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Growing Up Mixed Race in England's Home Counties Sucks

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The author (second from left) in Hertfordshire.

This article originally appeared on VICE UK.

The home counties are a gray space. Bring up photos of your specific home county on Google and outsiders will be unable to distinguish it from all the other green belt buffer zones surrounding London. They all blur into one another, a big grassy haven for city professionals tired of waking up to car alarms and the district line and perpetual, crushing bankruptcy.

Thirty years ago, that was my mom and dad. Sick of the city, they left to settle in the leafy suburbs of Hertfordshire. The children of Thatcher, they moved to an area seemingly built on the principles of austere 1980s Conservatism: rows of indistinguishable houses on indistinguishable roads, the imported kiwis and pineapples available in each mammoth Tesco providing the closest thing to esotericism you could reach without taking the overpriced train to King's Cross.

Like so many immigrants who moved to England in the mid 20th century, it was the picturesque fantasy of clipped lawns and pleasant middle-class neighbors fulfilled for my dad, who came here in 1965 as a refugee from Burma. And that's fine; I can't hate on my father for aspiring to something greater than what he'd had growing up. It also wasn't his fault that, growing up in white suburbia as someone who doesn't burn in 68-degree heat, I—like so many of my peers—was simply something many of my neighbors weren't all that familiar with: mixed race.

Being mixed race is a gray space—you're a neither-here-nor-there creation, balancing on the border of two communities, never fully integrated in either. In 2011, 1.25 million people in the UK identified as mixed, and it's cited as the fasted growing minority.

My mom's British and my dad is Asian. I have three siblings I look nothing like, and we're all half a foot taller than our dad, because genetics are a weird and magical thing. When I go out with my mom and she bumps into friends, they usually spend a good minute chatting with her before realizing the lanky oriental girl stood next to her is actually her genetic produce, to which their usual reaction is something along the lines of: "Oh gosh."

In short, being mixed race is lonely. No one really looks like you, even your siblings. My brother and I used to receive completely differing racial abuse, meaning we couldn't even find comfort in similar hatred. My mom will never be able to understand the racially-charged catcalls I would receive walking home from school, due to a) being an entirely different race to her daughter, and b) having no idea what hentai is.

What stuck the most, though, were the stories of her father. I never met him, but now and again she'd tell us how opposed to Asian products he'd been because of the war. At these moments, I'd pause and think, Following that logic, surely he'd be opposed to me, and my brother, and my dad. Yes, we'd be his family, but if you can still resent a packet of instant udon for the distant actions of strangers embroiled in a complicated global conflict, surely it's not too far of a stretch to think he might still harbor a little animosity toward us, too?

Growing up surrounded by neighbors of his generation, it was hard not to internalize all that and wonder how they too were perceiving my family.

READ ON MOTHERBOARD: A Genetic 'GPS' Can Track Your Origins 1,000 Years Back

Relating to my dad wasn't much better; although I resembled him more than any other family member, my father's method of survival as an Asian in a white country was assimilation—moving to the home counties, voting Tory, developing a weird soft spot for the royal family. For him, England is the country in which he made his money: England is still the dream—he beat the odds and flourished here. For my siblings and me, England is the reason we felt like outsiders.

The weird thing about the residents of the home counties is their obsession with identity. Because of their grey area status, all those who reside there define themselves by the neighboring counties; in Hertfordshire, the working class aspired to be from Essex, and the middle class aspired to be from West London.

Teenagers went to Jack Wills to buy socks, just so they could use the bag to cloak their insecurity every time they shopped at New Look. It's all self curation—the need to fit in to something greater. And in fairness, it kind of makes sense when the most notable thing about your hometown is the disused playground and the two-for-one 6" inch sub deal in the high street Subway.

For those aspiring to this kind of thing, my family was confusing and, in some cases, an unwelcome intrusion. We'd turn up to summer street parties laden with pakoras, only to be met with side-eyes and polite refusal from the gathered crowds. When friends came over on a Sunday they'd question why we were having curry instead of a roast, yet every time I was called a "chink" or a "paki" at school, I was routinely asked by contemporaries and teachers to identify with the roots they had questioned.

"I'm not sure why you're upset," said one teacher. "You're basically white."



Watch our film about someone having a very different experience growing up—Harvii, an obsessive autograph collector:


Another problematic part of the mixed race experience is being valued, by some, as somehow slightly superior than those from just one ethnic minority. Mixed race people are often referred to as the best of both, some perfect combination of two races that discards the "bad" elements of each other.

This is obviously offensive in its own right, but it also forms part of the fetishization of someone who exists on the outlier of two communities. Comments such as "You're not like them" only served to distance me from one of the communities I felt like I belonged to, furthering the isolation. I used to wish my dad didn't serve rice with every meal, or that my Asian aunts would buy me clothes from River Island just so it would be easier for me to pretend to be a part of the suburban furniture my white friends so easily inhabited. I remember, at the time, being unable to believe that an Asian community could exist in a British county or city. In Hertfordshire, residents were so desperate to integrate and be integrated into the faux London aesthetic that they sacrificed differences in their own identities for the ultimate goal.

While the confused identity of one middle class mixed race person might not be of pressing demand, this need to assimilate that I and others like me felt—and still feel—is reflected in the fact that we as a country are still unwelcoming to those we deem as outsiders, then complain when they don't "behave British." Continued hostility will lead to those from minority groups joining together in solidarity, away from persecution—so of course they're going to stick to what they know if they feel unwelcome elsewhere.

By the time I was in sixth form, my friendship group consisted of four other girls of mixed ethnicity and an eastern European girl. In a majority white school, all those who defined themselves as "other" had collected together in a silent solidarity. It's still something that resonates with me today—the feeling that to have some form of identity within white communities, I have to reject anything that made me individual and conform to the blanket idea of the outsider.

Escaping the home counties at 18 helped, but even in somewhere as comparatively diverse as London, you realize the need for a sense of belonging and a community to identify with. Today, I identify as Asian, not for the ease of others, but because after years of being treated as an other, it's my minority roots I connect with the most.

Follow Rachel on Twitter.


Will Filming Bad Cops Really Make Them Behave Better?

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A citizen filming a police officer in New York City. Photo via Flickr user OakleyOriginals

On April 29, when it seemed like the entire country was seething over the death of 25-year-old Freddie Gray in the back of a Baltimore Police Department paddy wagon, a protest in Denver turned tense, and then violent, and police and activists clashed openly in the street.

Jesse Ben was among the protesters on the scene, and as many demonstrators do these days, he was filming the police—an act he says led to him being singled out for arrest and harassment.

"During my arrest," he told VICE, "I suffered a concussion, a severely macerated lip, a loosened tooth, and multiple abrasions and bruises on my body and face... An officer also tried to step on my camera and just missed, in what was a clear effort to damage it."

Ben's pregnant wife Jessica continued filming after her husband's arrest, attempting to document the chaos from a safe distance. Then she was spotted, she says, and suddenly became a target.

"A cop in a blue uniform quickly approached me and grabbed my phone out of my hand as I filmed without saying a single word to me," Jessica said. "He simply snatched my phone from my hands and disappeared. He did not tell my why he was taking it, he did not say how I could get it back, and he did not give me his name or badge number."

She added that she was shoved against a bus by a different officer, who pressed a baton to her throat, and was only released after she pleaded with the officer to not hurt her stomach. "I told the officer that my phone was taken and asked who took it," she said, "but he would not talk to me."

Despite multiple attempts to retrieve the phone from the Denver Police Department, Jesse Ben says he and his wife had been stonewalled.

"They essentially acted as if it's not possible that an officer would take her phone," Ben said, "and that if they did, it was Jessica's fault they couldn't find it because she wasn't able to get the officer's name or badge number. Of course, many officers had their badge numbers covered, as they do at most protests."

The Denver Police Department declined to comment on Jesse and Jessica Ben's arrest, suggesting it was under investigation. But the couple's experience highlights the heated nationwide debate over the act of recording the cops. Many activists see it as the only way to hold police officers halfway accountable, while some cops clearly resent that sort of monitoring, judging by the occasional aggressive response to being caught on video.

One thing's for sure: More people are filming the actions of law enforcement than ever. In Colorado, the ACLU has created an app that allows users to record footage on their phones, and, with a quick touch of a button, send them the resulting files. The app was modeled after the Stop and Frisk Watch app from the New York Civil Liberties Union (NYCLU), used to monitor the alleged racial bias of NYPD officers, which also has a recording function. The feature proved so popular that ACLU offices in 12 other states have developed their own Mobile Justice apps, set to be released this summer.

But whether these efforts will have a tangible impact is tough to divine.

"I'm a bit skeptical on whether the mass availability of cameras really does change things that much," says Lonnie Schaible, an assistant professor of criminal justice at the University of Colorado Denver. "It may make us more aware of police behavior in some cases, but I'm not sure it changes the behavior of officers. Police are already aware that they operate in a fishbowl."

Schaible adds that he'd be interested in a study checking out states with various laws regarding a citizen's right to film police activity, the idea being to see if areas with more lenient policies result in lower rates of police misbehavior. At the moment, he believes there is a real lack of data on this issue.

There is at least some evidence that body cameras are an effective deterrent in police misbehavior. A study of body cameras worn by police in Rialto, California in 2012 found that in a single year, complaints against officers fell 88 percent, and use of force incidents fell 60 percent.

Still, when Denver implemented a pilot program for body cameras on officers between June and December of last year, the results were underwhelming.

A report from Denver's Office of the Independent Monitor found that in the district where body cameras were worn, use of force incidents increased by 11 percent and decreased by 7 percent in other districts. And the number of complaints actually rose 8 percent, while falling by 6 percent in areas outside the district. It's unlikely that body cameras were responsible for the rise in violence, but in their singular task of documenting that violence, they were apparently a failure.

Nicholas Mitchell, Denver's independent police monitor and the author of the report, compared the number of use of force incidents with the number that were recorded on video and found that "relatively few of them had been captured on camera." Mitchell added that large portions of use of force incidents come from sergeants and off-duty police officers working security who were not given cameras. Of those who did have cameras, only 26 percent of their use of force incidents were recorded, oftenbecause officers apparently did not bother to turn the camera on. (Cities where police officers are required to record at all times have seen better results.)

"One of the interesting things we saw was that there was no requirement for officers to notify citizens that they were being recorded," Mitchell told VICE. "And from a privacy and civil liberties perspective, we think it's important that police put citizens on notice that they are being recorded... Also, when both participants in an interaction know that they're on camera, they both might have some inclination to regulate their own behavior, and be less confrontational."

Video plays a role, too, in the biggest police-related controversy in Denver at the moment: the death of Jessica Hernandez, a 17-year-old who was shot and killed by police last January. Officers asserted she tried to hit them with a car and claimed self-defense, but Hernandez's family's attorney has suggested they fired at the vehicle before it even moved. One nearby witness filmed some of the incident, and the video was given to to media outlets, who then blurred out Hernandez's body. Activists insist that this editing left out images of police misbehavior; one protester at a small rally on Tuesday told me that "she was manhandled, searched, and suffered a blunt-force contusion to her head after she had been shot. [The media] only showed a few seconds of the video, and we know it's longer."

The Hernandez family attorney, Qusair Mohamedbhai, told VICE that the autopsy did in fact show Hernandez suffered injuries to the head after she was shot, but Lynn Kimbrough, director of communications for the Denver DA's office, said that the video in question "was of a very short duration, and did not have any substantive value to the investigation." Denver District Attorney Mitch Morrissey recently announced that there would be no criminal charges brought against the officers.


Check out our interview with Radley Balko on militarized policing in America.


In March, Colorado passed the "Right to Record" bill, which improved the protections for those who filmed the police; when it goes into effect next year, citizens prevented by cops from lawfully recording them could see $15,000 in damages.

"We had heard multiple stories of people who had been intimidated by peace officers while recording them," said Colorado State Representative Daneya Esgar, a co-sponsor of the bill. "We wanted to not only make sure people understood [filming police] was within their right, but also make sure police departments were training their officers to know that as well. Taking someone's piece of equipment, deleting someone's recording, or stopping someone from recording is an infringement on citizens' First and Fourth amendment rights."

And recordings can lead to results. A recent study by the Washington Post found that of the 385 cases of police deaths by shooting in the first five months of 2015, the three that have lead to criminal prosecutions were all captured on film.

Schaible, the criminal justice professor at CU Denver, believes that cameras could have some impact on influencing police behavior, but that problems between police and citizens go far beyond simply documenting them.

"In a lot of these instances, if you talk to the officer that is accused of misconduct, they're going to stand by what they did as appropriate," Schaible said. "In a dangerous situation, where they feel threatened, these officers are only human. Even if there's a camera on, I don't believe they're thinking about who is watching, they're reacting on a primal level, which is determined by culture, physiological factors, a whole host of things."

So if cameras offer the prospect of hope for reforming police practices in Denver and in the US at large, we shouldn't kid ourselves about the nature of their power to produce accountability.

