which to look at the world. But sometimesI'm like, oh god, that is the root of like
Oh, sure. I'm already kind of a space cadet as it is. It'snot always fun to be Alan stepping into the fifth dimension and wrestling withthis lack of context for anything and lack of cohesive perception. That shit'sfucking terrifying. But you even garner something from that too. For somereason, as a teenager, I was never scared of psychedelics. It wasn't untilhaving that same sensation in your lucid, waking moments, and just being like, I feel like I'm on something and yet I'm not.I remember getting way too high on somethingI don't remember what it was, itmight have been opium, I have no ideaand I was a sophomore in high school. Iremember having this afternoon walking through a supermarket with my olderbrother's friends just trying to internalize all the stimuli I was beingbombarded with. It was maybe the highest I've ever been. And then for a monthafter that I had sort of residual traces of that sensation and I rememberhaving this weird feeling that the sky had a sort of ceiling to it. It was muchmore of a metaphorical than a literal feeling, but just the idea of being ableto perceive something like that is totally fucking scary.

It's definitely scarywhen you aren't on anything and your context shifts. My fear is always that,well, I'm a catastrophizer, so I always think everything ispermanent. So I'm like, will I be stuckin this forever? Especially when there is nothing to which I can attributea sudden shift in perception.
To some extent, the afterglow of psychedelics is reallyromantic. There's that thing where the initial high is sort of that terrifyingexperience of allowing the psychedelic experience to happen. But when you areable to think again cohesively, but still have some traces of that frame ofmind, that's really productive, that's really fucking awesome, and those arethe things that I garner a lot of formative experiences from. To some extent, Ihave to wonder, have I ever gotten out of that state of mind? Is this just thenew reality? Is this what reality exists as from day to day from here on out?If that's the case then I can't remember what it was like to exist before that.

But at the same time, I would say that the initialexperience of like, that's the highestI've ever been was a really formative, creative time, because that would bewhen you would have a visceral, creative response to some song. You'd realize,like, holy shit, "Dusk AtCubist Castle" by Olivia Tremor Control isreally creeping me the fuck out.

Yeah. That momentwhen you are so engaged in a piece of art that it becomes your new reality,even when you are totally sober, is a fresh context. I just saw Spiritualizedplay, sort of accidentally, and I was like Holyshit, the lights, I just want to be killed by a laser right now. Can it all endhere? Like can it just all end on this note? I would have been OK to beeviscerated at that moment. But then the set ended. And I walked out.
And you were kinda glad in hindsight that you weren't completelyimmolated.

I don't know. Itdepends if there would have been consciousness afterward. And what thatconsciousness would feel like. But I can't know what that consciousness or lackof consciousness would be like.
Yeah. All I can perceive about what that would evenmeanbeyond the point of death or whatever you want to call thatwell, it wouldbe bullshit to say that I have some cohesive answer, because to some extent, Ithink even atheism requires a certain leap of faith where you have to draw somesort of conclusion. But the only thing that I can confirm is that I have noconfirmation.

Yeah, it's kind offucked up that we're just put on the planet with no confirmation or map. It'sjust like, Off you go! Best of luck!
Sometimes you wake up and feel like just this bag of flesh that'sreally just a vessel of instincts and memories and genetics. And you startacting based on that construct. But then other days, I don't know, you feellike there could be some sort of special surprise at the other end of whatwould be the most excruciating thing that's ever happened to you.

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What Happens When You Donate Your Body to Science?

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All photos by Jake Lewis. Yes, that is what a real human hand looks like when it's been stored in preserving chemicals since the 1980s.

Warning: some of the photos in this article are extremely graphic, so if you're made queasy by images of cadavers and cadaveric material we would suggest you proceed with caution.

Look around you. How many people do you think have seen a dead body? In some spheres, death is a business. For pathologists, funeral directors, private ambulance drivers, and gravediggers, death is an important part of day-to-day life. There is a part of death that is important to everyone's life, however, and one that allows life to be extended in those lucky enough to still possess it: scientific body donation.