"In our society, we have this belief that more surveillance is somehow going to make us safer, that more cameras are going to stop bad people from doing bad things," Schaible said. "But I think ultimately if someone wants to do something bad, and they don't think there'll be any consequences for it, [a camera] isn't going to stop them."

Follow Josiah M. Hesse on Twitter.

I’m Proud of Being Trans and I Don’t Care About Passing

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Photo by author

A few months ago, sitting on a tram at lunchtime, I noticed a young girl staring at me with her mouth wide open. Staring back I thought: there's nothing like the puzzled look of a child on public transport to tell you you're not passing.

But the thought made me pause, and consider this moment between us from another perspective. What if I was the first trans woman she'd seen? After all, I probably was. I smiled warmly back at her.

Following Caitlyn Jenner's and Laverne Cox's Vanity Fair and Time covers, there's been a lot of discussion about society reaching a tipping point in trans visibility. But honestly, as a trans individual, I'm not sure what that's supposed to mean for us. It's naive to assume two cover stories dedicated to glamorous American trans personalities in 12 months represents a tangible step forward for trans lives. Realistically, it demonstrates a tipping point for cis-gendered people thinking they've reached a tipping point.

While recent trans stories in the mainstream media may help with issues around trans visibility, the way the public has engaged with these cover stories has placed an enormous emphasis on the cult of "passing". To "pass" is to be perceived as the gender with which you identify. But our increasing obsession with it is a dehumanising social construct, as it hinges on other people's idea of what trans women are expected to look like.

From desirability to public safety, to pass is to receive certain privileges.

From desirability to public safety, to pass is to receive certain privileges. And since I transitioned, these opposing sides of visibility—to be openly trans and covertly pass—have stuck with me.

In my first month of transition, I was holidaying in Las Vegas. One evening I walked the strip and was laughed at the whole way. Everybody was on vacation and I was just part of the show. Passing a 50 metre animated billboard opposite Caesars Palace I looked up to see a beautiful female cabaret performer. The image was captioned "You won't believe... she's actually a man!" I was crushed.

It was the point at which cis-gendered people's fascination with the physical transformation of transgendered lives became totally evident to me. Society places an importance on trans women who pass and ridicule on those who don't.

Some of the most harmful things said to me pre-transition by ex-partners and former friends were observations of my masculine features that in their minds rendered me unable to pass. My eyes were too deep set, my neck too thick, my nose was big, my chin pronounced, I was too tall. They assured me I'd make a much better looking man than I ever would a woman, so why would I want to wreck that?

These critiques were born from the expectation that all trans people have to pass, and they create their own debilitating narratives of self-hatred. They are the voices that still needle me when I look in the mirror or when I feel myself being studied by an aggressor in public. They are the anxieties that paralyse trans women and manifest as depression contributing to mental illness and suicide.

The inability to pass often renders us prisoners in our homes, as not passing in public can lead to being the target of ridicule and violence. We only need look to last weekend's transphobic bashing of Sydney musician Stephanie McCarthy in Newtown to be reminded of the other side of visibility.

Normativity dictates who and what gets wide mainstream attention.

Normativity dictates who and what gets wide mainstream attention. But these "cover stories" are not the real trans experience. There is nothing glamorous about the erasure, poverty, and murder that define our experiences and permeate our communities. This is what annoys trans folks about our much talked visibility, this tipping point, it's so edited.

On my way to work today I considered what I want from visibility. I hope that when somebody passes me on the street they don't think, my god that's a man. I want them to think unconsciously, that's a woman or even better, that's a trans woman. Because I'm proud I'm trans, and I don't care about passing. We can present any way we choose, and a space in public consciousness needs to be made available for all identities of trans individuals.

So next time you see a trans woman in the street, at the club, or on a low-resolution JPG of the cover of a magazine on your phone, take another look at us. See us for who we are. Now, that would be a milestone.

Simona is a DJ, musician, and founder of the label Girls Who Smoke Poke.

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The VICE Guide to Right Now: Mitt Romney Thinks Hillary Clinton's Eyes Are Saying, 'Where's My Latte?'

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America is gearing up for the 2016 presidential election, and there's already an overwhelming amount of talk about the candidates. Bernie Sanders is drumming up a revolution, Mike Huckabee is perfecting his presidential business model, and Jeb Bush remains the last hope for a Bush Family Dynasty. Rick Perry even made himself a spiffy political-advertisement video to announce his dive into the presidential cagefight.

Amid all this, former presidential candidate and sad boxer Mitt Romney took to MSNBC's Morning Joe on Monday to share his two cents about the Republican candidates. He had plenty to say until the conversation turned to Hillary Clinton and her speech this past weekend at Roosevelt Island. Blinking excessively, Romney said that Clinton's speech "touched the various places she needs," but that she is out of touch with the general population.

"When she comes into a room full of people, she's smiling with her mouth but her eyes are saying, 'Where's my latte?'" the man whose house has car elevators said.

Want Some In-Depth Stories About the 2016 Election?

1. A Very Early Preview of the 2016 Republican Debate Cagefights
2. Everything You Need to Know About Rand Paul's Crusade Against the Patriot Act
3. Rick Santorum Begins His Slow Slide into Frothy Irrelevance
4. How Mike Huckabee Turned Running for President into a Business Empire

Seinfeld2000's Guide to Jerry Seinfeld, Political Correctness, and the Internet News Cycle

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Meet our friend @Seinfeld2000. He uses Twitter as a platform to imagine a surreal hellscape in which Seinfeld is still on in the modern era. Since Jerry Seinfeld spent all of last week embroiled in the news cycle as a culture warrior fighting against political correctness, we asked S2K to offer his opinions on this whole mess.

HEY! Before wading in to the waters on the FIRE STORM of contraversy Jery Seinfeld ignited last week, i want to adress one thing just right of the bat. i know this subject is "SO last week news cycle" but some times in life u need a bit of time to let thing's process k. Theres defenetely a lot to un-pack here and i didnt want to just throw down a knee jerk reactien in the heat of the moment. The "knee jerk store called" and theyre running out of hot takes. Well i have one coming right up and its the hotest of them all

So now that were all ready lets take a sober and well reason look at just what got everyone so HOT AND HEAVY to begin with!

THURSDAY, JUNE 4

Jery apears on an ESPN radio show called The Herd with Colin Cowherd which realy sound like a show about bovine stuff but wikipeed say its a sports talk radio show based in Bristol, Conecticut. So Jery was ostensebly on the show to pop off about the Mets or whatever but then the conversaish turn towards the fact that Jerys BFF IRL Chris Rock and other comic like " Larry the Cable Repair Man" dont like to perform on colege campuses. Check it out i download the pertenent part and then uploaded to my soundclaude:

If ur too disengage from life to actualy listen to this audio snipett, what realy "mark ruffaloed" peoples feathers is THIS QUOTE: "I don't play colleges but I hear a lot of people tell me, 'Don't go near colleges, they're so PC.' I'll give you an example: My daughter's 14. My wife says to her, 'Well, you know, in the next couple of years, I think maybe you're going to want to hang around the city more on the weekends so you can see boys.' You know, my daughter says, 'That's sexist.' They just want to use these words. 'That's racist. That's sexist. That's prejudice.' They don't even know what they're talking about."

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well if u have ever been to colege, u know that if theres one thing that qualifies as "fighting words" its that someone doesnt know something. After a few days of incubatien...

MONDAY, JUNE 8

The internet definitely explode. Step aside, kim kardasheins posterier, a 60+ comedy legend with a web series where he grabs some java with other funnymen in lavish, exquisite and sometimes whimsicle vehicles can still break the internet too!!!!

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Prety much all week the media went "hard in the paint" (modarn referance to milenial rapper Waka Flocka) on Jery!

Talking Points Memo threw down some razor sharp talking points!! "this is all our collective faults for ever pretending Seinfeld was funny and giving him money to observe at us at length."

Where i come from we have a term for that kind of straght up disrespect—it "no chill"

And The Guardien was like "what Seinfeld and some other comedians see as a threat, I see as doors being thrown open to more and more voices."


Related: Watch a guy try to do stand-up on acid.


Have u ever watched an epsode or caught a skitch from SNL from like the first season and felt just like "ok, bill muray is the man, jim belushi rest in peace, i know this is like clasic foundatien comedy but im just not LMAO @ this in my heart?" Maybe it becase whats funny changes in society. as customs and culture changes we have always found new ways 2 lol. what was hot in 1980 just in terms of comedy becomes jay leno making kanye west cry on that awkward talk show he had at 10pm for like 5 months during the whole NBC conan obrian debacale

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So is Jery trying to protect "the old guard" of comedy and if so, is the "old guard " politicaly incorect humors, comedy that shine a light on the darkness, the very wrongness that make us human? That some times is ugly uncomfortable, that some times is personal, but it gets all of us eventualy at some point and we do have to laugh at our selves no matter our circumstances, becase we are all at the end of the day, conscious forms of fleshy organic matter that dont understand who we are or what any of this is?

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Or is it that its hard for younger generatiens to go along with opiniens of a comedy icon who can just call up Gary shandling any time he want and just go "hey u wana go for coffee" and then suprise Gary Shanters at his house in a 2011 Butagti Veyron, "the only car smoother than Gary"

When Jery say this to Gary Shandling he honestly cry becase its such a fine complement. Then Gary compose him self and with perfect comic timing honed for years in smoke filled Los Angeles clubs, he say "is this for me? Do i get to keep the bugatti?"

TUESDAY, JUNE 9

KABLAM. Jery doubles down on Seth Meyers. What u thought jery was gonna sit back in his The Jaguar XK120 convertible while shooting an epsode of Comediens in Cars Geting Coffee in London with John Cleese (in it one of the things they talk about is how tea is more popular in england) and chill while u bloging ass motherfuckers try to tarnish his shine on some outrage shit? Ha ha then u dont know the real Jery Seinfeld. U think he became the hotest comedian in the game even at his advanced age by being soft n sweet? Dont forget, Jerys a New yorker down to his fucking incisors. and u dont fuck with new york

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So while talking with Seth not only did Jer Bear stand by his statements about prissy colege students, he doubled the fuck down with the editor of the New Yorker, David Remnick (no relatien to Leah Remenick from "King of quens" staring Frank Costanza).

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Jery said he does this joke about how ppl scroll thru their phones like a "gay french king" and then he does this kind of "florishing" fancy swiping gesture with his finger and he said that he picked up a vibe at one show where when he says "gay" everybody kind of put out a vibe like "no no no Jery, that not okay"

I mean, k. i think some of the disonance with this whole Jery vs PC saga is that we are used to Jery being an uncontroversial and family friendly comedien who has managed to strike a balance of observatienal accuracy that reaches that pure truth at the heart of all great comedy while bypasing any real vulgarity. so to hear jary railing aganst political corectness feels less natural than it would out of the mouth of someone like howard starn or louis CK

WEDNESDAY, JUNE 10

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Remember the epsode of seinfeld where Elane is arguing with that writer and shes smoking in the elevator and she yell "THERE ARE NO SUCH THING AS BIG COINCIDENCES AND SMALL COINCIDENCE, THERE ARE JUST COINCIDENCES." That was such a funny moment to think about but it also apply to what i am about to talk about. I guess i agree with elane that there are *degrees* of coicidence becase on Wedensday at 11:30 Jery dropped the second epsode of his 6th "seasen" of Comedians in Cars geting coffee staring orginal king of comedy and family feud halarious-facial-expresion master Steve harvey. The big coicindence is that it just so hapened Jery and STeve would be talking about the same issue that dominated the cyber-sphere all week long: political corectness.

Jery deployed the troll bait on twiter and it was hook line and sinker

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THURSDAY, JUNE 11

There comes a point when any story—no mater how controversiel or explosive—in every news cycle must die. One indicator that its breathing its last gasps is when that story reaches The View. Its the equivalent of ur nonna telling u about a cool new band u have been listening to since 2010 and its like "Nonna how do u know about Crystal Castles" and ur Nona say "i just heard their song in a Harvest Valley granola bar comercial and shazamed it. Btw thank u for teaching me about SHazam honny, and also about the acronym BTW"

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Anyway's, on Thursday the view took Jary straight to church in a pink 1975 El Dorado Converteble. And no, they didnt stop off for cofee. Whopi droped some of the clasic wisdom that made her a magnetic force in movies like the 1996 basketball caper Eddie and the 1996 supernatural family romper Bogus co-staring Gerard Depardieu. Not to mentien Sister Act and SIstar Act 2: Back in the Habit. Whopy, who used to be a comediane herself, well she just said, "Comics are always offensive, that's our job. We offend everybody."

On Noisey: Read how the Seinfeld theme song came into being.

Also Whoopy was in the movie Ghost.

FRIDAY, JUNE 12

One persen who know about Poltical Incorectness, it Bill Marr (who apears on an upcoming epsode of Comedians Cars N Cofee), and if theres one persen who knows about "roasting" its Roastmaster Jeff Ross whos always got a piping hot five alarm zinger up his sleve. Together on Bills HBO show, they played clean up, geting the last word (until me) and fighting back aganst the PC police.

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On comedy, Bill Mar said "Comedy is medicine. It's the best medicine, laughter. You don't want it generic. You want it potent."

Bill say hes going to go even harder on the PC Gestapo on his show next week so set ur VCRs!!!

FINAL THOUGHT

The world is changing fast. now more than ever we have more means of comunication for expresing our unique individuel thoughts than ever. THis circumstance is the perfect enviranment for clashing opinions and friction. The trick is to just say "SERENTIY NOW" and live ur life as best u can and focus on other things like what seinfeld would be like if it still on TV today

Like the other day i was simply wondering, would there be an epsode he acidentaly schedule a date with two diferent women he was flirting with on Tinder at the same restarant and then go back and forth between their tables all nite and then when hes at the one womans table hes texting the other woman at her table, like hes texting her cute emojis and "brb" and vice versa with the other woman?

LMAO

Follow Seinfeld2000 on Twitter.

VICE Vs Video Games: The E3 ‘Fallout 4’ Reveal Was Glorious, and I'm on Board with the Hype

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'Fallout 4' promotional art via Bethesda.

This article originally appeared on VICE UK.

I've always been a little cold towards the Fallout franchise. I've dabbled with it in the past, but rarely with much success. I've never seen one of the games through to its conclusion—not even Fallout 3, which I struggled through for many hours without ever connecting to it emotionally. So, truthfully, all the bluster in the build-up to developer Bethesda's E3 revealing of actual gameplay of its fourth entry in the series had left only the slightest impression on me—until the conference itself, and my witnessing of Fallout 4 in motion.

What a glorious-looking game. The game world—described by presenter (and Bethesda game director/executive producer) Todd Howard as "the most ambitious and detailed game world that we have ever made, culminating in the massive ruins of downtown Boston"—is awash with color, lending it life where there is so little, as you'd expect 200 years after a nuclear attack on your player character's homeland. It's absolutely beautiful. There was plenty in the reveal that harked back to the gameplay of Fallout 3, but you have to hand it to Bethesda—the time they've put into Fallout 4, with development beginning in 2009, has evidently been spent wisely, the almost-end product incorporating a wealth of new-gen feature upgrades and innovations.

[youtube src='//www.youtube.com/embed/2KApp699WdE' width='560' height='315']

Bethesda's entire E3 2015 presentation, featuring 'DOOM,' 'Dishonored 2,' and (eventually) 'Fallout 4.'

Foremost amongst the improvements is the engine that Fallout 4 is running, a supercharged rebooting of Bethesda's Creation Engine, which worked its magic on making the world of Skyrim so memorable back in 2011. Incidentally, Fallout 4's release date will land almost exactly four years after Skyrim's, on November 10, 2015. It's so sweet-looking that audience members even cheered its rendering of a cola bottle—at least, I assume that's why they perked up when the gameplay demo reached the point where a fridge could be opened. Speaking of which, refrigeration devices have rarely looked as good as they do here, that cow-launching appliance of Earthworm Jim aside, of course.

One thing that the Creation Engine doesn't seem to have quite fixed is the stiff animation of previous Fallouts—viewed third person, the player's eminently editable avatar (and you can be a female character this time, too) is a jerky collection of smooth curves and realistic follicles, and the dog he or she meets soon enough is also more mechanical of movement than not. Perhaps that's intentional, though—perhaps that's not a real dog at all, and you, you're not really alive, either. It'd make sense for "you" to be a robot: you're the sole survivor of your vault (111, hence the numbers on your back), returning to the post-apocalyptic wilds of North America some 200 years after the bombs fell. So either there was some hyper-sleep or stasis technology down there that you, uniquely, made it through; or you're an android, C-3PO with a fleshier complexion.


Related: The Mystical Universe of 'Magic: The Gathering'


Further echoes of Fallout 3 include the new game's revival of the VATS combat system, allowing you to aim for specific areas of an enemy's anatomy—which, yes, used to mean consistently shooting super mutants in (well, close to) the ballsack. What's new is the game's ability to actually call you by your name, with 1,000 popular ones available (unlucky, Bender, Denim, and Rexx), and the potential for crafting your own gear that, as Kotaku writes, "looks awesome."

Basically, if you see it, you can use it—and what you use it for remains entirely up to you. You can customize where you live, what that dog of yours is wearing around its neck, what you're packing to combat the adversaries of the American wastes, and your power armor. "Completely overboard" is how Howard describes the game's attitude to crafting—"Rip it apart, and build it the way you want... Make it your own experience."

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You can own one of these, too, if you've $120 down the back of the sofa. Screen shot via Bethesda.

Bethesda's revealing very little of the story side to the Fallout 4 experience right now—but it is giving gamers a mobile taste of what's to come with the release (it's out now) of a complementary iOS title, Fallout Shelter—check out a trailer here. It looks like a much fancier version of Unicube's Sheltered, which we previously profiled. The studio also revealed a way to immerse yourself even deeper into the fiction of the Fallout universe, as you, too, can own your own Pip-Boy—the not-so-little wrist-worn computer that your character walks around with. The catch is that it'll cost a (mercifully, not literal) bomb—the smartphone-compatible units come with the $119.00 special edition of the game. But surely these "rotating knobs and lights" would represent a bargain at twice the price—if you're a complete Fallout obsessive with more money than sense, anyway.

Premium merchandising aimed at exploiting idiots excepted, nothing that I've seen of Fallout 4 in the past 12 hours has put me off hopping aboard its hype train. I'm buying a coach-class ticket, of course, but you can consider me along for the ride, at least until we all crash against the inevitable launch bugs, heavyweight patches, and definitive "ultimate edition" release, making all your prior investments utterly worthless. Go video games!

Follow Mike Diver on Twitter.

What Cersei Lannister's Naked Walk of Shame Tells Us About Our Culture

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Lena Headey as Cersei Lannister in 'Game of Thrones.' Photo by Helen Sloan. Courtesy of HBO

Warning: spoilers about the fifth season abound.

This season of Game of Thrones has been the most controversial yet. A big part of this contention springs from the fact that many of the show's leading female characters have been pushed to the brink: Sansa Stark faces a brutal rape on her own wedding night. The young and ill Shireen Baratheon is sacrificed for her father's military plans quite literally, being burned at the stake. A sympathetic wildling mother, Karsi, is introduced, then killed off within a single episode. As always, Arya Stark seems to remain no more than a knife's edge from peril. And even the mighty Daenerys Targaryen requires deus ex Drogon for survival.

In last night's season finale, imperial matriarch (in more ways than one) Cersei Lannister (Lena Headey) is sentenced to a "walk of atonement" for her sexual history. Her punishment includes being shaved, stripped, and paraded through town publicly. In an interview with the Huffington Post, Eugene Simon, who plays Cersei's brother Lancel, spoke of how "medieval" the practice is.

Simon isn't wrong, but he's isn't exactly right, either. Once again, the ways in which Game of Thrones fails to be medieval may say more about our own time than about the Middle Ages.

On Munchies: Read about How Medieval Cuisine Is Saving the UK's Biggest Party Town

As we do today, the Middle Ages had a range of ways to shame people who acted outside of society's bounds. In "charivaris," people dressed as monsters chased malefactors, or captured them and subjected them to public humiliation. Men and women could be forced to endure "rough music" for minor social infractions like gossiping or for more serious transgression like spousal abuse. This was social vigilante-ism, however. Rather than being enforced by the state, these were neighbors finding ways to shame other neighbors. While pillories and cucking stools might feature in our imagined medieval worlds, these types of social punishment were practiced most frequently after the Middle Ages, and were part of formal, institutionalized punishment rather than the neighborhood justice of the charivari.

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A depiction of charivari. Via Wikipedia

However, the Middle Ages did employ a wide range of institutional shaming, frequently enacted through special courts linked to the Catholic Church. Medieval people across Europe would have been relatively accustomed to seeing men and women stripped down to their underwear and paraded through town as penance for a range of infractions from infidelity to heresy, on a more or less regular basis. Even the powerful could be forced into such penance: the English King Henry II's penance for the murder of Thomas Beckett, or Holy Roman Emperor Henry IV's punishment at Canossa for angering the Pope are famous instances, for example. Men's sexual choices could also be punished this way, as we see in the instance of Duke of Lancaster, John of Gaunt, who performed his penance for adultery in the 1380s.

To strip someone completely naked instead of leaving them their underwear is a creative decision by series author George R. R. Martin (and followed by showrunners D. B. Weiss and David Benioff) along the lines of Deadwood's decision to use contemporary swear words because modern people wouldn't even notice historically accurate cursing.

[body_image width='2100' height='1397' path='images/content-images/2015/06/15/' crop='images/content-images-crops/2015/06/15/' filename='what-cersei-lannisters-walk-of-shame-tells-us-about-our-culture-884-body-image-1434375711.jpg' id='66265']Hannah Waddingham as Septa Unella and Lena Headey as Cersei Lannister. Photo by Macall B. Polay. Courtesy of HBO

At the same time, Cersei's punishment calls to mind the law on the treatment of the female captive outlined in the Bible in the book of Deuteronomy (21: 12-13): "She shall shave her head, and pare her nails; and she shall put the raiment of her captivity from off her... and after that thou shalt go in unto her, and be her husband." With her hair shaved, nails pared, and body exposed, she becomes utterly bare. The act renders her culturally clean enough to be taken as a wife.

Indeed, the similarity of Cersei's treatment as a captive woman again calls to mind the specter of marital rape that Game of Thrones has raised before. Most recently marital rape featured just weeks ago on Sansa's wedding night, but in an earlier instance Cersei herself was raped by Jaime Lannister, the man she otherwise chose as her primary sexual partner and emotional support (not uncomplicated by the fact that he is also her brother).


Want to meet George Miller, the director of 'Mad Max: Fury Road'?


So which is it? Is the "underlying society medieval?" If so, it means that Cersei's walk will not be her end socially or politically. Far from it. After all, Henry II, Henry IV, John of Gaunt, and other medieval penitents such as Jane Shore, mistress to English King Edward IV, Marquis Thomas Grey, and Baron William Hastings both high and low continued on to live long, successful social and political lives. That was the point of institutional shaming. It served as a kind of medieval version of time-out, in which a person could stop, think, and collect her resources, and once that's achieved, return to regular life. Time-out might be a punishment, but it's a social punishment, designed to help a person reintegrate into society.

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Hafþór Júlíus Björnsson as Ser Gregor Clegane, "The Mountain" and Lena Headey as Cersei Lannister. Photo courtesy of HBO

If, on the other hand, Cersei falls fully and irrevocably—as did Eleanor Cobham, the disgraced former Duchess of Gloucester who spent the rest of her life under house arrest following her own penance—then once again Game of Thrones fails to be medieval, despite what many believe. If, instead, the show is a fantasy, then it's a misogynistic fantasy. If Cersei is not allowed redemption following her walk, she will have had her life destroyed for her sexual choices, becoming another notch on the show's headboard of wrecked women's lives.

No one today would think to use the treatment of the captive woman in Deuteronomy as a roadmap toward marital bliss, but we have abundant evidence that our modern culture denies women sexual autonomy, and that the social punishment for women who show sexual autonomy can be staggeringly high. Our culture harshly judges women for having sex with more people than we think they should, for having sex with women instead of men, for enjoying kinky sex in ways we ourselves don't enjoy, and more.

It seems our own culture, no less than Game of Thrones, needs a time-out. The time to sit and think might do us some good. With increased awareness, perhaps we can start pulling ourselves together and work toward a more respectful, equitable society.

Kathleen E. Kennedy is an associate professor at Penn State-Brandywine, specializing in medieval and Early Modern English literature and history. She is on Twitter.

Shark Attacks: Two Teenagers Lose Limbs on North Carolina Beach

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Shark Attacks: Two Teenagers Lose Limbs on North Carolina Beach

VICE Vs Video Games: A ‘Live Blog’ of Every E3 Press Conference Ever

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The LA Convention Center, where the E3 magic (mostly) happens. Photo via Wikipedia.

This article originally appeared on VICE UK.

Video game publishers, developers, journalists, and apologists are gathering in Los Angeles, right now, for this year's E3 trade show, a week of big announcements that will be watched around the world by the eager gaming masses.

But before any games are played come the press conferences, available to watch on any number of streaming platforms, screens embedded in the articles of countless enthusiast websites. If watching events unfold live and unfiltered isn't your thing however, we'll be here to take you through all the action literally minutes after it happens using the archaic format of actual words.

Join us back here at 5 PM, when the action begins.

16:55: This is your five-minute warning, guys. Grab a drink, take a shit, and ready your bodies. The fun is about to begin with the first press conference of this year's E3.

16:59:55: AND HERE WE GO!

17:02: Or, not. Sorry. There's a slight delay in LA. There are rumblings that the postponement is due to rampant homophobia in the Twitch stream comments. We'd verify that but the Wi-Fi here is terrible and we can't risk losing this single bar that's powering our liveblog.