To donate your body to medical science is, essentially, to give yourself a final bit of agency. Death is an automatic surrender of volition, but to donate means to know while dying that you've chosen that your cadaver should be used for the greater good of humanity. But how does one go about it? What kind of bodies can you donate? Could I donate my own? If I did, what would my mother say?

It all has to start somewhere, and in this specific case the afterlife of human meat begins at King's College London. Inside this palatial, magnificently appointed, beautiful old building sit a couple of tiny office cubicles separated by a corridor. This is the London Anatomy Office, where all those who wish to donate their bodies log their requests.

In one office sits Emma Cole, whose official job title is coordinator, and in effect she functions as a kind of travel agent for dead bodies. Emma liaises with the families and works with her colleague Jeniene to send out consent forms and organize transportation for the bodies to the medical universities. Once she was even party to a guided tour around the college dissection rooms.

"It was alright, 'cause I'm not bad with stuff like that, and I find it all quite fascinating," she told me. "When I went down there, there were three SAS medics in that day that were looking at new techniques to treat chest trauma. They let me watch them for a bit; that isn't something people get to see very often."

Emma Cole of the London Anatomy Office

There are a few types of consent that a person can give before they sign their body away, Emma told me. There's indefinite consent, which, when granted, allows the school to keep the body for as long as they like and do whatever they want with it. Another type of consent allows the school to keep it for up to three months, after which they must release it. A third type is where the timeframe is limited, but the school can keep parts of the body and take photographs for usage in textbooks. A body cannot be donated if the person has died of any infectious diseases such as HIV, AIDS, or tuberculosis.

I asked Emma what makes people want to donate their bodies. She told me that a rudimentary funeral is provided for the donors by the school after their bodies are released, which takes away a lot of the financial burden put upon people by a death in the family. "It's a quick ten-minute service, there's a chaplain there, the families have the option to attend... they can't really personalize it, though. They have the option to collect the ashes afterwards, but yeah, the medical school covers the cost of funerals."

There is also, at the end of term, a service held where the students who have worked on the cadavers meet the families of the donors to provide a sense of closure. Some schools even allow students to attend the funerals of the bodies they've worked on.

Above Emma's computer is a pin-board with cards and well wishes from the families of donors. She gleans more satisfaction from this job than she did working as a PA in big recruitment companies. "I enjoy it," she said. "It's still got a certain amount of pressure to it, but nothing compared to what I've been used to dealing with with corporate chief executives who think they're a bit special."

That's the thing about the dead, I guess; they don't have egos.

A short walk from East London's Mile End tube station sits the Queen Mary University, where the bodies are taken from the funeral homes. The small, unassuming Bancroft Building houses the Turnbull Center for Basic Science Teaching, where students learn about the anatomy in a variety of ways. Much like any school, it's fitted with innocuous carpeting and light brown MDF furniture, a couple of drinks machines dotted around. Through certain doors, though, are the formerly occupied cadavers of around 20 people, and a variety of preserved spare parts.

The manager of the centerwho, along with the other technicians, including those who embalm the bodies, wishes to remain namelessspoke to me about how they come in.

"We have a dedicated entrance to receive the actual recently deceased, so a private ambulance comes into a loading bay and then the recently deceased is taken out and brought directly into the mortuary," the center manager told me. "We don't receive them through any public access points for our own standard operational procedures. It would be unseemly and it may have a negative impact of sorts on passersby. In addition, we also have to follow the HTA guidelines, which are quite precise, about how you receive a cadaver and what procedures you have to have in place. So we receive the subjectrecently deceased, I should saythrough a dedicated entranceway."

The bodies are then taken to be embalmed by the center's technicians. I watched a part of the embalming process, in which the body was being cleaned, and found it quite an odd thing to witness. I'd previously seen the bodies encased in their plastic coverings, stationary and waiting, but the embalming had this subject being quite rigorously cleaned in preparation for the chemical preservation. To the left were racks of bodies post-embalming, stacked in large cubby holes.

A mask used by embalmers to protect themselves from the chemicals.