17:06: Pitbull gives way to Imagine Dragons as the pre-show music playlist enters its sixth cycle. The audience is looking restless, and we're sure this soundtrack isn't helping. It's not exactly brown-note fare, but not far from it judging by all the shifting in seats we can see from here.

17:12: AND HERE WE GO! For real, this time. The lights dim, ushering in a big-screen montage of recycled footage from games you already know about. There are some actors pretending to be gamers, talking about how much they love graphics, action, and white dudes with guns. "GAMES ARE PROPER GOOD LIKE," reads the video's emphatic closing slogan as the company's CEO strides onto the stage beaming like a man that's about to marry his daughter into money, only his daughter is video games and it's our money he intends to make his own.

17:17: Wearing a sports jacket, he gesticulates wildly as he welcomes us to E3. He's promising a great show full of surprises and "a wide variety of titles that showcase the breadth and depth of what video games can be."

17:18: This year's Annual First-Person Shooter is up first, with a gameplay footage premiere so intense it's likely to turn even the staunchest SJW a shade of murderous, mainstream-gaming red.

17:23: The game's Creative Director is walking us through the earliest mission with the best lighting effects, moving slower than any player actually would to ensure we take in the detailed but blandly designed environment. He mutters something about frames per second. This game definitely has some of those.

17:31: The screen is awash with blood and gargled death as the player stabs a bunch of dudes in the neck during a forced stealth section. This seamlessly gives way to a cutscene in which a supporting character gets uncomfortably close to the screen, presumably in the hope that we notice his magnificently rendered pores. True enough, some people in the audience are making notes. No, wait. The letters are too big for regular I'll-need-to-refer-to-this-later use.

17:34: A violent firefight breaks out. Characters are screaming obscenities over deafening gunfire as the player throws a grenade far enough away to be out of the blast radius but close enough to make sure everyone can see the death animations. The demo ends with a turret section and a dramatic cliff-hanger.

17:36: This-console-exclusive maps, weapons, pre-order bonuses, characters, storylines, and control schemes are announced, prior to the confirmation of the same release date as every other game in the series, like this is some sort of incredible news.

17:38: He exits stage left as we fade into some suspiciously impressive gameplay footage that could be from anything but is in fact from that exclusive announced at the end of last year's show. Scattered whooping from the crowd as most are left wondering whether what we saw is actually gameplay or another bloody Colonial Marines incident.

17:40: Twitter says the latter. And Twitter is angry.


Related: The Mystical Universe of 'Magic: The Gathering'

Or something completely different: The New Era of Canadian Sex Work


17:47: The company's Head of Worldwide Number-Fluffing struts out with a remote we fear controls a graph-filled presentation.

17:47:36: It does.

17:59: We've now had over ten minutes of pie charts about subscribers, brand partnerships, and first-party sales figures. Members of the audience, several rows back, are now facing the most distant cameras in the auditorium, which we believe are feeding this footage directly into the homes of by now surely bored-to-tears viewers, and holding up their notepads. "P L E A S E K I L L M E," they read, left to right, a single capital letter on each page. Oh, very droll, and conveniently coincidental given that Colonial Marines comment of 17:38.

17:59:51: Wait, there's movement. "But these graphs aren't real reason I'm here on stage today," our fluffer begins. "Our console has been a big success. You know it, our competitors know it, and my bank balance certainly knows it. I'm here today to make an unprecedented announcement, one that spoken words alone can't do justice."

18:00: Gaggles of presumably hired goons planted throughout the theatre burst into tepid applause as he drops his trousers to reveal the words "45 MILLION UNITS SOLD" tattooed across his pubic area and "WORLdwide" scrawled along the shaft of what we can only call his penis. Had they got a bigger man along, perhaps the whole message could have been in capitals. He leaves the stage, hands raised, waddling with his pants around his ankles. That wasn't quite the kind of big reveal we were expecting.

18:05: Next up is a sizzle reel of indie games exclusive to our presenting party's platform. Dozens of titles whizz by in a matter of seconds, almost like nobody with the money here gives a single shit about them. It's tough to keep track of them all, honestly, especially given at least a couple will ultimately get dropped before a Kickstarter campaign picks them up again, only to fall short of its goal, and leave the two guys behind the game penniless, as is the fate awaiting so many an indie dev; but we did see one game that looked like a wholly clichéd Tim Burton nightmare, something all in black and white that's probably awash with symbolism, and what might have been a new Oddworld.

18:08: The co-directors of tiny indie studio Adjective Entertainment step nervously onto the stage to talk about their new game TEAR, in which you control the tears running down a child's face. They explain to the crowd that the kid is crying because her mother wants to live on the Moon but can't because she's vegan. Or something to that effect. Okay, okay—I popped away from proceedings for 30 seconds to grab a Mountain Dew, I'm sorry. It won't happen again. I did catch that TEAR is a timed exclusive, though, after which it's also coming to Ouya. So look out for that, you, the one person who bought an Ouya.

18:13: Peter Moore walks on, dumps a pile of this year's EA Sports titles on the floor and leaves. As he departs, on comes an executive sort wearing a blazer over a Bubsy T-shirt. Remember Bubsy? Nor do most of those assembled, who exchange confused glances as the chap says something about the revival of a much-cherished franchise that's been left in the shadows for too long.

18:16: Anticipation is building, but nothing of actual substance has yet spilled forth from the mouth of this guy. He talks about "visceral and emotional emergi-tech." I'd look up what that meant, but I fear wasting my life on that kind of thing will only come to depress me in later years.

18:23: Wait. The lights are dimming. A trailer is starting.

After some E3 snack ideas? Check out MUNCHIES.

18:24: We hear dialogue over a black screen: "The present... What is the present, anyway? The future is ours, defined by our past, our actions and our mistakes. We live, we die, and we do what we can to shape the world we live in."

18:25: A CGI figure emerges from the darkness and shuffles off toward a colorful world. A logo appears.

18:25:37: The rumors were true. VIVA PIÑATA 3 CONFIRMED!

18:30: The blazer-wearer reappears, clapping his own work, and tells us the game will be released "whenever it's fucking ready."

18:31: He leaves to further whooping as the audience prepares to head outside for five minutes of the LA sun they'll see so little of in the coming days. The CEO half-jogs back onto the stage: "That's our show, thanks everybody! Have a great week." He says something else, although perhaps it's more of a cackle, but Avicii's "The Nights" drowns him out. It's the only time in living memory anyone is happy to hear this shitty fusion of house and whatever the fuck else is going on oh god just make it stop.

18:32: And that's it! Thanks for joining us, and be sure to read our 20-odd stories recapping today's events in unnecessarily thorough detail given you can just watch the entire conference back on YouTube in... right now, actually. Twitter is calling the past hour and a half "a waste of time" and saying things like "srsly guys turn down the suck." I have no comment to add to those, save a question: where's the nearest free bar?

Follow VICE Gaming's coverage of E3 2015 here.

Follow Ben on Twitter.

Will the Most Heroic Character on 'Game of Thrones' Join the Army of the Dead?

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Kit Harrington as Jon Snow in 'Game of Thrones.' Photo by Helen Sloan. Courtesy of HBO

Warning: Spoilers of the fifth season the books abound.

Season five of Game of Thrones ended last night with daggers plunging into the gut of Jon Snow, the one true action hero of the series. As his blood leaked out into the cold snow of Castle Black, I wondered, Would it be so bad if the zombies win?

It was an eventful final episode: Stannis met his just rewards for burning his daughter alive—his wife committed suicide and many of his men abandoned him. Then his remaining troops were obliterated by the Boltons and their allies. The scene of the horsemen of the North surrounding the dregs of Stannis's army across the snowy plain reminded me of just how beautiful and terrifying the show can be. Stannis's death at Brienne's hands felt as just as anything in the history of the show. Unless, of course, the camera cut away because he isn't actually dead.

The episode got grimmer from there. Sure enough, Sansa didn't get to rescue herself, but continues to be dragged around by Reek, the hero of the endless Game of Theons. The other Stark lady, Arya, did better. In a scene relatively free of degradation of women (grading on a curve), she finally crossed the name of Ser Meryn Trant off her rapidly-shortening kill list. Melisandre and Cersei (and a few lesser figures) had better be worried.

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Lena Headey as Cersei Lannister in 'Game of Thrones.' Photo by Helen Sloan. Courtesy of HBO

Cersei, meanwhile, confessed, lied, was humiliated, and now what will she do? The walk of shame, iconic and terrible, just kept going and going, as Cersei's impassive resolve slowly broke. Will she repent? Because, let's remember, unlike so many other victims in this show, Cersei is responsible for so much of the horror visited on Westeros (Littlefinger is ultimately responsible for the rest). Or will the arrival of Frankenknight (Qyburn's creation from the corpse of Gregor Clegane, now known as "Ser Robert Strong"), send her down the villain's path to even greater wickedness?

And then there's Jon Snow. Is he really dead? Could he rise again as the legendary hero, Azor Ahai, or be raised by Melisandre (who conveniently just arrived at Castle Black). Jon Snow famously knows nothing, but Kit Harrington, who apparently knows more than his character, claims he's definitely dead. Whatever happens, the era of mortal politics is rapidly slipping away, as magic and horror loom in every corner of Westeros.

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Kit Harrington as Jon Snow in 'Game of Thrones.' Photo by Helen Sloan. Courtesy of HBO

One of the interesting meta-stories running throughout Game of Thrones has been the slow shift from low fantasy toward high fantasy. For years, the world has been recognizable as medieval-ish fantasy with its intricate, interesting, and yet familiar brands of politics and warfare. The supernatural has always been lurking in the background. The very first scene of the first episode featured a White Walker, after all—but we were really drawn in by the complex personalities, stirring rivalries, and dirty deeds.

[body_image width='2100' height='1181' path='images/content-images/2015/06/15/' crop='images/content-images-crops/2015/06/15/' filename='will-the-most-heroic-character-on-game-of-thrones-become-a-zombie-949-body-image-1434386558.jpg' id='66398']Emilia Clarke as DaenerysTargaryen in 'Game of Thrones.' Photo courtesy of HBO

Something fundamental changed in the world, though, when Daenerys emerged from the fire with three living dragons. Old magic, dormant in moth-eaten books and formulaic religious rituals, suddenly found new vigor. This is why the the warlocks of Qarth wanted control over the dragons, way back in season two, a quest that ended with them in fire. It's why the fire-priest Thoros, uttering prayers long unanswered, suddenly raises Ser Beric Dondarrion from the dead. Alchemists in King's Landing suddenly find it much easier to make Wildfire, supplying Tyrion with the fuel to burn so much of Stannis's fleet at Blackwater. We're told that Qyburn has been experimenting with corpses for years, but only now has achieved his necromantic masterpiece in Ser Robert Strong. Meanwhile, because fire is always paired with ice in this world, the advance of the White Walkers, the Night King, and the journey of Bran (absent for this whole season, but soon to return I suspect), show a similar entry of the mystical from the North.


Meet Crystal Moselle, Director of 'The Wolfpack':


This is a very different trajectory than, for example, Tolkien's Middle Earth. By the time the story begins in The Hobbit and Lord of the Rings, magic has already diminished to a great extent. Once the One Ring is destroyed and the elves leave Middle Earth en masse, magic is pretty much gone. The Age of Men follows.

There are two complementary kinds of stories about the ebb and flow of magic and the supernatural in fantasy worlds: The "end of magic" arc or the "magic returns to the world" arc (magic's presence can also just be de facto without changing, of course, too). The former is common far beyond Tolkien, of course. You can see it time and time again in young-adult fantasy, a growing genre that has increased sales by150 percent between 2006 to 2015. As fantasy author and friend Marissa Lingen suggested, the loss of childhood wonder and the onset of adulthood brings an easy way for magic to slip from the world (think Narnia).

[body_image width='2100' height='1397' path='images/content-images/2015/06/15/' crop='images/content-images-crops/2015/06/15/' filename='will-the-most-heroic-character-on-game-of-thrones-become-a-zombie-949-body-image-1434386867.jpg' id='66399']Indira Varma as Ellaria Sand in 'Game of Thrones.' Photo by Macall B. Polay. Courtesy of HBO

Game of Thrones, on the other hand, fits neatly in the latter category. Magic has been gone for centuries. Westerosi see it, at best, as belonging to a bygone age—if it ever existed. But now that's changed.

Speaking of bygone ages, read about How Medieval Cuisine Is Saving the UK's Biggest Party Town on Munchies

That's not really good news. Civil wars are, of course, terrible for the "small folk," but that's relatively low stakes compared to the death of the entire world at the hands of wights. This is not a happy magic has come to save the day story, but that magic is a harbinger of a greater threat of apocalypse.

I've spent quite a bit of this season baffled by pointless or poorly crafted changes from the books. Why keep adding new torture and rape scenes? We get it. Why are the Unsullied suddenly so incompetent when they were the greatest warriors in Essos? Why can't the Sand Snakes defeat Bronn and a left-handed Jaime? George R. R. Martin and show-creators David Benioff and D. B. Weiss have collaborated in crafting an exquisite world, the likes of which we've never really seen in a television series. It has extraordinary depth, an awesome set of plot lines, and so many interesting characters. It's why I get upset when I see Benioff and Weiss squandering these resources, both in terms of the world in which they get to play and the vast sums of money at their disposal. Averaging $6 million an episode, the HBO show dropped $200K for Cersei's walk of shame alone.

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Lena Headey as Cersei Lannister in 'Game of Thrones.' Photo by Helen Sloan. Courtesy of HBO

I'm a completist and it's very hard for me to break away from a show or a series of books once I've started. I'm sticking out Game of Thrones to the end, so here's my note of hope. The show flounders when it crafts new characters, new plot lines, new twists. But it's always been good at depicting the big story—the enemy from the North, the dragons, and scenes like Blackwater, the deadly weddings, the attack at the Wall, Hardhome, and so forth.

Along with winter, much more of that stuff is coming. In the new high-fantasy world of Westeros, every myth and legend that the Westerosi told each other while sitting around the fire is coming to life. The White Walkers, Wun Wun the giant, the Children of the Forest (with Bran, coming back to the show soon), the mythic hero Azor Ahai, the sword Lightbringer, Drogon and, we hope, his sibling dragons, the dead rising, and hopefully even the righteous avenging nastiness of Lady Stoneheart, who systematically hunts down everyone who has ever done the Starks wrong, which, by now, is basically everyone in Westeros.

Weiss and Benioff have shown themselves adept at handling the supernatural elements of the show, and as they take front and center, season six should be the most fantastical yet.

David Perry is a journalist on disability, state violence, parenting, gender, and the cult of compliance. Follow him on Twitter.

Unpackaging London's Hated ‘Hipster Model,’ Ricki Hall

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The article is in full here if you have a key to get through the paywall.

This article originally appeared on VICE UK.

Yesterday the Sunday Times Magazine did one of those things—you know those things, those posh magazine things—where they ask someone you have never heard of to talk you through the minutiae of their day. "I wake up and salute the sun and have a glass of hot water," that sort of thing. Because it's always that, isn't it? Always wholesome. You never see those articles start with, "Wake up: two wanks to try and shake off the hangover then I get up and have to have a cold shower because my fucking housemate has used all the hot water again, Jesus fucking Christ, Pat, it's all over the floor as well, do you even know how to take a shower mate, fucking Christ." Or: "Breakfast: one old slice of Domino's, taken cold." Full disclosure: the Sunday Times Magazine has not, and never ever will, ask me to do A Life in the Day.

Anyway, this weekend they asked London-based "hipster model" Ricki Hall to do it, which makes sense, because he once dated Kelly Osbourne. Yeah, what have you ever done? This guy has 365,000 Instagram followers and he once pashed Ozzy Osbourne's daughter. Your life looks shit now, doesn't it? Ricki Hall is already inherently better than you, in every feasible way.

Trending on NOISEY: Spotify Just Discovered Heavy Metal is More Popular Than Pop Music

Thing is... thing is people didn't especially like Ricki Hall, post-interview. They did not react well to him, generally:

[tweet text=" @JessRuston: Wow 'model Ricki Hall', your A Life in the Day really is special. pic.twitter.com/6nqTAktETK DERELICTE!" byline="— John Niven (@NivenJ1)" user_id="NivenJ1" tweet_id="609988351022735360" tweet_visual_time="June 14, 2015"]

[tweet text="IN YOU FUCKING GO, HALL pic.twitter.com/MAh4cs0FDe" byline="— Get In The Sea (@getinthesea)" user_id="getinthesea" tweet_id="609997115792748545" tweet_visual_time="June 14, 2015"]

[tweet text="From model Ricki Hall - unprecedented levels of wankery pic.twitter.com/85kIv6TK5u" byline="— Daily Mail Comments (@BestoftheMail)" user_id="BestoftheMail" tweet_id="610026505490579456" tweet_visual_time="June 14, 2015"]

I mean, here is a thing he said, about himself, in a national newspaper: "I can lose followers on Instagram over anything—once I lost 1,500 of them after painting my nails black." Also: "I ... spray on Lynx Africa." And here's the one that really got people on Twitter mad: "I use this time to think about my day, maybe my next fashion statement. I take style tips from everything, even kids and homeless people."

Close your eyes. Imagine a man with black painted nails who smells—by choice—of Lynx Africa, eyeing up children and homeless people to see how fire their look is. What did you just imagine? The leader of a local pickup artist collective who is on his last warning from the police? Wrong: what you were actually thinking about was Ricki Hall, hipster model and former beau of Kelly Osbourne.

Listen: I'm not here to tell you Ricki Hall is the worst man in the world. I'm not here to say, "Ricki Hall seems like the type of dude who complains about man buns because 'he did that years ago, and now everyone is doing it.'" No. That is not my place. Other words I am not here to say: "Ricki Hall legitimately enjoys rooftop bars"; "Ricki Hall keeps saying he is 'bored of pulled pork' but actually, secretly, extremely likes pulled pork still"; "Walking anywhere with Ricki Hall takes three times as long because he keeps stopping to ask you to take photos of him posing by graffiti." These things are not for me to say. You can judge him for yourself. Make your own mind up.


Related: Like the new Mad Max? Watch our Q&A with director George Miller


But what I am saying is: Doesn't... doesn't it sort of sound like Ricki Hall is playing the role of a hipster, here? Like he has googled, "what do hipsters do + say" before the interview and got it down rote.

"I'm called 'a hipster,' which I hate"—Ricki Hall, 2015.

"When I'm in London, I like to explore or go on missions to find something specific, like a shirt."—Ricki Hall, 2015.

"London is a fake and dark place"—Ricki Hall, 2015

"My tattoos include Super Mario and Mr. Messy"—Ricki Hall, 2015.

Ricki Hall, trawling around London, looking for a shirt. Ricki Hall, marveling that a glass of cold water is free. Does this sound like a man who has anything going on? Or does this sound like a man who is exceptionally worried about what people think of him? Is there any truth at all to the Ricki Hall: A Life in the Day interview? Or is Ricki Hall locked in his own tedious purgatory, a pair of size-8 women's jogging bottoms, looping around Brockwell Park, forever? A shapeless caricature human, a mist of Lynx Africa that got membership at Shoreditch House?

Over on VICE Sports: The Craziest Colombian Bullfighter Story Ever

"Haha I've been misquoted a few times in the Sunday Times interview," Hall tweeted, final closure after hours of people saying he is basically Mugatu off of Zoolander with prison tats. "It happens dude [GHOST EMOJI]." But I think he knows that's not true. I think when he drinks his glass of tap water and applies his teenager deodorant this morning, he knows he was quoted exactly perfectly.

But for all those fist-in-mouth-and-out-through-the-back-of-the-throat moments, this is the sentence that gets me, that breaks my horrid heart: "I drink red wine—white makes me think of ex-girlfriends, and I can end up fucking crying." Because this is as close as we get to a moment of truth from Ricki Hall. This is the only time he peels back the veneer and let's us see the raw flesh underneath. Are you really crying for lost love, Ricki Hall? Or are you crying because you are a children's coloring book papier machéd into the shape of a model, a haircut and beard combo that learned how to talk about itself, a mannequin cursed by a wizard to live a human life forevermore? Who is the real you? When you wake up and "lob a coffee pod in your Nespresso," do you know who you are? When you wipe spaghetti out of your beard with a napkin, do you have any emotions about that? Do you really think the original Mad Max is better than the new one, or are you just saying so? What do you actually think and feel? When you lie in your bed at night, waiting for the 9 AM TV alarm clock to wake you up instead of an actual alarm clock, what do you wonder about? Is it nothing? Or is the single note that sings pure and true inside your body just a quiet gust of wind?

Follow Joel Golby on Twitter.

The Really Weird Things People Masturbated to for Their First Times

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Image via Wiki Commons.

Pretty much everything about growing up is weird. The weirdest part, though, is probably when we all discover that it feels nice to touch yourself down in your bathing suit area. As soon as you realize this, much of the rest of your life will be spent looking for things that make you feel nice in your pants and then masturbating to those things.

Unless you had extremely chill (?) parents who were willing to explain pornography to you, you probably janked it to some pretty weird shit before you discovered porn. Most of us aren't given a roadmap to help our genital squirtles evolve into full-on orgasm-shooting blastoises, so we're forced to turn to, like, literally anything that might be titillating in some capacity.

Because we love you, we asked some of our favorite people on the internet to tell us about the first things they cranked it to.

Sydney Leathers - Ryan Phillippee

[youtube src='//www.youtube.com/embed/SCFR2vpMIQU' width='640' height='390']

I remember watching Cruel Intentions as a kid. Something about Ryan Phillippee turned me on. (Maybe I knew he was a cheater?) He REALLY turns me on. Yes, present tense. He's still so sexy. I see why young me fingered herself.

@LILINTERNET (Music Video Director/Producer)- Girl in a Bikini/Bloody Enraged Shark

It was some movie on HBO. We used to stay up super late and tape any nudity we saw onto VHS. To be honest I was just playing around with myself because I heard about ejaculating but wasn't really sure "the deal." So I'm watching this movie waiting for nudity, but all I was seeing was this girl wearing a bikini on a boat with this dude struggling with this ferocious shark in the water. I was touching myself just because, and this shark is bleeding and thrashing all around. The girl in the bikini's big breasts were bouncing as the boat rocked from the struggle. All of a sudden I looked at this bleeding, enraged shark, then at her bouncing tan breasts, and I started to feel funny. I came. I was spooked. I didn't really know what happened. But I liked it. I would repeat this same scenario many times that summer.

@crackdoubt (New York Drug Princess) - Romance Novel

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The first thing I masturbated to was a Harlequin romance novel. I was obsessed with it. It was called Between Mist and Midnight and the romance was between these step siblings—the step-brother takes the girl's virginity, it's crazy. They were rich, too. Look at the cover. There's always like two or three sex scenes in romance novels, and in this book I had them all dog-eared for quick reference!!!

Jon Hendren (DevOps Thought Leader/The Guy Who Has the Twitter Handle @fart) - .JPEGs of a Guy with a Mustache Shaving a Woman

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I was pretty young and had relatively unfettered access to the internet, for better or worse. I don't remember the exact search term I used (probably "boobs"), but I remember using fucking Lycos to find it. I happened across really poor quality .JPEGs of a spray-tanned woman with impossibly round fake breasts, and some handlebar mustache dude was lathering her up and shaving her. I remember thinking, Well, I guess this is foreplay. It took me about a year to realize shaving was a fetish thing and not typical. I'm OK now, though. I got better.

Brandon Wardell (Comedian) - Just Looked At His Own Boner

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My history of jacking off is complicated and I blame that 100 percent on going to Catholic school during 6th and 7th grade. Basically, I didn't jack off until like 15 or 16 because I explicitly remember them saying some wild shit in religion class where they were basically like, "if you touch yourself, you're going to hell" and it really stuck with me. So what I ended up doing during prime jerking off age was I'd pull up softcore porn vids, get a boner, and just look at the boner. Like, I'd just look at my boner til it went away.

@Seinfeld2000 - 'Seinfeld'

[youtube src='//www.youtube.com/embed/aQNkeugaAMc' width='640' height='390']

k, so back before the intarnet? Finding something on-line to "lost the contest" to was no picnic. honestly guys when i was just a tiny boy, my fam had dial up modam, a "porn hub" was what we called the gooey pile of FHM magazines with Cristina Applegate in her undergarments that resided under my half brothers bed, and it would take like 15 minute for even a single .jpag of a homemade ilustratien of marge simpsen with her breasts reveale to down load on to the screne of my 486 PC! So when i was FINALY ready to "unmaster my domain" (after breaking my personel celibacy oath that i made at christian summer camp smh) i just simply didnt have the patiance. Fortunetely we had recorded on VHS videocasete prety much every epsoade of seinfeld up to season 5. So hmm how do i put this delicatly and coyly: lets just say that in my imagenatien, i have hooked up with every one of jerys GFs. In the words of Gerge, "I had hand BABY!!!!"

Father (rapper) - Sativa Rose

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Image via Wiki Commons.

The first thing I jacked off to was this porn star, Sativa Rose. It might have been an episode of Bang Bros. I'm a late bloomer, so it was like sixth grade. It's fuckin' hilarious because I jerked off and came on my bookbag. I wore that bookbag for eternity. I went for several years and I wasn't aware of what was going on. I'd just look at that stain and wonder, "What is this?"

@literalporn (Writer) - Print 'Playboy'

The first piece of media I ever masturbated to was a Playboy magazine at age seven. I found it at my teenage cousin's house. I had been left home alone and as a curious kid is bound to do, I started to touch all his belongings and going through his older person shit. When I found his poorly hidden Playboy stash that was surely stolen from his mother's bodega, I was fascinated by the beautiful, soft-focus women showing their boobs. I vividly recall one spread in particular of a golden tan brunette Bunny in a school girl's uniform. I sat on the floor and went through the pages, pressing myself against the carpet in an instinctual hump, not yet knowing what masturbation was or how to do it.