The center, when I visited the first time, was still in the process of being readied for term's commencement. There was a coffin in the main room in which the dissections would be taking place. I was told that they won't have coffins anywhere near the students when term starts as it shoves too much of a human sense of death in their faces.

Interestingly, the job of the embalmer doesn't require as much extensive academic knowledge as you might think. "For a general technical post it can be academic qualificationsso maybe two A-levelsand you just get trained up as you go along," the manager explained. "Or it's at least five years experience in the technical field. For the embalming, that's different. You come in already from that background. You get commercial embalming, which is different to medical school embalming, and is veryI don't want to say 'straightforward'but very niche to its setting, whereas with commercial embalming there are routes to get into. You would join a funeral directors and start off as an apprentice, and gradually be trained up. In terms of embalming in a medical school, you'd already have the knowledge and be trained up by a trained embalmer. It's a specialist skill to have."

In the room adjacent to where the cadavers are kept is another classroom where the desk study is done. In here there are giant, expensive European models of lung systems, heads, brains, etc. There are also dozens of boxes filled with different preserved body parts. Brains, hearts, thoraxes, handsthese are called "pro-sections," and it takes a skilled hand to prepare them.

In the case of the hand, a highly trained person must cut the right places to expose the relevant tissue, tendons, and muscles. They are fascinating to look at and even more so to hold in your hands, as are the brains, the part of the body that changes most after the embalming process, becoming much heavier.

Does being surrounded by so much death, even in this clinical environment, bother the people working here?

"I can't speak for anyone else, but for myself it is strange to begin with, and not in a sort of ghoulish waywhat people would imagine, or being scared of being surrounded by cadaveric materialit's more a fascination," the center manager told me.

"And then, very quickly as you start the job, it becomes a routine sort of exercise: you are there to look after the pro-sections, you're there to look after the cadavers, but you must be respectful to the cadavers. Both staff and students are told that someone has donated their bodyit's a privilege that they're going to be performing an anatomical examination as per the wishes of that particular donor."

The next time I visited the school there was a class in session. Around 20 students were in the dissection room, about five or six students to a cadaver, and were working on trying to find nerves and vessels in the gluteal area. I was told that, for most of the students here, it was their first time with a cadaver.

It was proving a bit much for Gemma, 23.

"It's actually a bit of a shock for me personally. I'm maybe struggling a bit more than I thought I would. I think you have to be able to detach the person from the body, and I don't know that I'm quite there yet. I'm getting there!" she giggled nervously.

The smell was quite upsetting, but it wasn't a smell of rot, rather one of the chemicals used to embalm. Formaldehyde is still the main chemical used in the fluid, while the anti-fungal chemical phenol has been removed as it poses a potential exposure threat.

Though there were some reported instances of queasiness and upset, most of the studentswho varied in age and were all graduates working towards qualifications that would allow them to work in a variety of medical professionslooked excited by it.

"I feel like I've reached a new level of understanding just in the last hour or two," smiled Oscar, 23. "It's made it feel very real as well. I'm quite interested in becoming a surgeon sometime in the future. I mean, I'm keeping an open book; I'm not making any commitments nowbut it's really made me feel how important what we're doing is for the future."

I asked him if he would, having now seen what happens to bodies once they're donated, gift his viscera to future doctors and surgeons when he's done with it.

"I already wanted to donate my body to medical science or medical teaching, because from speaking to junior doctors and other medical students, I was well aware of just how much influence it made on their knowledge. So, yeah, I think for sure I'll be donating my body to medical science."

The importance of donating your own body to the furtherance of human understanding cannot be overstated, and the respect and reverence afforded to those who decide to give themselves to science was palpable on each one of my visits.

Thinking about it now, I'm struck by how brave a decision it is to fully relinquish yourself after death, to perform one last charitable action, to sacrifice something you hold dear, the thing you've been operating your entire life in. You get to know your body so intimatelyyou're really closer to nothing elseand to bequeath that part of you for the benefit not only of the medical students who will use it, but to those who doctors of the future will be helping with skills garnered from it, is a beautiful thing.

From start to finish, the people involved in the process of body donation are close to death. Of course, it becomes par for the course after a while, but the sense of privilege they feel to be working with people who have made a last noble act seemed ever-present. I'm still in two minds about whether I want my gluteus maximus cut up by some eager-yet-cautious young doctors-to-be, but I hope one day I can emulate the fortitude of these body donors and choose to make a difference long after I've drawn my last breath.

Follow Joe and Jake on Twitter.

The VICE Guide to Right Now: Graffiti Artists Managed to Sneak the Phrase 'Homeland Is Racist' onto This Week’s Episode

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A screenshot of Homeland season 5, episode 2 with the word's 'Homeland is Racist' in graffiti. Photo by Screenshot/Showtime

Exciting news for any Homeland fans looking forward to this Sunday's episode: A blog post, written by three graffiti artists who worked on the show's production has revealed that there will be several Easter eggs to look out for.

Heba Amin, Caram Kapp, and Stone were hired to help make an authentic-looking Syrian refugee camp in Berlin, but instead took the opportunity to scrawl phrases like "Homeland is a joke and it doesn't make us laugh," "Homeland is racist," and "Homeland is watermelon" ( 'watermelon' apparently means 'a sham') across the set in Arabic.

According to the blog post on their website they took the job after instruction from the show's producers for the graffiti "to be apolitical," not to infringe copyright, but writing "Mohamed is the greatest, is okay of course."

The 'intervention' comes in the light of various accusations of racism made against the show, including an implied association between al Qaeda and Hezbollah and gross misrepresentations of cities like Beirut and Islamabad. The latest contention came after a key terrorist character was given the same name as a real-life Pakistani ambassador to the US.

The Daily Fantasy Sports Industry Is Being Investigated by the Feds

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An NFL game in 2006, the year Congress passed a law that left open a loophole for fantasy sports wagering. Photo via Flickr user Jason A G

The FBI and the Department of Justice are trying to figure out if the operators of daily fantasy sports (DFS) sites that keep pummeling America with TV ads are violating federal law, the Wall Street Journal reported Wednesday. It's the latest twist in a scandal that picked up steam late last month and threatens to shut down the sites, which have become the poster children for the online sports betting industry.

If you've never played and are wondering why adults act like aggrieved children at bars littered with giant flatscreen TVs every weekend, in fantasy sports players construct rosters comprised of actual athletes and then score points based on how well they perform in real life. Normally, this takes place over the course of a season, but in DFS you can draft players, watch them pile up stats, and win or lose in the course of 24 hoursan instant adrenaline rush on par with scratch tickets or slot machines, but one that requires more skill. If they pick the right combination of players, competitors can win million-dollar prizes on sites like DraftKings, which aired a TV spot every minute-and-a-half leading up the the current NFL season, according to the New York Times.

The current bout of trouble started on September 27, when a DraftKings employee named Ethan Haskell posted a chart online of the most popular players chosen that week for the site's million-dollar tournament. Although he later explained it was an accident, other players were presumably able to change their lineups based on the leaked information and snag an advantage.

DraftKing employees are banned from betting on their own site, but Haskell won $350,000 that same week using rival site FanDuel, which plenty of people found suspicious, including New York Attorney General Eric Schneiderman. His office launched an inquiry into the site, and soon after that announcement, a Kentucky man named Adam Johnson filed a class action lawsuit against both DraftKings and FanDuel alleging something like insider trading was taking place between employees of the two sites. (Earlier this month, the sites banned their employees from playing daily fantasy sports, period.)

Now there's a joint federal probe focused largely on the question of whether or not success in fantasy sports is based on luck. This is key to the legality of the industry; a 2006 federal law that blocked businesses from taking payments from unlawful online gambling sites made an exception for fantasy sports, allowing FanDuel to pop up three years later, and DraftKings three years after that. Both companies have secured millions in venture capital since, including from sports leagues like the National Hockey League and Major League Baseball.