The first piece of equipment I learned to masturbate with was my tub faucet. Under the rushing water with my legs in the air I found my first orgasm. I became addicted. Often, I wouldn't stop until I was interrupted by someone knocking on the door asking to use the bathroom. In my prepubescent days I wasted hundreds if not thousands of gallons of water getting myself off. I came of age in the beginning of the digital porn era but it hadn't occurred to me to look to the internet for smut. Even if it had, I wouldn't have been able to carry my large cumbersome PC upstairs into the bathroom with me.


For more about the glorious world of porno fodder, check out our interview with Hustler publisher Larry Flynt.


Carter Cruise (Porn Star) - Nothing

My first time wasn't to anything. I've always been an imagination person. When I was first masturbating I was three or four. It felt good. The first time to something was middle school when I got access to a computer. It was some kind of erotica. I used to read this kid's MySpace page. He was probably 16, a few years older than me. He would write about having sex with 13-year-old girls. It was horrifying. At first it was fascinating but then it turned me on. I also liked vampires.

The Kid Mero (Writer, Castmember of MTV's 'Guy Code') - Old Porn on a Video Labeled "Wrestlemania"

YO THE FIRST THING U EVER BEAT OFF TO IS WILD VIVIDLY IMPORTANT IN YOUR BRAIN YOU FEEL ME? IT'S ONE OF THOSE RARE LIFE MOMENTS WHERE YOU DISCOVER SOME REALLY DOPE SHIT FOR THE FIRST TIME. YOU EVER SEE A BABY TOUCH ITS DICK FOR THE FIRST TIME? (STAY WITH ME) HE'S LIKE "OH SHIT THIS DICK SHIT IS CRAZY B!" THAT'S THE FIRST STEP. THE SECOND STEP IS FIGURING OUT THE MECHANICS OF BEATING YOUR PP TO SHREDS AND THE THIRD STEP IS FINDING SHIT TO BEAT OFF TO. I FEEL LIKE A LOTTA Y'ALL STARTED YOUR MASTURBATION CAREERS BEATIN OFF TO INNOCUOUS CHILL DEMURE SHIT LIKE JCPENNY CATALOGS OR WHATEVER. THE FIRST TIME I MADE BEEF STROKINOFF WAS TO A FULL BLOWN PNO (PORNO) DUBBED OVER A CASSETTE THAT SAID "WRESTLEMANIA" ON IT BUT WASN'T NO WRESTLING IN THAT BITCH. THE ADULT FILM FEATURED A LADY WHO HAD THE OD JHERI CURL AND THE DUDE SMASHING HAD THE 1983 RUGGED WHITE GUY PONYTAIL. I BEAT OFF TO THAT SHIT LIKE I WAS PLAYING FLAPPY BIRD FOR A BIG ASS NOVELTY CHECK MY GUY. AFTER I HAD THE WILD WHIMSICAL CLIMAX I WAS IMMEJUTLY MAD NERVOUS LIKE YO I GOTTA HIDE THIS TAPE IDK WHERE IT CAME FROM THEN I REALIZED IT PROLLY BELONGED TO ONE OF MY UNEMPLOYED DRUNK UNCLES AND JUST PUT THAT SHIT BACK WHERE I FOUND IT. THAT STORY WAS WILD DICKENSIAN (CUZ IT'S DICK RELATED).

Because we're asking everybody to air their dirty, cum-stained laundry, we felt it was only fair to share the stories of our own early masturbation material.

Mitchell Sunderland - Hugh Jackman Kiss Scene

[youtube src='//www.youtube.com/embed/zp1kaDcljTg' width='640' height='390']

I realized I wanted to fuck boys in seventh grade when I saw Hugh Jackman kiss a dude in The Boy from Oz, a musical about Liza Minnelli's first husband who died from AIDS. At first I was confused and upset, but then I got a boner and I was way more interested in finding dirty pictures and touching my wiener than my Catholic guilt trip. I scurried MySpace looking for wanking material and eventually landed on another teen's page. The strange gay teen posted pictures of himself in white boxer briefs. For several months his pics kept me very, very busy after school.

Drew Millard - 'Newsweek'

As a kid, I used to read Newsweek religiously. That's honestly probably more bizarre and embarrassing than any masturbation story I could offer, but all I can say is I grew up in a ridiculously small town and I didn't have anything better to do. In addition to gory pictures of dead people in war zones and angry letters to the editor, Newsweek occasionally ran entertainment stories. One story of particular note was on Paris Hilton and Nicole Ritchie's reality show The Simple Life, and featured a photo of the two of them in bikini tops. If you recall, this was around the time that Hilton's sex tape had come out. Well, my internet was way too shitty to download her sex tape off Kazaa, but I realized if I looked at the picture of Paris Hilton in Newsweek and thought about her having sex, it was good enough. For years, I kept that copy of Newsweek hidden under my bedside table, under a thousand-page compilation of all the Hitchhiker's Guide to the Galaxy books. A few times a week, I'd fish out the magazine, flip to the dog-eared page of Paris, and pound off to my heart's content. In college, I came back from school one weekend and discovered my mom had cleaned out my room and thrown the Newsweek away. I was crushed. Not because I still didn't know how to access pornography, but because I knew my youth was truly dead.

Follow Mitchell on Twitter.

Follow Drew on Twitter.

Are Your Pets Contributing to Global Warming?

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All illustrations by George Heaven

This article originally appeared in the May 2015 UK issue of VICE Magazine.

Domestic animals have played a significant role in the history of human civilization. Ever since the end of the last ice age, humans have cultured a relationship with the surrounding fauna for their benefit. Today's pets are the product of generations of selective breeding. We allowed those with characteristics we liked to flourish. So far, so useful.

But as new technology mechanized many processes, some domesticated animals were increasingly valued for their companionship, rather than practicality. Domesticated cats who once devoured rats to keep the pests and the accompanying disease at bay, became reliant on the food that owners provided. Many domesticated animals have essentially become living toys, existing to entertain their owners.

So what, you might say. Well, with the combined global population of cats estimated to be between 200 and 600 million, and dogs upwards of 500 million, it would be interesting to know how much is invested in producing their food. In an age where climate change and resource scarcity are pressing issues, should pets be considered a luxury we could do without? Should we be implored to think twice before acquiring yet another methane-producing, meat-consuming, live-in monster? Can we afford to keep pets if it's going to cost us the Earth?

Professor Brenda Vale, of Victoria University, New Zealand, thinks not: "We shouldn't be keeping pets in the numbers they are currently kept in. It's unreasonable to have the idea that you can have it all— children, two large dogs, and an SUV—and somehow it doesn't matter." In fact, Vale finds many aspects of modern life so concerning that she authored Time to Eat the Dog?: The Real Guide to Sustainable Living. The book swims in numbers and calculations as it attempts to quantify the impact of various parts of modern living, and aims to encourage people to shake habits cultivated over centuries.


Watch our HBO report on Greenland's melting glaciers:


It is of course well-documented that our global way of life is entirely unsustainable. The World Bank–commissioned report on climate change in 2012, "Turn Down the Heat: Why a 4° Warmer World Must be Avoided," states that our current trajectory will be "devastating" and averting our current course is "vital for the health and welfare of communities around the world." If everyone lived like an average American citizen, we'd need at least four Earths to support us.

So how can one compare the impact of an animal to a car? Talking about energy usage can be abstract and intangible. Mathis Wackernagel and William Rees of the University of British Columbia, Vancouver, developed the idea in the 1990s of an "ecological footprint," and with it the "global hectare." They employed a beautiful, simple unit we can relate to: the surface of the Earth. Apart from very few isolated incidents (a new volcano creating an island, for instance), the total biologically productive area on Earth is basically an unchanging value over time. It's essential that we have enough space to produce the resources that support our needs. If this ceases to be the case, life becomes unsustainable and we're just sailing a sinking ship on an acidic sea through the mists of CO2.

The global hectare (gha) represents a plot of land 100m by 100m, about the area occupied by a football pitch. In the words of the Global Footprint Network, it is a "productivity weighted area used to report both the biocapacity of the Earth, and the demand on biocapacity." For keen number crunchers, each global hectare is capable of producing 135 billion joules of energy per year. The global hectare idea essentially averages out the entire productivity of the Earth over its surface, offering one neat metric.

With the current population of the world at 7 billion, and the approximate 12 billion hectares of biologically productive land and water surface available, we can calculate that a "fair Earth-share" for each human being would be around 1.7 gha. Against this benchmark, we can see whether different societies are using over or under their fair share. To illustrate the contrast, the average American citizen in 2011 (the most recent dataset available) had a footprint of 6.5 gha, with Filipinos clocking in at 1.0 gha.

Performing these calculations for domesticated animals yields some shocking results. For example, it is calculated that an average Alsatian requires 0.36 gha of land. According to the New Scientist article "How Green Is Your Pet?", that is a larger ecological footprint than an average household diesel car. Cat-lovers are hardly off the hook, with an indoor feline clocking in at 0.15 gha. Six cats create equal demand on the earth to one Indian human: 0.9 gha.

Using the aforementioned figures for global cat population (400 million is somewhere in the middle of existing global estimates), they would have a total ecological footprint of 60 million gha. Performing the same calculation for dogs, pretending all are medium-sized (requiring 0.27 gha), we get 135 million gha for the domestic canines. This gives a combined total of 195 million gha. If that means absolutely nothing to you, which it likely won't, then think of it as the combined total ecological footprint of a city-based population of 150 million people. If these dogs and cats disappeared, it would be the same as if twice the population of the UK did the same, in terms of ecological impact.

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Remember, this is just dogs and cats. If you prefer, this is the same ecological footprint as over 475 million Toyota Land Cruisers driven 6,200 miles a year, equivalent to nearly twice all the cars in the USA.

But can we trust these calculations? Professor Ralf Toumi, head of the Space and Atmospheric Physics group at Imperial College, London, told me: "I think most of the carbon footprint [of pets] comes from buildings, and diet is non-negligible. So, if meat-eating pets live with humans, then it is conceivable [that these figures add up]."

If we accept the calculations that Vale's book presents, the next question is, do we care enough to do something about it, and if we do, where do we start? One option is sharing currently-owned pets between small communities. Vale proposes that humans should not rely on animals for their social interaction: "We need to make sure, in our high-density environments, that everyone belongs to a small community within the whole, so that friendship and support come from people first. Once these groups are established, then it becomes easier for, say, one single person, to have care of a pet that children can interact with, feed, take for walks and so on."

Alternatively, we could keep smaller animals, like goldfish or canaries. These are by their nature harder to share, but their ecological footprint is minuscule compared with larger animals. An Alsatian has the same ecological footprint as 1,059 goldfish.

There are more controversial ideas. One of these is to promote owning edible domestic animals, rearing pets with a view to eating them. Other ideas include a one-child policy for domestic animals, which Professor Vale called an "excellent idea." Vale has already tried to implement rules allowing only edible pets in her local area of Wellington, New Zealand. At the most extreme end of the scale of reactions, we could even make a concerted effort for this generation of pets to be the last, spaying and neutering all currently alive.

Is this where the normally harmonious concerns of sustainability and animal welfare proponents turn against each other? Claire Drake, UK representative of People for the Ethical Treatment of Animals (PETA), argues that we are thinking in the wrong way about animals and meat. She states that "the impact of dogs and cats on the environment when compared to the impact of the meat, egg, and dairy industries is minuscule." She suggests we need to include all livestock that has been selectively bred for food (cows, chickens, pigs, and so on) in the debate, and the figures. Rather than talk about how we can raise domestic animals to eat them, we should simply forego meat altogether.

Drake indicates that this is the real issue: "Going vegan is one of the most effective ways to fight climate change. A staggering 51 percent or more of global greenhouse-gas emissions are caused by animal agriculture, according to a report published by the Worldwatch Institute. Additionally, a United Nations report concluded that a global shift towards a vegan diet is extremely important in order to combat the worst effects of climate change." In 2014, raising animals for slaughter and diary products emitted more green- house gases than all global transport, according to the Chatham House report, "Livestock—Climate Change's Forgotten Sector."

We have several options available ranging from the gently inconvenient to the radical: halting reproduction of pets, counting all livestock as domesticated and then facilitating their extinction, while becoming vegan en masse. If you had to choose between your car or your cat, what would you do? Commendable as it is to forego our car commutes into work for a bike ride, will it really make much difference if you keep five cats? If we are serious about sustainability and climate change, it may soon be a hard time to be a domestic animal. If we're not, it may soon be a shitty time to be human.

Follow Robbie on Twitter.

VICE Vs Video Games: VICE Gaming’s E3 2015 Wish List

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'The Last Guardian' was announced at E3 2009, and still, nothing.

This article originally appeared on VICE UK.

E3 is upon us. And if that makes no sense to you whatsoever, you're in the wrong corner of VICE entirely. Best go read some other stuff.