"Chance is going to Vegas and rolling dice," David Kaplen, a Texan who makes his living off of daily fantasy sports and rejects the idea that it amounts to gambling, told VICE. "In this, you control everything, like the amount of time and research you put into it. There's no doubt in my mind that this is a skillful game."

But some players told the Times that they were interviewed about whether the sites were encouraging people from states like Washington, Louisiana, Arizona, Montana and Iowawhere agering on fantasy sports is illegalto participate.

The fantasy industry is circling the wagons, determined to head off what some observers have anticipated for a while now: the end of the party.

"It is entirely predictable that the government would follow up on the misleading reports about our industry," a DraftKings spokeswoman told the Journal. "We have no knowledge of the specifics of any federal investigation but strongly disagree with any notion that our company has engaged in any illegal activities."

Follow Allie Conti on Twitter.

Class Action Fantasy


This Is What Will Actually Happen If You're Caught with Drugs in the UK

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Photo by Michael Segalov, from "I Walked Around Bestival Asking to Test People's Drugs"

More on drugs from VICE:

A Campus Dealer Explains How the College Drug Economy Works
What It's Like Being a Female Cocaine Boss
Hotels, Drugs, and Convertibles: How I Lived Like a King for a Month in Venezuela for Just $115

We were all taught certain important facts at school. For example: masturbating too much makes you blind; if you don't wash your genitals daily you'll get a venereal disease; if you smoke a cigarette while you're chewing gum you'll instantly get mouth cancer. We also got taught that drugs are badthat one ecstasy pill will kill you dead and that if you hang out with people who take drugs your whole life will definitely go to shit and you'll end up dying in a squat house surrounded by broken glass and feral cats.

Most of us grew up and gained a little more perspective on that last one, but few really know what kind of trouble you'll actually get into if you're busted for drug possession.

What we do know is that, if you're black, you'll get into much more trouble than anyone else. Black people in the UK are six times more likely to be searched for drugs than white people, despite the fact that, statistically, people of African and Caribbean heritage take fewer drugs. And this disproportionality extends all the way through to sentencing; black people caught in possession of weed are five times more likely to be charged with a criminal offense than white people.

But in an ideal world, where the police department isn't infested with institutional racism and the justice system treats all people as equals, what would happen to you if you were caught with an amount clearly intended for personal use? One bomb of MDMA, say, or a gram of blow? To find out, I spoke to a couple of experts: Niamh Eastwood from Release, a center specializing in UK drug law, and Tom (not his real name), a former nightclub bouncer.

Photo by Michael Segalov, from "I Walked Around Bestival Asking to Test People's Drugs"

Class As LSD, Pills, MDMA, Coke, Crack, Heroin, Mushrooms, Crystal Meth

Unless you feel the need to pop some molly to really sink into that Instagram house playlist on the way to work, chances are anyone taking class A party drugs is going to be doing so while partying on a night out. And if you approach the door with your lower jaw straining to reach your nose on that night out, chances are the bouncer's going to notice.

"If I caught you with any drugs on the door, they'd be taken off you and you're not coming in," says Tom, who spent six years bouncing in clubs in London and Leeds. "Inside the club, it depends more on circumstance and what drug it is. If I caught someone doing coke, I probably wouldn't throw him or her out; I'd just take it off them. If you're not aggressive, I'll just confiscate it. I'm not going to let people be seen using drugs publiclythat's the same for powders, pills... I'll just take them off you."

Most bouncers, contrary to what you might think, aren't there to confiscate your drugsthey're more concerned with checking for weapons and keeping people safe. "Look, if you're stupid enough to get caught doing out," says Tom.

Possession of a Class C could lead to a fine or two years in prison, although realistically you're looking at a fine. Again, the process is the same: you're arrested and either cautioned or charged.

The exception to this rule is khatan incredibly mild stimulant that was criminalized in the UK for no good reason a couple of years agowhich falls under the same classification as cannabis: if you're lucky, you'll be given a verbal warning under the discretionary warning scheme and you won't get a criminal record.


If you're a drug user and you think this stuff doesn't apply to you, you're wrong. While figures vary year on year, approximately 60,000 to 70,000 people are criminalized for possession each year in the UK. That's nearly 70,000 criminal records for non-violent crimes, or 70,000 people who will now have their lifetime earnings reduced by up to 19 percent, according to one study.

Taking drugs is a choice, and if it's a choice you're going to make, don't be a dick about it and be aware of your rights, because there's nothing good about becoming part of that statistic.

Follow Sirin on Twitter.


Deep Cover: What It Was Like Working as a Prison Guard at Sing Sing in the 1990s

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Ted Conover as a guard in 1997. Photos by Jennifer Klein

This article appears in the Canadian VICE Magazine's October Prison Issue

I first read Newjack: Guarding Sing Sing, Ted Conover's account of working as a corrections officer, just as I was getting into journalism. I was instantly captivated by how much farther he'd taken the idea of immersive narrative reporting. This was more than just embedding with an army outfit or hanging around with the Hells Angelsin 1997 this guy actually got a job in Sing Sing so that he could covertly write about the prison system from the inside, all the while keeping the project secret from pretty much everyone except his family and publisher. It's easily his most recognized work amid an impressive list of books whose topics include travelling with hobos (Rolling Nowhere), embedding with undocumented Mexican migrants (Coyotes), and providing services to the wealthy of Aspen while working as a cab driver and for a catering company (Whiteout: Lost In Aspen).

Landing the Sing Sing gig was enough of a featone involving being tear gassed and conditioned by the intensive military-esque training processand then there was the ten or so months he spent inside the place. As he writes in Newjack: Guarding Sing Sing, "I was like my friend who had worked the pumps at a service station: Even after she got home and took a shower, you could still smell the gasoline on her hands. Prison got into your skin, or under it. If you stayed long enough, some of it probably seeped into your soul."

In the 15 years since publishing Newjack, Conover has continued to write about prisons, recently heading to Guantnamo (his second such visit) to report on solitary confinement. VICE talked to Conover about what possessed him to embark on the assignment, how the experience affected him, and how he sees the current state of American incarceration.

VICE: I read Newjack soon after it came out and was blown away both by the story itself, and the fact that you pulled it off. Can you talk a little about why you wanted to tell this story?
Ted Conover: I got interested when I moved to New York City from Colorado and noticed all the headlines about the record number of people in prisona sense that this was uncharted territory. The war on drugs created something unexpected, which was this giant class of people in prison. And I thought: how can I contribute to the discussion and maybe to the solution? So I went out and looked for the best books I could find about prisons, and they were all written by prisoners: Mumia Abu Jamal, George Jackson, Eldridge Cleaver, the guy Norman Mailer helped get outJack Henry Abbott. Intelligent, literate prisoners had written the best books about prison, and I thought, could I become a prisoner in any meaningful way? But I didn't see any way of faking thatyou either commit a crime and go to prison or you don't. I started thinking about how much prison guards must know about prison, but because they don't write about it or nobody wants to hear from them, there are almost no books. And I looked into it, and first thought I would write about a family of guards, including sons and daughters and aunts and uncles, but the state wouldn't let me go to work with family members, or anyone really, in a meaningful way. They would permit me a single visit to any given prisonand this is even with an assignment front the New Yorker. So I thought that's not good enough, but that's also not right: this isn't the CIA, or something top secret. There's no justification for keeping the public out. New York is the second-largest employer after the Verizon corporation, so why shouldn't we know what goes on in there? So I felt justified in applying for a job as a CO without declaring my true intentions. And as a plus, I would be paid for this research, because I would actually be doing the job, and it came with health insurance and other things. The hard part was just waiting long enough to get hired. And then once I was on the job, the hard part was just enduring, and realizing that I needed to plan on staying for a year to really have something meaningful. To really take it to the next level in terms of writing something with authority that wouldn't seem like a drive-by.