Assuming you meant to land here ( hi), let's chat a little about the video gaming industry's biggest conference of the year, and what we want to see at it in 2015. By which I mean: Here's a list of things that I'd like to witness. But whatever happens over the next few days, VICE Gaming has journalists on the ground at the LA Convention Center, so if anything amazing occurs—like, the entire EA presentation goes up in flame, or the PC Gaming Show admirably struggles on through appalling Wi-Fi—you'll read about it on these pages.

With so much leaked already— Fallout 4 was just the beginning of the pre-E3 spill-the-beans splurge—it might be that E3 2015 serves up precisely zero surprises at all. But if it was to stick to my own hopes for what happens now, heads wouldn't so much turn as slip from shoulders and roll down the conference hall aisles, right to the front of the stage, where Microsoft's Phil Spencer would collect them up before catapulting the dead-eyed bonces directly towards the Memorial Sports Arena, the venue for Sony's own presentation. Not that it'd put them off again owning their dearest rivals. Probably.

The overdue death of a franchise on its ass

E3 is always about the New What's Next, but what'd be incredibly refreshing is if someone from Ubisoft or EA—one of the major publishers—came out and said: "You know, we've fucked up this series for long enough. So that's it: It's dead." I can think of a couple of prime contenders for this unprecedented honor.

Firstly, Assassin's Creed. Ubisoft has been playing the franchise's fanbase for utter mugs recently with a bunch of wholly underwhelming games. 2014's Rogue and Unity were forgettable (the bugs aside, of course) entries into a series that has long outstayed its welcome.

I appreciate that Syndicate is on the horizon, but the Victorian London-set game looks to be a laughable embarrassment of cor-blimey-guv'nor clichés from its reveal trailer, and adding horse-and-carriage gameplay to the mix isn't about to electrify anyone's nerve endings. What is really going to change? You get to play as a girl, I guess, but Liberation already gave players that overdue luxury, and made Aveline its star. Does anyone expect Syndicate to do the same with Evie Frye?

And then there's Sonic. I loved Sega as a kid. I fooled myself into thinking that their games were head and shoulders above those coming from Nintendo. Looking back now, it's clear to me that the SNES had far superior games available for it than the Mega Drive ever did (not to knock Sega's 16-bit console, as its greatest hits have proved evergreen attractions, which is why I'm so excited about Streets of Rage II for the 3DS), but the first clutch of Sonic titles really did feel different, special; the kind of experiences Nintendo would never deliver.

Until they actually began to, gaining exclusive rights to release Sonic games for its systems, the Wii U and 3DS. Which, quite naturally really, has dragged the blue hedgehog's reputation through all manner of mud and shit and shattered memories.

Today, Sonic games are a joke. 2013's Lost World was tolerable, albeit mainly because it looked so evocative of the original games' crisp blues and luscious greens; but last year's Rise of Lyric was the sort of shambles no series should be permitted to recover from. We know that Sonic Boom: Fire & Ice is coming, later in 2015, but please let that me it. If I may be permitted to repeat what I said back in January: show mercy, Sega, and put Sonic out of his misery. And E3 is the perfect place to let history become just that.

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'Sonic Boom: Fire & Ice' trailer—it's just so hard to care anymore.

Any sign at all that the triple-A market isn't slowly destroying itself

I don't know how many more yearly Call of Duties we can have before the commercialism-first side of contemporary games making collapses under the incredible weight of its own greed. Massive-budget mega-games can be amazing when done properly—I mean, just look at Grand Theft Auto V and all the wondrous things you can do with it, in it, around it. But Rockstar, unlike so many other major publishers, doesn't rush its releases—GTAV came out when it was ready, an initial launch date of spring 2013 moving to later that same year, a situation mirrored (and more) by the time it took to properly bring the game to PC.

Truthfully, I just find it hard to stomach so many developers and publishers constantly recycling the same garbage, dressing up everything we've played before as fresh experiences. I'm into the return of Deus Ex, and a new Doom might be just what the FPS genre needs right now. Then again, they both come loaded with audience expectations that they can't possibly match. Isn't it time that the triple-A market really did inject some new IP into proceedings? A new Forza, you say? Jesus wept. Splatoon might be only a slight step in the right direction for Nintendo, a company that's traditionally leant on its archive of veteran characters for new-title inspiration, but progress is progress.


Related: Prefer cards to controllers? Watch The Mystical Universe of 'Magic: The Gathering'

Or if eSports are your thing, we made a documentary on just that.


Basically, any new IP from companies obsessed with their pasts would be cool

Capcom's E3 2015 goes as follows: Mega Man Legacy Collection, Resident Evil 0 HD, Devil May Cry 4 Special Edition, and some low-profile brawler or other called Street Fighter V. The latter title aside, which we'll rank as new despite its obvious roots in the retro world (and my own intense desire to play it, despite the baffling madness of this background), the rest is so beyond last-gen that its place in 2015 is questionable, likewise the demand for any of it even existing.

Capcom's not alone in switching its "new" game focus to rerubs of past glories, of course, and you might well be in a camp I've not come across, full of modern gamers demanding high-res versions of old NES games. But I'd love to see an iconic studio like Capcom bringing something truly fresh to gaming in 2015. Perhaps the poor performance of Remember Me in 2013—in my opinion, an underrated gem of the previous gen—has made them entirely risk averse, but were the Clover days really so long ago? Ōkami, Viewtiful Joe, God Hand: these titles swam in longevity and ingenuity. Resi Zero? Rather less so.

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Captain Falcon here, doing what he doesn't do best.

That said, a new F-Zero game would be amazing

C'mon, Ninty, seriously. You let us smack down Diddy Kong with Captain Falcon in Super Smash Bros., but setting the speed demon back in his natural environment isn't on the cards? This controller interface excuse? Not buying it, at all. Unless it's a smokescreen—making the Mute City circuit addition to Mario Kart 8 a water-tester, perhaps? Or perhaps having two major racing games on the same platform would be one too many for Nintendo right now—making the next F-Zero a launch title for the company's so-called NX? I don't know, but I'd play the shit out of another F-Zero, be it on Wii U, a platform with a "brand new concept," or my phone if need be.

Likewise a new Red Dead Redemption

Rockstar is supposedly announcing one more new game for 2015, and it may well use E3 to do so. Might it be a sequel to 2010's wonderful cowboy adventure? Internet rumors have circulated for years about what may or may not feature in a second wander around the Old West, but this "leak" from someone claiming to be an ex-employee of Rockstar makes for some interesting reading (assuming any of it is true, of course).

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'SOMA,' E3 2015 trailer.

A strong indie showing

The standout game of E3 2014 was No Man's Sky. Since then we've not learned a great deal more about the upcoming indie title, in development at British studio Hello Games, but the excitement for it seems to have been maintained (if the traffic for this piece we ran on the game is anything to go by). And there are a few indie games lined up for 2015 that could well become stars of the show.

Both SOMA and Adr1ft look like amazingly immersive experiences—the first an underwater-set new game from the makers of Amnesia: The Dark Descent, the other an interactive Gravity, going by the footage seen so far. I'm really looking forward to playing The Chinese Room's Everybody's Gone to the Rapture, a post-apocalypse ghost story of uncommon beauty. Mike Bithell's back with Volume, a stealthy follow-up to his breakthrough solo hit Thomas Was Alone, and Abzû's announcement at 2014's E3 will surely be succeeded by some more gameplay footage. (Some journos have already got their hands on the game, which doesn't make me jealous at all.) Something more of Vane would be appreciated, too, which is the new game from former members of Team Ico.

It's in the indie sector where the brightest innovations are happening, and you can guarantee that E3 will showcase a handful of compelling new experiences that exist outside of the triple-A machine. And, hopefully, enough of the press will cover them.

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'Adr1ft,' Moonlight trailer.

We know it's confusing for some of you, but Motherboard does gaming, too.

Silent Hills isn't canned at all

Hideo Kojima suddenly appears on stage in the middle of Sony's show, stepping through a mystical portal from whatever realm he calls his own, mist bellowing into the conference hall, and announces: "I have taken it upon myself to make this game regardless of Konami's direction. But you still can't download P.T., sorry about that." That'd be nice. Wouldn't it?

Quit whining about being at E3

Journalists, editors, camera operatives, PR people, anyone not reading this because they're on a plane to LA right now: you have one of the greatest jobs in all the world. Quit whinging about it on Twitter, because it's upsetting.

The Last Guardian

Ahaha. No, but, seriously. Even though it's beginning to feel like we'll see Half-Life 3 before director Fumito Ueda's long-awaited follow-up to Shadow of the Colossus, just imagine the noise if this finally got a release date. My behind will be in Blighty, but it'll still be shaken. No word on the game this year, though, and I think that we can all put the idea of it ever coming out to bed for good.

Follow Mike Diver on Twitter.

Science Shows How Your Brain Goes Racist When Processing Ethnicity and Accents

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Can you understand me? Photo courtesy Wikimedia Commons.

On today's episode of WTF with Marc Maron, comedian Godfrey spoke candidly about what it's like to pitch shows to TV networks as an African American. Born in Nebraska to Nigerian parents, the comedian says sounding like an American has worked against him.

"When I tell people I'm African, it's not the African they want to see," he says. "I don't have a 'help an African' accent, so white people don't get excited by that shit."

Toronto-based photographer Connie Tsang regularly relates to that level of disconnect, despite English being her first language. It's been happening to her for as long as she can remember, usually when she's abroad. One particular example that stands out is when she worked as a volunteer coordinator at the 2000 Olympics in Sydney, Australia. Tsang, a Canadian of Chinese descent who was born in Port Rowan, Ontario, was tasked with calling a list of volunteers who she arranged to meet in person. When she introduced herself to them later in the week, they looked at her with confusion.

"They told me 'We're supposed to meet with Connie the Canadian,'" she recounts. "I said 'I am Connie the Canadian', and they said 'No, no, no, she's Canadian. She speaks with a Canadian accent.' They hadn't realized they'd spoken to me on the phone earlier in the week."

These experiences illustrate how our sincerest attempts to be colour-blind are often fruitless. And now science can back that up.

According to a linguistics study out of the University of British Columbia, what people look like has a lot to do with how easy they are for us to understand them, regardless of how they might sound or if they even have an accent.

"Expectations and Speech Intelligibility," which was published in the Journal of the Acoustical Society of America, asked participants to transcribe sentences that had static noise in the background.

Those taking part in the study came from numerous backgrounds: Asian, Asian and Pacific Islander, Asian and White, Black, Pacific Islander, South Asian and White.

The sentences—"the house had a nice garden," for example—were read by 12 people who spoke Canadian English. Half of the speakers identified as white, the other as Chinese. All of them were born and raised in Richmond, BC.

The participants listened to the pre-recorded sentences, which were presented with either an image of three crosses, or a black and white photo of the speaker.

In the end, listeners found Chinese Canadians harder to interpret than white Canadians, but only when they knew what that speaker looked like.

In other words, participants found the sentences less accented and more intelligible when they knew the speaker was white.

Molly Babel, one of the study's authors, explains that listeners seemed to have an expectation that if you're not white, you're a non-Native speaker of English and therefore expected a certain signal. When that signal wasn't there, it became harder for the listener to understand what was being said.

She admits, "race, ethnicity and language are a tricky mix."

"Our expectations and stereotypes on what people sound like are what we use, need and rely on when it comes to understanding spoken language," Babel says.

Along with transcribing sentences with static in the background, the participants were asked to take part in several other tasks: accentedness rating, which means describing how strong someone's accent sounds; an implicit measure of ethnic bias to gage the participants attitudes towards Asian Canadian and white Canadians; an explicit measure of ethnic bias (Example: Do you agree with the statementAsians are better at math) and a social network self-assessment (Example: Do you spend more time with Asian Canadians or White Canadians).

Turns out, it doesn't matter if your clique is as multicultural as the entire Bratz doll collection. Individuals who said they spent more time with Asian Canadians actually had a harder time understanding them. Those who spend more time with white Canadians also showed the effect, just not as strongly.

"Saying someone has a strong accent is actually different than having a hard time understanding what someone is saying," she says.

Babel says her findings mean a few things: "This likely isn't about willful misunderstanding.

Our expectations (of how someone should sound) are what get us into trouble and can run us into the ground at some point."

Tsang admits it's unrealistic to have in-depth conversations with everyone before they can make assumptions about her. But it doesn't make the expectation about who she is less painful.

"They're not paying attention to the words I'm saying or believing what I'm saying because they've already approached the situation with these ideas in their heads," she says. "All my life I've been an English speaker and they're doubting that I am from the get go."

Anita Bromberg, Executive Director with the Canadian Race Relations Foundations says that even though the findings are part of one academic study, it reflects what's happening on a greater scale.

"Despite all our mixing and educational components out there, we're still driven by stereotypes," she says. "There's a range of consequences but it behooves us to understand that it can eventually lead to outright hate amongst us and we fool ourselves to think otherwise."

Follow Elianna Lev on Twitter.


The Story of the Two Murderers' Escape from a New York Prison Keeps Getting Weirder and Weirder

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It's been more than nine days, and New York law enforcement doesn't seem to be any closer to finding the two convicted murderers who escaped from the scariest prison in the state by crawling through a pipe.