Of everything you saw, which was a lot, what do you still carry with you?
That's a good question. There's just a dozen things. The one thing that just jumped into my mind right now is just a picture of a prisoner with mental problems just sitting on his bunk just rocking back and forth. This is a guy who my coworker and I were just like, he shouldn't be here, right? In the parlance of the prison, he's a bug. He's not even present mentallywhy is he sitting here day after day rocking on his bunk? It was one of those moments where prison just felt deeply wrong. But on the other hand, there's a day that the state's Online Inmate Lookup went live, and I entered the numbers of some of the prisoners I'd gotten to know, including a middle-aged white guy who looked like an accountant, who I figured must have got caught up in some crazy financial schemethat's what he'd told me, basically. But I looked him up and he was in for third-degree sodomy, which was sexual abuse of someone underI can't remember, 13 or 14 years old. So he's a terrible child abuser. You have revelations in both directions: you see people who have done worse things than you can imagine, and you see people who you feel sorry for. And you have to reconcile this as a human being because your job is to treat them all the same, which I must say is hard once you've learned about people's crimesyou respond in different ways to different people. And just for a third and final image from that year, there was the night months after I quit where I was in bed watching TV in bed, almost at midnight. And there was this prisoner who I'd gotten to know named Habib at Sing SIng, who'd transferred out to the geriatric unit of another prison. It was his third term, and he'd converted to Islam along the way. He told me he was innocentthat he'd been convicted of a rape when he was in his 60s. As a prison officer you learn to go, "Yeah, yeah," there are a lot of people who tell you they are innocent. But he had told me his lawyer was going to get him out, and then there on TV was Habib and his lawyer and Barry Scheck from the Innocence Project walking out of Greenhaven Prison, and he'd been freed on the basis of DNA evidence. There right in front of me, a guy whose punishment I took part in was innocent. It took my breath away. I was astonished that he'd been telling the truth. And then you can't help but think a little less of yourself when you didn't listen to somebody telling the truth. It's a pretty intense experience, and I'd say a fairly frightening one, too. I'm not a physically large person, and I was kind scared every day and didn't show it. And as you know from the book, it wasn't until I was out that I started having real nightmares about that fear, and being able to acknowledge it, and that took a long time to sort out. Those are some of things that have stayed with me.

The book came out 15 years ago. Did you observe any sort of anniversary, thinking back on that time?
You know, I think as with The Jungle by Upton Sinclair, the journalist goes in with a reformist agenda, right? And that book is sort of the best case scenario in terms of change coming out of it. That's when federal meat inspections got started, amide the horror of revelations from The Jungle. But... no. For whatever reason, I don't have many regrets about the experience. I kind of think I did it the right way. I think if I'd been tougher and managed to stay for two years, I think I would have written a book that was that much deeper and more impactful. And in fact, that was the complaint of a lot of senior Sing Sing officers when I published the book was, "You know, it's a good book, but you're only a newjack, so why should anyone listen to you?" I kind of think that the rookie's perspective is one of the reasons the book works, because it didn't look normal to meit all looked kind of strange and fucked up to me. It's all a balance, right, wondering if you're doing things the right way. But in the main, I don't have any regrets about it. It beat me up in certain ways, some of them physical more than spiritual, but I think the result was worth doing.

I know from the book's epilogue that, when it came out, the higher-ups were super pissed that this even happened. And yet the guards and the prisoners appreciated that you were telling their truth. How has the reaction to the book changed over the years?
I still hear once a week from someone who's come across the book for the first time, and they are relatives of people who are in prison, or they're people who've done time, and they say "Thanks for this book. It helped me understand what my husband is going through," or "Thanks for this book, because it seems like doing time in Australia is a lot like doing time in the States." Or it's a public school teacher saying you wouldn't believe how much this resembles my day, which is a pretty upsetting thing to hear. But mostly it's those readers, or people in some kind of class who've been assigned the book and the ones who really dig it write me and want to make contact. There were some spasms of anger, especially from the State of New York, when it came out, and from a couple of corrections professionals who took issue with the way I described some things, But mostly now, I hear good things. And I hear it's still relevant, which makes me happy and makes me sad.

This interview has been edited for length and clarity.

Follow Chris Bilton on Twitter.

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