Meanwhile, details in the press about the prison break have grown increasingly lurid, with rumors of large penises, sex on railroad tracks, and a bizarre spousal murder plot threatening to overshadow the manhunt itself.

At the center of it all is Joyce Mitchell, a 51-year-old civilian employee at Clinton Correctional Institute. On Friday, police arrested her; local prosecutors accuse her of smuggling hacksaw blades and assorted other tools into the facility sometime last month.

How would the two escapees, Richard Matt and David Sweat, have convinced a prison employee to help them? Well, a New York Post article from last week quotes a retired detective as saying Matt is "very handsome and, in all frankness, very well endowed. He gets girlfriends any place he goes." And the Daily Mail ran a story with quotes from Mitchell's former flames and co-workers describing her as a "serial cheat" who might have had sex on the railroad tracks near the factory where she used to work.

The size of Matt's dick and the nature of Mitchell's relationships are obviously difficult to confirm. But stuff like that makes for perfect tabloid fodder—as does the New York Daily News report Sunday that Mitchell confessed to prosecutors that the escaped prisoners planned to kill her new husband, and that she initially intended to accompany them as getaway driver. Instead, she checked herself into a local hospital around the time of the escape last weekend, reportedly complaining of panic attack–esque symptoms.

Mitchell, who briefly appeared in court Monday looking sullen, is pleading not guilty to a first-degree charge of promoting prison contraband and a fourth-degree charge of criminal facilitation. She faces up to seven years in prison, and had reportedly been investigated in the past for being too close to Sweat. Officials apparently decided at the time they didn't have the goods to remove her from the facility.

The New York Times reports that some 800 members of law enforcement have combed 8,300 acres surrounding the prison in the small town of Dannamora in upstate New York. There have been no confirmed sightings of the escaped duo, just lots of gossip, but the Clinton Correctional Facility remains on 24-hour lockdown.


Interested in maximum security prisons? Check out the VICE News documentary on the Salinas Valley State Prison in California.


"We keep calling the prison and they don't tell us anything," 25-year-old Geneva Perez, who regularly makes the trek upstate with three children to visit her husband, told the paper.

Governor Andrew Cuomo is asking New York's inspector general to begin an official probe of exactly what went wrong at Clinton, which is traditionally known as the place where the worst of the worst in the Empire State are sent to rot.

"It's the Dannemora mystery," Larry Fredette, a former corrections officer, told the Times. "Maybe we'll never know."

Follow Matt Taylor on Twitter.

A Service Industry Manifesto: Tell One Customer a Day to Go Fuck Themselves

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Hint Hint. Photo via Flickr user Michael Allen Smith.

A spectre is haunting my generation—the spectre of the customer. As the economy shrinks into a desperate race between have and have-nots, millions of us rely on precarious service industry jobs where the hours are both limited and inconvenient, where we work Sundays for wages that do not keep up with the cost of living and where we are servants to the whims of the customer who is always right. How many of us swallow our pride as another ruddy-faced early morning commuter demands a coffee as if we are merely a robotic pair of hands instead of a person with dreams and passions? We are a generation whose humanity is drowning in steamed milk and smothered beneath subpar sandwiches—where the desires of the customer who sees us as the end to his wants ignores the humanity that we share. Thus I cry to my fellow service workers—the baristas, the bartenders, the servers, the cashiers—that we must break these chains of the customers. We must tell one of them a day to "Go Fuck Yourself."

Just because the service industry job is not composed of back-breaking labour, dangerous environments, or limb- and mind-destroying repetition and monotony does not mean that there is no suffering amongst those employed in it. The suffering is caused by a multitude of factors. There is the boredom; the feeling that comes sneaking in when there is nothing to be done, nobody to serve, nothing to wipe, that the only real thing that we are doing in these jobs is dying a little bit in a room we don't want to be in. The suffering comes from shame. Shame that seeps into you because the job is easy, boring, and skilless. There is no identity in the service industry job, nothing to be proud of. Though people worked and died in far worse, more horrifying conditions, their struggles and deaths are respected and honoured. We who labour behind the steam wand or the bar tap have no such pleasure. Instead we mumble out our day jobs and latch onto our hobbies, passions, and DJ gigs for identity.

Finally the suffering comes at the hands of the customer. Serving the customer is the work that alienates us from ourselves. They are the unceasing assembly line that comes even as our mind fries and our hands ache. Whether a polite person generally interested in others or a rich, douche monster only interested in the emails buzzing his phone, every interaction with a customer is a small death for the server. Because eventually the customer must reveal him or herself. Eventually, no matter if they are concerned with when your band is playing next or if they've noticed your interesting new haircut, the interaction must become a transaction. Eventually, every server must sublimate his or her desires to the desires of the customer. I have to do what you want and it doesn't matter how I feel or what I want or that I think it's childish when adults order a hot chocolate.

It is in this moment, when we in the service industry repress our agency in the service of the customer's desires, where we must rebel. The transactions with the customer are the gears in the factory that we must sabotage, and profanity will be the boot we jam into the cogs. If we are to survive with our souls intact the knowledge/service economy that continues to be built around us, we must speak up. For ourselves, our identity, to remain strong while being battered by orders for ice cream sandwiches and fancy hotdogs, we must reassert our humanity, our freedom. We must remind those who are ordering that we have power, we must speak loudly, we must tell one customer a day to "Go Fuck Yourself."

Profanity is the most expedient tool available to us in this particular battle. The word "fuck" will be our sword, reminding any unsuspecting customer that we are dirty and dangerous, that we have sex and that we really shouldn't be anywhere near the food you want. That we are human beings with all of the dangerous possibilities that that entails. I envision a world where if you are a well-coiffed douchebag who stands in front of the bar not letting others get by while you prattle on, from behind you'll hear a withering "Go Fuck Yourself" that deflates the ego. If you are a precious, rich middle-aged woman, too busy playing with her dog to notice that the cafe is closing in two minutes, a stern "Go Fuck Yourself" will remind you there are others in the world. It does not even have to be aggressive. An amicable, mafioso style "Go Fuck Yourself" is a great gesture for a budding friendship between a empty bookstore clerk and his one lonely customer.

When you work in service, hating your fellow man becomes a knee-jerk reaction. The shame and the annoyances, the dehumanizing effects of dealing with customers results in an internal rage simmering so close to the surface that hating a person becomes the easiest thing in the world. We hate old people for slowly counting change on the counter, we hate young people for giggling with their friends, and we really hate when adults order hot chocolate. We hate parents for having annoying kids and we hate kids for being annoying.

This is why the Go Fuck Yourself Revolution is ultimately about love. Saying "Go Fuck Yourself" is a balm on the hatred, like aloe on a sunburn or weed for a hangover. It will allow customers to see us as people again and will allow us to see customers as people again rather than the hated oppressors. So let it ring out, servers, baristas, cashiers, bartenders, let it bounce off the exposed brick walls and reclaimed barn wood of the world. Tell one customer a day to "Go Fuck Yourself" so that we may learn to love again.

Follow Jordan Foisy on Twitter or watch him do some standup on ouTube.

The NSW Police Showed Us Their Fake Ice Lab in Australia's 'Meth Belt'

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Richmond is about as far as you can go before you leave Sydney's metropolitan area. It sits right in the middle of what the cops call the "meth belt." This semi-rural area provides wide-open spaces, to the point where meth laboratories largely go unnoticed.

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The police members who showed me around. Detective Inspector Michael Cook is on the right

It's also where the NSW police have their Crime Scene Investigation Training Facility. Here, police trainees can investigate simulated crime scenes. They even have their own mock ice lab. On Monday, NSW police took us on a tour through their fake Breaking Bad operation.

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Crushed pills in a pan.

Detective Inspector Michael Cook, head of the NSW Police Drug Squad's Chemical Operations Team, talked us through the steps of a crystal methamphetamine cook. In stage one, a number of household items are utilized, ranging from cold and flu tablets to coffee filters. Crushed pills containing pseudo-ephedrine are mixed with solvents and fried in a pan, eventually leaving behind a white powder. This is the most volatile part of the process with Cook saying, "People forget what they're doing, they might light a cigarette and all of sudden, because of the amount of fumes in the air, it can go bang. "

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The reflux stage.

As we moved onto the next stage, the scene began to resemble a high school science project, with glassware and tubing that can be bought on eBay. Called the reflux stage, this is where the white powder was mixed with other key ingredients Cook was careful not to name any of themwhich were then placed in a reaction vessel and heated on a mantel, until condensed. Distillation came afterwardmuch the same as distilling alcoholwith meth oil eventually being collected in a beaker. The oil was then pumped full of gas to solidify, placed in a baking dish with other ingredients, and heated again, leading to its crystallization.

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Cook explaining the setup.

The Detective Inspector explained that there's no particular type of cook. They see people from their early 20s, right through to their 70s. "Some of our more well-known cooks are guys in their 60s and 70s, who've been doing it for years." he said. "Cooks are one of the most recidivous offenders there are, because they get out and get straight back into it."

This fake meth lab is used for training interstate police, as each state has a very different ice market, with distinct production methods. Cook outlined that in NSW, it is mainly commercial operations using the hypophosphorous method, in Western Australia the highly dangerous "Nazi" method is employed, whereas in Queensland it's mainly small addict-based labs, producing for a group of friends.

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Some of the facility was mocked up to look like a regular house.

Over recent years, the NSW Police have had a focus on amphetamines, including ice. According to the 2013 to 2014 Australian Crime Commission Illicit Drug Data Report, law enforcement agencies in NSW made over 11,668 amphetamine seizures during that perioda 33 percent increase on the previous year. The number of clan (clandestine) labs raided statewide was 98, with 78 of these being amphetamine producing.

Despite these gains, ice is still prevalent on the streets. Figures from the 2014 Illicit Drug Reporting Systema national survey of people who inject drugsoutline that 93 percent of NSW respondents stated that ice was either "easy" or "very easy" to obtain.

Recently, the NSW Police launched an advertising campaign encouraging the community to play a part in identifying and informing police about meth labs. NSW Police Commissioner Andrew Scipione, said 250 clan labs had been shut down since 2013, in part thanks to anonymous calls from the public.

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The bookcase added a nice touch.

According to Cook most of the information they use to detect labs comes from people calling the police or Crime Stoppers, or from contacts they have in the chemical industry. As Cook explained, "We are committed to doing everything we can to shut down these labs but we really need the community to help us."

There are 23 investigators in Cook's unit, who all undertake proactive investigations into clan labs. And the majority of their research involves large-scale commercial operations.

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Forensic body mannequins. Note, the one on right hung himself.

According to Cook, last Friday's raid in a residence in Canley Vale involved "virtually the whole house" as a clan lab. As always, the Tactical Operations Unit were the first to enter the house. "A team of seven or eight entered with their gear and guns to clear the house, then they'll come straight back out," Cook said. Then six of the Chemical Operations Team were sent in wearing protective gear to do an assessment. "It took close to 20 people on site for two days, so it was a very labor intensive process. There is no hurry because we just need to get it done safely."

In May, they detected 15 labs state-wide, which is the second highest number on record. This has brought this year's total to 43 so far, which puts police on track to close over 100 labs by the end of the year.

But despite recent successes, Cook said it was hard to say what impact the raids were having on the market. "We keep identifying larger and larger labs and we keep putting people before the courts. We can't really say what impact that's had on a larger scale," Cook told VICE, explaining that customs have also been making large seizures at the border. For 12 months between 2013 and 2014, there were 2,367 amphetamine border seizures. "So it's coming from both sides, people cooking it in their backyards to people importing it purely from overseas."

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Chloë Sevigny Has 'No Time For Love'

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Chloë Sevigny Has 'No Time For Love'

The VICE Guide to Right Now: Iran Has Launched a State-Sanctioned Matchmaking Website

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Screenshot via Hansan.Tebyan.net

Iran just debuted an official, government-approved matchmaking website to help out with the country's 11 million bachelors and their "high demand for marriage," the AP reports. The site, Hamsan.Tebyan.net, isn't your average Tinder or eHarmony or TallFriends.com, though. It's closer to an arranged marriage than a dating app. Once you create a profile on Hamsan.Tebyan, a "board of mediators" will check out all the important aspects of who you are (namely your age, education, societal background, and level of wealth) and then they'll pair you up with a suitable match.

The country already has roughly 350 private matchmaking sites, according to the Associated Press, but this is the first to be backed by the Iranian government itself. The website is part of a larger plan aimed at boosting Iran's population by inspiring young people to couple up and start large families—the government has already stopped footing the bill for vasectomies and contraceptives, and has been sanctioning sermons that drive home the importance of having a lot of kids.

Want Some In-Depth Stories About Iran?

1. Iran's Fashion Scene Is Blossoming Under Sharia Law
2. What the Rich Kids of Tehran Instagram Tells Us About Iranian Youth Culture
3. Talking Movies with Former Iranian Political Prisoner Maziar Bahari
4. What Hezbollah Fighters Think About the Iran Nuclear Deal

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